00:00 What are you going to do now? I don't know, Uncle. Yes, you do. Move to Chicago, get an
00:04 apartment and we're going to keep doing what we're doing. You write, I direct. Come on,
00:09 man, we'll be in this together. I've never met a director. I went to college for four
00:14 years. I directed six shows there. And since then? Did you ever consider I might have plans
00:21 tonight? Stranger things have happened. Are you auditioning? No, I actually work right
00:28 around night, yeah. Hey, buddy. It's been a while, huh? Enclosed is a new play that
00:33 I just wrote and I'd like you to take a look at it. I was just thinking, you know, we could
00:37 get the band back together. What exactly do you want to do with this? I want you to direct
00:42 it. That's great, so you actually will be a director then. Yeah, looks like it. So we
00:46 can call everybody? Everybody. I found an audition. Children's theater. Like a paying
00:52 gig? And I could just audition and see what happens, right? I need more intensity. Yes,
00:57 I want to feel it, Joel. Make me feel it. You're afraid. This whole time you've been
01:02 talking about how you can't get your foot in the door. People won't work with a young
01:07 director, but this whole time you've been afraid. I want you to be completely honest
01:11 with me about my monologue. I can take the truth. If I was over the top, I want you to
01:16 tell me. Maybe it was a little big. You know, I just kind of feel like it's an emotional
01:25 piece and I don't want it to be. I just don't want to do wrong by any of them, you know?
01:32 I don't want to let anybody down. I want you to do the scene again, only this time I want
01:38 you to try the scene non-verbally. Don't you have some phone calls to make? I'm getting
01:44 there. Hey, Joel, how are you? I hope all is well. I know it's been a while. I've got
01:51 a thing. A thing with you. Why don't you call me? Thank you, Joel. Thank you.
01:58 Thank you.
02:00 Oh.
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