00:00 When I hear that the film is very good,
00:03 from the first day to the second day,
00:05 every day, every media person,
00:07 they encourage me a lot.
00:09 Whether it is negative or not,
00:11 everyone unanimously encourages me.
00:14 I can never forget the encouragement you give me.
00:16 Thank you so much.
00:18 You all know how big a hit the film is.
00:21 When I was making a film,
00:23 the producer Gowri Krishna,
00:25 who worked very hard,
00:27 and the director, Mr. Vamsi,
00:30 congratulated them.
00:33 Even now, they are still sitting next to me,
00:35 and asking me,
00:37 "What are we going to do on Saturday and Sunday?"
00:39 "Are we going to plan a tour?"
00:41 I say, "No, we are not stopping."
00:43 "It's been a week since we started."
00:45 "No, we are not going to do this anymore."
00:47 They are still planning and spending money on the film.
00:50 So, thank you so much.
00:52 When it comes to cinema,
00:54 cinema is a super hit.
00:56 I never thought I would make a film like this in my life.
00:58 Because of Anil.
01:00 I thought I was good at making characters,
01:03 and that I was good at this character,
01:05 and that I was good at the second half.
01:07 I never thought about anything else.
01:09 But, after this film,
01:11 the first thing I realized was,
01:13 what is the problem of the producers,
01:15 the problem of the distributors,
01:17 and the problem of the exhibitors.
01:19 I didn't know that until now.
01:21 I used to take money and dub for the film.
01:23 What I realized after this film was,
01:25 the film will go ahead only if the producers,
01:27 exhibitors, and distributors are happy.
01:29 If they are lucky,
01:31 they will start making money through profit.
01:33 And, the money will keep coming.
01:35 The profit will start after three days.
01:37 And, if the money keeps coming,
01:39 it means that the film will be very happy.
01:41 I mean,
01:43 the reason why I am so proud of the film is,
01:45 the way the film is made,
01:47 and the way everyone calls and talks about it,
01:49 and how happy they are,
01:51 I can't tell you how proud I am.
01:53 I can't tell you that.
01:55 Thank you so much.
01:57 And, I have already told you in the media,
01:59 that Mahasayathi, or Get Up Twin,
02:01 or our Lakshmi,
02:03 or the film Chimpaazhul Vedha,
02:05 don't tell Lakshmi about this.
02:07 Of course, she is the main lead,
02:09 the main heroine,
02:11 so, from the first to the last,
02:13 she is different.
02:15 She is different in the shooting,
02:17 and here, she is different.
02:19 If you come to Anil Vishwanathan,
02:21 almost,
02:23 as far as I know,
02:25 he has been struggling for this film for 3 years.
02:27 Anil, for 3 years.
02:29 His hard work is the success today.
02:31 His hard work is my acting today.
02:33 His hard work is the film, music, and everything.
02:35 He doesn't earn money.
02:37 Anil, Anil, the next generation director.
02:39 Next generation.
02:41 I mean,
02:43 this generation,
02:45 this generation,
02:47 he is the next generation.
02:49 I mean,
02:51 and,
02:53 yes, contemporary films,
02:55 not just commercials or fights,
02:57 he takes it to a different, smooth,
02:59 and entangles it.
03:01 He is a great story writer.
03:03 He is very confident.
03:05 He is a doctor, so, he will be like that.
03:07 He is laughing, right?
03:09 He didn't laugh even a week back.
03:11 I know, even from one year,
03:13 he went here and there,
03:15 and came here after a week of shooting,
03:17 and came here after a week of shooting,
03:19 and he cancelled the get-up scene.
03:21 He cancelled the get-up scene.
03:23 He cancelled the film because of him.
03:25 He cancelled the film shooting for 6 months because of him.
03:27 He is busy.
03:29 He must have seen the get-up scene in all the films.
03:31 He must have seen the get-up scene everywhere.
03:33 He called me and said,
03:35 "Sir, we need 2 days."
03:37 "Karmi, one day,
03:39 I will call the director,
03:41 and ask him,
03:43 'Sir,
03:45 I have cancelled the get-up scene,
03:47 just one day,
03:49 I will finish it in one day.'
03:51 He said,
03:53 'Sir, the main idea of the get-up scene is
03:55 that he will not shoot if he doesn't do it.'
03:57 'If you call the director,
03:59 he will do it.'
04:01 'Thank the director.'
04:03 He sent me.
04:05 I finished the shoot in 6 days.
04:07 I have already told you many times,
04:09 but I didn't tell you the same content repeatedly.
04:11 We shot a film.
04:13 We didn't plan it.
04:15 We decided which market to sell it in.
04:17 We sold it in a big market.
04:19 Geetha Arts took it to that range.
04:21 Gowri Krishna has worked hard to make this film.
04:23 This style of hers,
04:25 she is able to talk about it
04:27 as a film hit.
04:29 That is the reason for the hype.
04:31 Otherwise, we would have been in the theatre,
04:33 in the paint centre,
04:35 and we would have had the style.
04:37 Am I saying wrong?
04:39 We would have spent some money before the release.
04:41 We have to take care of that.
04:43 We could have released 300 theatres.
04:45 In the US, UK,
04:47 Dubai, Australia, Canada.
04:49 We could have released so many theatres.
04:51 It wouldn't have been so much scope
04:53 just because of Geetha Arts banner.
04:55 Thanks to Vanshi.
04:57 And Bunny Voss too.
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