00:00 Namaskaram. Actually for this kind of movies we are not the real heroes. First the director,
00:07 the cinematographer, then the stunt master and the special effects team and finally the
00:15 producers. These five persons are the real heroes because the producer mainly, he should
00:25 spend for this kind of film without hesitating for anything. While doing Bahubali, Prabhas
00:32 Garu make fun of Shobu Garu, producer. He is telling to me, Prabhas Garu, in Tamil,
00:42 "Sir, look at him. Someone else is spending money on this film and he is sitting happily
00:50 as if he is coming and watching the shooting spot. He is not spending, somebody is spending.
00:57 So such a cool person Shobu Garu is not at all bothered about the expense. The same kind
01:03 of expression for Mansoor Garu. In Vagamon, the entire Goda including the bulldozer and
01:10 everything fell down. We are all very bothered about the expense.
01:20 He is not bothering. So I wish you to become a producer like Shobu Garu. That is the thing
01:27 I want to tell you because for this kind of films the producer should spend money. That
01:34 is the main thing. Of course, Gugan has a very new vision of movie making. He told me
01:44 the story. I just wonder how he is going to make it possible. But he made it possible.
01:51 Vasanth Ravi now is a Pan India. Because superstar polishing your shoes. Then of course, Danya
01:58 Hope. She has a lot of hope in future. Danya Hope, Rajiv Menon sir, she is a very good
02:14 character. When I saw Minsara Kanavar, I really very upset of Nasar sir's character.
02:21 Because very unique character for Nasar. More than the heroes, Nasar's character is very
02:29 unique. I make Minsara Kanavar too. Okay sir. But Nasar is there more. You create one character
02:41 for Nasar. Then of course, Rajiv Pillai. He is a very hard worker. He did the stunt sequence
02:48 like anything. Without gym, he is doing pull ups in the sun shade. That much he is very
02:58 concentrated about his physique. Of course, Meena Garu. He made the film in a very big
03:04 way. Nowadays, cinema is very broad. Once I met a person when I was doing Bahubali.
03:11 He is from my place, native Coimbatore. He told me, "Sir, I am from your place. What
03:24 are you doing?" I am also working in Bahubali. "Bahubali assistant director?" "No sir."
03:29 "Camera assistant?" "No sir." "Fight?" "No sir." "Then what are you doing in Bahubali?"
03:36 "Sir, please don't tell to Rajamouli Garu sir. Yesterday you and Prabhas acted one scene
03:40 sir. Yes, behind green mat. That scene will come like this sir. He showed me in this laptop.
03:47 I wonder, wow. So all this lighting effort and so many things, that is a dream. I am
03:58 very happy. That is a different department. So nowadays for Indian films, if we do a right
04:05 film, we can reach Hollywood. Not only Pan India, Pan world reaches there. Really because
04:13 you see RRR. After RRR, Indian films are very popular in the world. So lot of scopes are
04:23 there. For that, like Guggen, that young blood should think about for this old blood. For
04:30 this not. For this old blood. Then only make it possible. So congratulate everybody. Thank
04:37 you very much. Thank you.
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