00:00 If you're a boxer, you won't lose your name, J. Manalo.
00:04 Because it's like a sex symbol for women, for men.
00:08 I was offended before.
00:09 Of course, you're sexy.
00:11 You're a bit fat.
00:12 You're being copied by new artists.
00:16 You have that?
00:17 Oh, there's a lot of them on the network.
00:19 Okay.
00:20 But you, it's like,
00:24 if you're going back to the time when you did something before, right?
00:28 Of sexy...
00:30 I mean, good thing, until now, you can still do those kind of scenes, right?
00:34 Yeah.
00:35 Because, you know, when it comes to sex, it's not just about the body.
00:38 It's how you handle the situation,
00:40 how you handle the sexy scenes,
00:43 and how you deliver it
00:46 for the viewers.
00:48 Why?
00:49 We arouse the viewers.
00:51 That's the only factor that I know of.
00:54 I'm just curious, because when you're sitting in the academy,
00:58 when you're being asked to act,
01:00 you won't lose your name, J. Manalo,
01:02 because your real name is coming in.
01:05 Are you proud of that?
01:08 Well, I might say yes and no.
01:12 Why yes and no?
01:14 Well, yes, because of the connotation,
01:17 because there's a lot of progress in the movie.
01:20 But, no, because of course,
01:23 I shouldn't be talking about this stuff,
01:26 because it's personal.
01:28 But you're not the master, right?
01:30 Oh, yes.
01:31 Because, you know...
01:32 I didn't know, I just let it be.
01:36 But you're not offended when you're seen as a sex symbol?
01:39 Because you're seen as a sex symbol of women, of men.
01:42 Were you offended before?
01:44 Of course, you're sexy.
01:45 Of course, I'm a man.
01:47 So, you're proud of it?
01:49 A bit, yes, but...
01:52 I'm not that kind of guy.
01:54 Of course, I'm not the only one who's been sex symbolized.
01:57 There are many more.
01:58 There are more.
02:00 There are rumors that you'll remake Totemola.
02:02 You remember that, right?
02:03 There are rumors like that.
02:04 Yes, I heard that.
02:06 But you...
02:07 But I heard that.
02:09 Okay.
02:10 Are you willing to be a part of Totemola
02:12 if you're going to remake the movie?
02:14 Yes, sure.
02:15 But who do you see that can do that?
02:17 So far, who have you seen?
02:19 I don't know who told me or taught me how to do it.
02:23 My tall guy.
02:25 Is he from Viva?
02:27 From Viva.
02:28 Okay.
02:29 He's a tall guy.
02:30 I think he's taller than me.
02:32 But he's not continuing, right?
02:33 He's still working.
02:37 Okay, he's still working.
02:38 He's still in the process of making it.
02:41 What can you say about the sexy stars of Viva Max?
02:45 Because there are some who are not going to be in the movie,
02:48 but there are some who are daring.
02:50 Yeah.
02:51 Of course, I started with that.
02:54 So, when there are...
02:55 You were saying about the stars?
02:57 Yes.
02:58 Of course, when there are...
03:00 There are some women.
03:01 There are some women.
03:02 So that the excels we're going to make will be better.
03:07 For example,
03:12 I also like Angie Lee.
03:13 Angie Lee always listens.
03:15 Okay.
03:16 Not only from the co-actors,
03:19 but also from the directors.
03:21 Especially the directors.
03:22 Yes.
03:23 She listens.
03:24 She knows how to receive pointers.
03:25 Yes, yes, yes.
03:26 The directors, I mean,
03:27 the assistant and the director.
03:30 Of course, you've been in the show business for a long time, right?
03:32 You've been through a lot.
03:33 Have you ever experienced that you were ignored?
03:37 You were copied by new artists?
03:40 Did you have that?
03:41 I don't know if they have a lot on the network.
03:43 Okay.
03:44 You can't forget what you did.
03:46 They have a lot on the network.
03:48 I don't know if they're embarrassed to approach me
03:51 or intimidated.
03:53 In that sense,
03:54 I'm a bit quiet on the set.
03:58 I just look at it like that.
04:00 Okay.
04:01 But,
04:02 if you know their reason,
04:05 at least they should greet me.
04:08 Don't they greet you?
04:09 I'm just in the dressing room.
04:11 Yes, yes.
04:12 I'm in the tent.
04:13 It's like, you know.
04:14 Either they notice or not.
04:16 Because when I started,
04:18 Yes, it's different.
04:19 I'm different.
04:20 Of course, you have to give respect.
04:22 Respect.
04:23 To those who are ahead of you.
04:25 It's really different now compared to before.
04:27 Nothing.
04:28 Especially when they're famous.
04:30 No offense to any network.
04:35 If their artists are famous,
04:39 I hope they don't grow.
04:40 Okay, right.
04:41 They think that if they're famous on the network,
04:43 they'll be able to get the attention of the audience.
04:45 Yes, yes.
04:46 It's not like that.
04:47 Any particular scene,
04:48 any particular incident,
04:50 that you're offended by a new artist?
04:52 Is there?
04:53 That's just it.
04:55 I mean,
04:56 well,
04:57 you complain to other artists who are ahead of me.
05:02 The other artists,
05:05 they don't know how to pay respect to the veterans.
05:12 That's true.
05:13 There are a lot of them.
05:14 There are a lot of them.
05:15 There are a lot of them.
05:16 That's it.
05:17 It's like,
05:18 it's just me.
05:20 That's your threat.
05:22 That's what you think of yourself.
05:24 You're better than those who are ahead of us.
05:30 That's it.
05:31 That's it.
05:33 [Silence]
05:36 [BLANK_AUDIO]
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