00:00 (dramatic music)
00:01 - Welcome to Los Alamos.
00:03 - Time has been a factor in a lot of my films.
00:05 - Detonator's charged.
00:06 - As I like to say, well, I've always lived in it
00:09 and fascinated by it.
00:11 Very much enjoy stories that play with it in some way
00:13 or focus in on it.
00:15 - We're in a race against the Nazis
00:17 and I know what it means if the Nazis have a bomb.
00:20 - In the case of Oppenheimer,
00:22 the whole film is one big countdown
00:24 to this world-changing event.
00:26 - Are we saying there's a chance
00:28 that when we push that button, we destroy the world?
00:31 - And so time, the portrayal of time,
00:33 the importance of time to the characters in the story
00:36 is enormously important.
00:38 We've had a great experience working with Hamilton
00:45 in the past.
00:46 In the case of Oppenheimer,
00:47 it's really about recreating the history.
00:49 Really looking back at the Hamilton watches
00:51 and what these characters would have worn at the time.
00:54 - We push that authenticity as far as we can.
00:57 We want it to feel like you are right there,
01:00 you are in this, this is happening, this is real.
01:03 - The world will remember this day.
01:06 - They were incredibly helpful
01:07 in securing the appropriate watches for these characters.
01:11 And it's that kind of detail work
01:13 in combination with all of the costume work
01:15 and the prop work in the film
01:17 that becomes so important
01:18 to involving the audience in the story
01:20 in a world that they can recognize
01:23 and has a nice tactile, relatable sense to it.
01:26 But that is historically accurate.
01:29 - It's happening, isn't it?
01:30 - Three, two, one.
01:34 (dramatic music)
01:37 (electronic music)
01:40 [BLANK_AUDIO]
Commentaires