حبیب جالب کی حقیقت سے ہمکنار شاعری خطرے میں اسلام نہیں خطرہ ہے زرداروں کو گرتی ہوئی دیواروں کو…
- last year
حبیب جالب کی حقیقت سے ہمکنار شاعری خطرے میں اسلام نہیں خطرہ ہے زرداروں کو گرتی ہوئی دیواروں کو
Habib Jalib (24 March 1928 - 12 March 1993; Urdu, Punjabi: حبیب جالب) was a Pakistani revolutionary poet, left-wing activist who opposed martial law, authoritarianism and state oppression. Pakistani poet Faiz Ahmed Faiz said that he was the poet of the masses.[4] He opposed military coups and administrators and was duly jailed several times.[5]
Early life
Habib Jalib was born as Habib Ahmad on 24 March 1928 in a village near Hoshiarpur, Punjab, British India. He migrated to Pakistan after the partition of India.[6] Later he worked as a proofreader for Daily Imroze of Karachi. He was a progressive writer and soon started to grab the audience with his enthusiastic recitation of poetry. He wrote in plain language, adopted a simple style and addressed common people and issues. But the conviction behind his words, the music of his voice and his emotional energy coupled with the sensitivity of the socio-political context is what stirred the audience.
Habib Jalib (24 March 1928 - 12 March 1993; Urdu, Punjabi: حبیب جالب) was a Pakistani revolutionary poet, left-wing activist who opposed martial law, authoritarianism and state oppression. Pakistani poet Faiz Ahmed Faiz said that he was the poet of the masses.[4] He opposed military coups and administrators and was duly jailed several times.[5]
Early life
Habib Jalib was born as Habib Ahmad on 24 March 1928 in a village near Hoshiarpur, Punjab, British India. He migrated to Pakistan after the partition of India.[6] Later he worked as a proofreader for Daily Imroze of Karachi. He was a progressive writer and soon started to grab the audience with his enthusiastic recitation of poetry. He wrote in plain language, adopted a simple style and addressed common people and issues. But the conviction behind his words, the music of his voice and his emotional energy coupled with the sensitivity of the socio-political context is what stirred the audience.