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04:05Good morning.
08:49Bye.
12:15Yes, sir.
12:41Thank you very much.
12:43I'm really sorry for troubling you. This is really important for me.
12:48This short film is crucial in my career.
12:50And I don't have to hire a professional actor.
12:57In the cinema, I have a passion.
13:00Low budget.
13:01I don't know who I am.
13:04Please understand.
13:06But acting is nothing but reacting.
13:09Your reaction is natural.
13:12You are a natural star.
13:14Listen...
13:15I don't know who they are.
13:17We are in the world of YouTube.
13:21They are the people of our channel.
13:24Then let us know what you are doing here.
13:29Sorry, I've been here for 2 weeks.
13:32That is why we had to hang up in Mumbai for higher studies.
13:34What's up?
13:36He played in psychology and got a PhD.
13:37You have to find a psychiatrist.
13:37Yes, there is a psychiatrist.
13:41So, what are you going to do in two weeks?
13:43I haven't already booked a flight ticket.
13:45Two weeks is more than enough.
13:46And one more thing.
13:47You have to get any problems in shooting.
13:50You will be able to get a shot.
13:52You can't go back.
13:53I'm going to shoot a scratch when I come back.
13:58And a photo?
14:01Oh, yeah.
14:03Oh.
14:04What are you going to do with Arvan?
14:08Where are you going?
14:08A photo.
14:09A selfie.
14:10Go there.
14:11A selfie.
14:12Smile please.
14:22Hello.
14:23Good morning my heroine.
14:24Ready?
14:25I'm waiting for the gate.
14:37Good morning.
14:37Good morning.
14:38Oh my god.
14:51Makeup man in there.
14:53Makeup man?
14:54What's the makeup man?
14:55That's my face.
14:56Oh, he's got a face.
14:58He's got a face.
14:59He's got a face.
15:00He's got a face.
15:00He's got a face.
15:02He's got a face.
15:03I'm not sure.
15:06I'm not sure.
15:07This is a story.
15:08It's a story that's a little bit of a painting.
15:10It's a canvas.
15:11It's a life.
15:12But it's a life.
15:15It's a life.
15:16It's a life.
15:16It's a lot of emotions.
15:17It's a lot of emotions.
15:19Suddenly one day,
15:21one blank paper.
15:24entzingир.
15:26Then you've heard all these.
15:40The side of the door,
15:42it's a losses and so on.
15:44The shade of the there.
15:48And you've dug all these layers
15:50The shade of the yourifs,
15:50the Harris through the àït.
15:51I'll see you in the next video.
16:33Where did you go?
16:35How did you find Upon your location?
16:38What did you find?
16:38How did you find your presence at Fadu?
16:39How is your Tour of Heaven?
16:39Come along with your mind.
16:39And by that moment there was no time
16:40down and down and hold the idea
16:40At that moment there was no time
16:41Oh no.
16:48Looking for acting
16:48To meet your confort
16:50Let's go.
16:51Let's go.
16:52Let's go.
16:52Ready?
16:58Hello.
16:59Are you going to dress change here?
17:01That's right.
17:02I'm going to call my car.
17:08I'm going to call you black clothes.
17:10What the hell?
17:11I'm going to go to the fitting room in the shopping room.
17:14I'm going to go to the high value of my dress.
17:16It's impossible.
17:18You're going to call me black clothes.
17:22You're going to call me black clothes.
17:23You're going to call me black clothes.
17:24Please understand.
17:28Good.
17:35Bro, how did you look like a big thing?
17:37No, no.
17:38You're going to create rain.
17:40You're going to get a lot of rain effect.
17:42I'm going to call you heroine.
17:45Okay, rolling.
17:49You're so sick.
17:52You're a little bit.
17:53Okay, rolling.
17:54Keep going.
17:55Keep going.
17:56Keep going.
17:57Keep going.
17:57Keep going.
17:59Keep going.
18:02Keep going.
18:11Nice.
18:13one more.
18:14Wow!
18:44This is not a problem.
18:45There is no complaint about the MPD.
18:47What is the problem with the MPD?
18:49We have a drone.
18:53We have to go to the station.
18:54Let's go to the station, sir.
18:55Let's go to the station.
18:57Oh!
18:59That phone is you too.
19:00We have to go to the MPD.
19:02Sir, let's go to the station.
19:05Okay, sir.
19:06Go to the station.
19:06Go to the station.
19:17And we have to go to the station.
19:24That's it.
19:24Sorry, sir.
19:25This one would go down here.
19:30It's fine.
19:31It's fine.
19:32If you don't have an amazing cinema problem,
19:34why do I show you?
19:35I am a psychology graduate.
19:36I'm the boss who came in the movie.
19:38I told you that you should show me in the police station.
19:40Just go to hell.
19:41Where are you?
19:43Okay.
19:45I'm going to shoot you instead of a shooting.
19:49I don't want to know a budget.
19:53Does anyone have a shot?
19:56Do you have a head?
19:57Do you have a shot?
19:58Do you have a shot?
19:58Do you have a shot?
20:00Do you have a shot?
20:02No.
20:02I don't have a picture.
20:05It's going to be a shot.
20:07You have a shot.
20:07I've got a shot.
20:08I've got a job.
20:08Please understand.
20:09This shot-fell man...
20:09That's right, man.
20:10What's your name?
20:11Don't make anything for you smile.
20:14Show the drama?
20:15I'm gonna come around.
20:18Uncle.
20:20Be convinced at all.
20:22Gotta.
20:25You're Wow!
36:11Hey, boss, boss, cinema is a hit, bro.
36:15Aliyah, cinema is a hit.
36:17Congrats, sir.
36:19Hey, bro.
36:20Hey, this is the cinema director.
36:21No, this is the director.
36:22Jetta, cinema is super.
36:24Blockbuster.
36:25Climax is not a reaction.
36:26Jetta, just a selfie.
36:27Please, please, please.
36:28Please, please, please.
36:31Hey, hey, hey.
36:33Let's go.
36:33Come on.
36:37Me, what is the picture?
36:38You wouldn't get to my window.
36:39I'm just doing a TV show or...
36:41Is there anything else you don't have to be?
36:48You don't have to be a camera.
36:49Come on, come on, come on.
36:49That Bollywood producer, Bishar Chaturvedo,
36:51is a small guy who came here with a remake of him.
36:55He won't be a remake of him.
36:57He's supposed to give us the car to the guy.
36:57Why do you want to take home to him?
36:58So i'll tell you what's going on for him.
36:59You're telling me, he's leaving Bollywood.
37:00Bro, this is crazy!
37:02I don't think we're going to get this.
37:04I don't think we're going to get this.
37:05We're going to get this.
37:44Welcome to all of you.
37:45Well, I'm super excited and happy to introduce a South Indian sensation, Mr. Vasudev, to the Hindi cinema.
38:05I must say, his last film was a super-duper blockbuster hit.
38:09What?
38:14Well, we are about to make it now in Hindi.
38:19Background?
38:20There's no problem. He's nobody.
38:23I've got some more great news to share with all of you.
38:27We're going to be making two more very high-budget films with him.
38:57Mr. Vasudev?
38:58Yeah?
38:59Mr. Vasudev, there's an arrest warrant on your side.
39:00You have to go to our side.
39:02Arrest warrant?
39:03Oh, what?
39:05Let's go, let's go.
39:10Let's go, let's go, let's go.
39:11Hello, my love.
39:12This is a company for us.
39:14And our company doesn't take this kind of company.
39:16I'm calling this announcement for us.
39:23Plenty of legends and energies areeste
39:25less 55,000 people than anybody else.
39:28You're asking?
39:29By postpone it, you should follow this an niezay the same way.
39:32That must be Vasudev.
39:32Yeah, Vasudev named Vasudev.
39:33He's a vớin man!
39:34They weren't security in the cinema that was shut up.
39:35He felt angry that was afraid of those who are going to happen.
39:38puremosics going by glass.
39:40Superpes of life.
39:40Roger know him!
39:41I'm telling me who is watching videos quickly from theseBEs inTVs.
39:52The brain can generate four kinds of waves, delta, theta, alpha, and beta, and each of these dates.
40:00Yeah, Parvacha.
40:01I'm sorry.
40:02I'm sorry.
40:03I'm sorry.
40:04I'm sorry.
40:05I'm sorry.
40:05I'm sorry.
40:07I'm sorry.
40:08I'm sorry.
40:08I'm sorry.
40:09I'm sorry.
40:10I'm sorry.
40:11Where are you?
40:11I'm sorry.
40:13I'm sorry.
40:14I'm sorry.
40:16I'm sorry.
40:17I'm sorry.
40:18I'm sorry.
40:47I'm sorry.
40:47I'm sorry.
40:50I'm sorry.
40:50I'm sorry.
40:52I'm sorry.
40:53I'm sorry.
40:54No, don't worry.
40:54My body.
40:55Maybe she's going on.
40:57She's Gemini.
41:00See you.
41:01Move on to slow her down.
41:03Okay?
41:04Okay.
41:04Bye.
41:16Hey, he's Padmavati.
41:18My cousin.
41:21Oh.
41:21He's coming to my family.
41:24I don't know how much I am.
41:25What do you think of him?
41:29He's a gold medalist in college.
41:31Madam, good morning.
41:32Good morning.
41:32I'm drunk and driving.
41:34Where are you from?
41:35Three hours, Vidi.
41:36I'm going to go here.
41:37I'm going to ask the judge.
41:38I'm going to ask the judge.
41:45Hi, Padmavati.
41:46Where are you?
41:47I'm a great country.
41:49Are you from the auntie?
41:51I'm sorry.
41:52I'm a little bit of a problem.
41:55I'm a bad person.
41:56I'm not a bad person.
41:57I'm not a bad person.
41:57I'm not a bad person.
41:58I'm not a bad person.
41:59I'm not a bad person.
41:59You're not a bad person.
42:00What are you talking about?
42:04Vasu, my friend, film director?
42:07Yes, yes.
42:07At the news, the press metal.
42:10He will arrest the police.
42:11Is he my friend?
42:13So sad.
42:14Yes.
42:14That's why I am going to get a mad guy.
42:17Are you not the manzlai?
42:18I have been using coffee for you.
42:21They give you coffee that you are free.
42:24Can you help me with a coffee,
42:25is that a bill?
42:26No, that's not bill.
42:30That bill is not bill.
42:30Of course, that bill is not bill.
42:32That's right. I'm going to go.
42:34Yes, that's right.
42:35Let's go to the station.
42:38Please.
42:40I don't know what to do.
42:56What's happening?
42:57Why did you arrest me?
43:00There's a Pramuka Publishing Company, SR Publishers,
43:03that's why you have a copyright infringement case.
43:05What?
43:05You have made the cinema and the script,
43:07and you have made a Malayalam Bengali book.
43:11What?
43:13Nonsense.
43:15I'm going to study this case.
43:17I'll come to the point.
43:19Generally, we do the same thing.
43:21The court time is saved,
43:22but it's not easy.
43:23It's not easy.
43:24There is no murder or rape,
43:26but there is no crime in the past.
43:28They will go through the same time.
43:32Why did I get this?
43:36Why did I get this?
43:41Why did I get this?
43:47I am registered in the writer's association for two years.
43:52I am registered for proof.
44:00This book has been published in 50 years.
44:02It is exactly the same writing.
44:04No.
44:05If you have a copy,
44:06if you have a copy,
44:07you don't have a common sense.
44:11That's why I am doing it.
44:13In this period,
44:22I have a copy of the book.
44:27He has a copy of the book.
44:28Don't forget to read everything about the book.
44:29I haven't read it.
44:30The book is just 18 months up.
44:31You are not married to them.
44:31it can't be killed.
44:32I am sure you've got a copy of the book.
44:40For the company to help me find my lawyer.
44:44Do I understand, what do I find?
44:48I can't find it in my life.
44:51Hello, come on!
44:55I can't believe it.
44:57The court is valid to do it.
44:58Don't take that copy.
45:02That's not what I'm going to do.
45:06I'm going to take a copy.
45:07I'm not going to take a copy.
45:08I'm not going to take a copy.
45:09I'm going to take a copy.
45:11Okay. Good luck.
45:21I'm going to take a copy.
45:26You're not going to take a copy.
45:28I'm going to take a copy.
45:29You can't take a copy.
45:29You want to take a copy.
45:30I'm going to take a copy.
45:31It's a simple open and shut case.
45:32I will cooperate with you.
45:35Please?
45:36He's really important to me.
45:38He's not going to take a copy.
45:52You are so important.
45:54Your boyfriend?
45:56It's a long story.
45:57Chari, I'm not sure what happens.
45:59If I have a case that you are not aware of the maximum bail.
46:02If my case is not aware of the case, a prisoner of your case is Krishna Murthy.
46:05If you don't see a tennis court in a photograph,
46:07you'll see it as well.
46:09I'm going to take a picture from you from the office.
46:12He is my inspiration.
46:15My ambition is to be a very good lawyer.
46:17Madam, I've never had a dream.
46:19I've never had a chance in this case.
46:23Please, let me go.
46:31Copyright case O.S. No. 234 of 2021
46:35compliant and S.R. Publishers accused on Vasudev Khanda.
46:38Yes, proceed.
46:44Your owner and the client, S.R. Publishers,
46:47we have a leading publishing house.
46:49In the last few years,
46:51we have a lot of contributions.
46:56Now, coming to the point, the issue here is,
46:59Vasudeva, my client's intellectual property,
47:03which is the best sold novel,
47:05and we have a copy of it.
47:06We have a copy of it and we have a copy of it.
47:11That's not all you are wrong.
47:14We have a copy of it.
47:17That's the script.
47:18We have a copy of it.
47:21Mr. Vasudeva,
47:25I have a copy of it.
47:28Please,
47:34please,
47:34please,
47:34please,
47:34please,
47:43please.
47:45.
47:53Your owner,
47:54it's a colorable imitation of the original
47:56with the sole purpose of deriving profits.
47:58It's a direct infringement of three novels,
48:01which are copyright properties of my client, S.R. Publishers.
48:04So now,
48:05on behalf of my client,
48:06Section 63 of the Copyright Act, 1957,
48:09I hereby demand,
48:10accuse Mr. Vasudeva in
48:12five years of jail.
48:13Who?
48:15Also,
48:16copy of it,
48:17the revenue in the 50% share.
48:19My client,
48:20I have a copy of it.
48:23That will be all for now,
48:24Your Honor.
48:25Thank you so much.
48:25That's the must.
48:35Yes.
48:36Defense,
48:38you have to send them home.
48:40I think they come now.
48:41Impossible.
48:44Your Honor,
48:45this is a false accusation.
48:46Your client's accusation.
48:48We have not guilty.
48:50My client is innocent until proven guilty.
49:00I don't believe it's a coincidence.
49:03I don't believe it's a coincidence.
49:05Then how do you defend and prove your innocence?
49:10Sir, I don't understand.
49:11I'm not sure what's going on.
49:12I'm not sure what's going on.
49:15I'm not sure what's going on.
49:16I'm not sure what's going on.
49:17I'm ready for the lie detection test.
49:19What?
49:20No, no, no.
49:21I'm not sure what's going on.
49:22I'm not sure what's going on.
49:24I'm not sure what's going on.
49:29Let's go ahead with the lie detection test.
49:32Defense?
49:36That is the request from the defense, sir.
49:38Okay.
49:39Section 45, selection of evidence and evidence.
49:42Mr. Vasudevan.
49:44The call of the forensic department.
49:47and coordinate with the crew.
50:17Mr. Vasudevan, I will tell you about it.
50:20Forensic department, report.
50:28Your Honor,
50:31I am sure the defense is well aware about this.
50:37I am sure the defense is well aware about this.
50:39I am aware of this.
50:41I am aware of the evidence in the case of Vasudevan.
50:42I am aware of the evidence in the case of Vasudevan.
50:48That's all, Your Honor.
50:49Your Honor,
50:50I am aware of that.
50:52To look deep into the issue and gather my evidence.
50:55I also request for an unconditional bail for my client.
50:58Your Honor,
50:59I object to the unconditional bail.
51:01Overruled.
51:03Mr. Vasudevan,
51:04I am aware of this unconditional bail.
51:07For further evidence,
51:08and this假算 is in a case of defense.
51:10He has challenged three days.
51:12Till then,
51:13the court is adjourned.
51:19This is what I wanted to do.
51:22How many filmmakers have been inspired by this story?
51:25How many filmmakers have been inspired by this story?
51:34Do you know where I am?
51:36Yes, I am.
51:57But still, thank you.
52:07Where are you from?
52:09Why don't you go to that book?
52:13That's why I don't mind.
52:16Where is the book?
52:21Where is the book?
52:30Sham Singaroy.
52:32The book is an S.R. Publishers.
52:34I am a S.R. Publishers.
52:37I study this family.
52:43Sham's mom's mom is Aachin Bengali.
52:45She is a love marriage.
52:46She is a life in West Bengal.
52:48She is born in four terms.
52:50She is a man named Sham Singaroy.
52:52She is a family member in the West Bengal.
52:53in the Karakpur district in Kalikapur.
52:56He was a famous writer and social activist.
53:01In 1977, there is no one to go.
53:05This is not the case.
53:07In 1985, three brothers were in a major car accident.
53:16The two brothers were in the company.
53:19The two brothers were in the company.
53:20The two brothers were in the company.
53:31The two brothers were in the company.
53:34The mother of Malala is a expert.
53:38A lot of books are in Malala.
53:40The two brothers were in the company.
53:43It was the first two brothers.
53:43The one who told me they were in the company.
53:59The mother of Malala is a key.
54:02The one that was used to deliver online.
54:22Baba.
54:23Baba.
54:25He.
54:26He.
54:27He.
54:27He.
54:28He.
54:29He.
54:33He.
54:38That awesome?
54:40I don't know how you're going.
54:41When I was a man who was hurt,
54:42I fell in a hole with my blood.
54:49What's his blood?
54:53I'm not aware of this.
54:55You know what to do?
54:57I've told my friend to come.
54:57I haven't had any questions.
54:58What are you doing?
55:01That's all I'm doing.
55:04I'm telling you something.
55:06But I thought...
55:08I'm going to start this script.
55:19I'm going to shoot you.
55:24What's up?
55:25I'm going to work with a doctor.
55:27I'm going to test this.
55:28I'm going to get stressed.
55:29I'm not going to be in cinema.
55:31I'm not going to be in a little bit.
55:37Strange.
55:38Yes, ma'am.
55:39I really think something is wrong with him.
55:41Ma'am?
55:42Hmm.
55:45This script is mysterious.
55:48It's mysterious.
55:54Human consciousness is an ocean full of secrets.
56:04We can try clinical hypnosis on him.
56:07Hypnosis?
56:08Yeah.
56:09Hypnosis therapy.
56:10In that blackouts time,
56:11what's going on in the world?
56:16Okay, ma'am.
56:17And one final request.
56:19Actually, this is a sensitive case.
56:21So, ma'am, what's going on?
56:24Sure.
56:28Our principles have been declined by 23...
56:31Okay.
56:32They will get the blood from the dead.
56:34They will get the blood from the dead.
56:36You will get the blood from the dead.
56:42You will get the blood from the dead.
56:42You are going to kill it.
56:43OK, ma'am.
56:45So, ma'am.
56:54Okay, let me talk about that.
56:56That's right, sir.
57:11Come on.
57:30Hi, Vasu.
57:32Vasu, I am going to start the procedure now.
57:59Just relax.
58:01Take a deep breath in.
58:04Inhale and exhale all your worries out.
58:10Follow my voice and look at the monitor.
58:25E-book.
58:27Your life.
58:31Vasu, what's the date?
58:38August 17th.
58:44You're going to get arrested at press meet.
58:48Last Thursday.
58:57You're going to release a movie.
59:00Why did you release a movie?
59:01July 7th.
59:12Come on.
59:14Come on.
59:16Come on.
59:18Come on.
59:18Come on.
59:32Let's go to the end of the day.
59:35Wasuvi's script is going to finish the norm.
59:41October 19th.
59:44Wasuvi's script is going to finish the norm.
59:49Wasuvi's script is going to finish the norm.

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