- 4 years ago
Category
🎥
Short filmTranscript
04:05Good morning.
08:49Bye.
12:43I'm really sorry for troubling you. This is really important for me.
12:48This short film is crucial in my career.
12:50And I don't have to hire a professional actor.
12:57In the cinema, it's a passion.
13:00Low budget.
13:01Who is doing a software job?
13:04Please understand.
13:06But acting is nothing but reacting.
13:09Your reaction is natural.
13:12You are a natural star.
13:14Listen, listen.
13:15You are not doing anything.
13:17We are not doing anything.
13:19You are watching YouTube.
13:21You are following me.
13:23You are watching YouTube.
13:27You are watching YouTube.
13:27You are watching.
13:29I am going to spend two weeks.
13:32I will go to Mumbai.
13:33I will go to high studies.
13:35You are going to study in psychology.
13:36I will go to high studies.
13:38You are watching the psychology.
13:40I will go to high studies.
13:41I will go to high studies.
13:42Two weeks is more than enough.
13:46And one more thing.
13:47Shooting is not going to be a problem.
13:50I will go to high studies.
13:52I will go to high studies.
13:53I will go to high studies.
13:53If you are watching my camera,
13:54you will go to high studies.
14:06Do I have school to be near high studies?
14:08I will go to high studies.
14:08What I'm watching my book was a photo.
14:08A photo and a selfie.
14:10What are you doing?
14:10There is no go.
14:12A out胸.
14:12A smile please.
14:22Hello?
14:23Good morning.
14:23My heroine. Ready?
14:25I'm going to go to the gate.
14:28Go.
14:37Good morning.
14:50Make a band in there.
14:53Make a band in there.
14:54Make a band.
14:55Make a band.
14:57Make a band.
14:58He's a band.
14:58He's a band.
15:00He's a band.
15:02That's what I'm saying.
15:06This story is a band.
15:08It's a passion for painting.
15:10It's a canvas on all the life.
15:12But it's a life that's a life.
15:15It's all emotions.
15:20Suddenly one day,
15:21one blank there.
15:48One blank there.
15:54What is that?
15:55I'm thinking,
15:56On that part,
15:58I have to draw a band when I see a band всего him.
16:07I'm thinking,ưng...
16:17Oh
16:47Nice.
16:48Did you not get acting?
16:49Did you get the cast?
16:50Let's go.
16:51Let's go.
16:52Ready!
16:57Hello.
16:58Did you dress me?
17:01It's not the case.
17:02I am going to make my car.
17:07You can't wear black clothes.
17:10What the hell?!
17:11Go to the fitting room or go to the fitting room?
17:13I am going to make my car.
17:13You can't see that.
17:14I am going to walk without loving you.
17:14I am going to be surfing this high-vale dressing room.
17:16It's impossible.
17:18Giriti,
17:19the main现象 is my passion.
17:20It is a low budget,
17:21never actually.
17:22So after a job.
17:23Please understand.
17:28Nice.
17:35Bro,
17:36you're talking a little bit.
17:37No, no,
17:38you don't want rain at the end.
17:40You know the rain effect for us,
17:41you should be able to take a lot of rain.
17:42That's right.
17:42We are going to be a hero.
17:45Okay, rolling.
17:48Action!
17:52Keep going! Keep going!
17:55Be in the mood!
17:57Don't let it go!
17:59Don't let it go!
18:00Don't let it go!
18:02Cut!
18:13One more!
18:25We are going to go and get a little bit,
18:27and we need to get a little bit.
18:28What's the light?
18:29This is the Mantamara.
18:31Hey!
18:33Let's go!
18:39Here, shoot!
18:40Have you seen the shooting?
18:41No, sir.
18:43No, sir.
18:44No, sir.
18:45You can't shoot for us.
18:47What would you say?
18:49You said I would drive a drone.
18:53No, sir.
18:54We'll drive here.
18:55Put that guy down.
18:57Come here, sir.
18:58Come here.
18:59That guy is on his own.
19:00He's been shooting for us.
19:02Sir, go in there.
19:05Go in there.
19:05Go in there.
19:16it
19:16that
19:24sorry sir
19:25beginning I'm going to jump and
19:28that
19:29that
19:30I'm going to go.
19:33I'm going to go.
19:34I'm going to go.
19:35I'm a psychology graduate.
19:37I'm going to go to the police station.
19:40Just go to hell.
19:41That's right.
19:43Okay.
19:45I'm going to go to the last end of the shooting.
19:49I'm not going to get paid for the money.
19:53I'm not going to go to the short film.
19:55I'm going to go.
19:56I'm going to go.
19:57Go.
19:58Go.
20:03I'm going to go.
20:05I'm going to go.
20:07I'm going to go.
20:08Please understand.
20:09That's not me.
20:11I'm going to go.
20:14I'm going to go.
20:16Thank you, uncle.
20:20I don't know if you're talking about it.
20:22Thank you, uncle.
20:23Come on.
20:25I'm going to go.
20:27I'm going to go.
20:31I'm going to venture out.
20:36I'm going to build up.
20:40This effort's the time.
20:41Please実力� play
20:42over the top.
20:45Remember the heart here.
20:48He came so crazy.
20:55Lookabaça down.
21:34I'll come back.
21:35I'll go to the next day.
21:36Yeah.
21:37Bye.
21:37Bye.
21:48Bye.
21:49Bye.
21:50Bye.
21:51Bye.
21:51Bye.
21:52Bye.
21:53Bye.
21:55Bye.
21:58Excel.
22:03Bye.
22:04Bye.
22:06Bye.
22:06Bye.
22:06Bye.
22:06Bye.
22:07Bye.
22:11Bye.
22:11Let's take a look at that one.
22:24Kiran, go back to the dentist.
22:26Go back to the dentist.
22:34Hello, stop it.
22:36That's it.
22:37Kiran.
22:38One second.
22:38You can go back to the dentist.
22:40You can go back to the camera.
22:41Kiran, what are you doing?
22:42You don't have a sense.
22:44If you look at the dentist,
22:45I'm going to go back to the dentist.
22:49How dare you touch me?
22:52Let's do this.
23:20Look at the dentist.
23:21I'm going to go.
23:22Go.
23:23Go.
23:24Go.
23:27Go.
23:28Go.
23:29Go.
23:30Go.
23:30Go.
23:32Go.
23:32Go.
23:32Go.
24:01Ah!
24:11I don't know.
24:48I don't know.
24:51I don't know.
25:21I don't know.
25:31I don't know.
25:34I don't know.
25:36Thank you, sir.
25:37I don't know.
25:41Okay, sir.
25:43I don't know.
25:45I don't know.
25:47Thank you, sir.
25:55Thank you, sir.
26:09Thank you, sir.
26:12Thank you, sir.
26:13Thank you, sir.
26:13I don't know.
26:13I have a problem.
26:14I'm sorry.
26:15I'll go to the airport.
26:17I'll go to the airport.
26:18Where is the airport?
26:49I'm going to take a few hours on a Kayinsky line.
26:56I'm going to pick up the other one.
26:59I'm going to pick up the last time.
27:02I am going to pick up the last time.
27:03A little too hard.
27:09I'll mix some of the colors together.
27:11I'm going to cook the last time.
27:14When I'm going to cook the last time, I go away.
27:15I'm going to cook the last time.
28:16You can't do anything.
28:19Thank you, sir.
28:22What's up?
28:26What's up?
28:27What's up?
28:27Why are you waiting here?
28:28Come here.
28:29Come here.
28:30Come here.
28:32Come here.
28:33Hi, Kirti.
28:33Come here.
28:36Come here.
28:40Come here.
28:48Come here.
28:48Come here.
28:51Hi.
28:52Hi.
29:01Nice view.
29:02What's up?
29:10What's up?
29:11What's up?
29:12A small bit.
29:13Come here.
29:14Come here.
29:21I'm really happy for you.
29:23I'm really happy for you.
29:38This time.
29:40I'm really happy for you.
29:40Your device is connected.
29:43You're so good.
29:44Yeah, that's right.
29:51Hey, Vasu.
29:52Can you tell me what's up with your name?
29:55Are you a name for the Vegas cinema?
29:57It's my name for the Vegas.
29:58No, not in the name.
29:59Here, the name.
30:00What did you tell me?
30:02What did you call a photo?
30:03Start?
30:04Start?
30:08You guys are unbelievable.
30:15Please be in touch.
30:24Impossible.
30:35You are successful.
30:37That's why I'm with you.
30:38I'm sure you'll be able to do something.
30:42That's good.
30:44You have a lot of work.
30:45Come on.
30:46Come on.
30:48You have a lot of work.
30:50What's up there?
30:51I'll have a lot of work.
30:54I can't believe you.
30:55So how about your friends?
30:57I have a discount here.
30:59I have a good discount.
30:59You can go to the van.
31:01You can go to the van.
31:02That's right.
31:02Come on, come on, come on.
31:39I'm so into you
31:45Bye
32:20I'm so into you
32:45I'm so into you
32:54Rosie
33:00What the fuck
33:03Rosie
33:04I thought you were a gentleman
33:08Such a coward
33:39What?
33:39What?
33:39What?
33:41This is so embarrassing. I never want to see your face again.
33:47Krithi! Krithi!
33:56Rosy.
33:58Rosy.
34:15Rosy?
34:16No!
34:17You're momento.
34:22Rosy?
34:23No. My name is Rosy.
34:24That's not my name.
34:24Your name is Rosy.
34:25Don't forget Rosy.
34:28You're wrong with Rosy.
34:35Do you understand?
34:36What are you doing?
34:37My name is Vasu.
34:38How much time did you go to the Kudus?
34:41Do you focus on that?
35:06Running class!
35:36Yeah, that's it!
35:45Yes, I'm a student.
35:46I'm a student.
35:48I'm a student.
35:49I am a student.
35:49You're going to be a student.
35:51I'm trying to teach you the teacher.
35:52I have no idea what you're doing.
35:52If you want to die, you'll be going to kill me.
35:58A guy's dancing.
35:59What's your fault?
36:00Bro!
36:00Why are you doing my job?
36:02What is it?
36:11Hey, boss, boss, where are you?
36:13Hey, boss, boss, where are you?
36:14Oh, yeah, cinema hitter.
36:16Congrats, sir.
36:19Hey, bro, hey, this is the director.
36:21No, this is the director.
36:22Jetta, cinema is super.
36:24Blockbuster is not a climax.
36:26Jetta, just a selfie. Please, please, please.
36:33You can't see the camera.
36:37You're not even going to shoot me.
36:39You're not going to shoot me.
36:41I'm not going to shoot you.
36:43You're not going to shoot me.
36:48You're not going to shoot me.
36:48How long are you coming to the Bollywood producer?
36:51Bishar Chathrabidh is a good friend.
36:52He's a good friend.
36:55He's a good friend.
36:56You're not going to get your knowledge in Hindi.
36:58You're not going to get your Bollywood launch.
37:00Bro, this is crazy.
37:03This is crazy.
37:03I'm not going to get a clue.
37:04I'm neurological.
37:05Which files can indeed you for a row.
37:07Flay is a big liar.bed
37:07it those sidewalks? Yeah!
37:10Woo!
37:12Yeah!
37:14Oh,
37:14Yeah!!!
37:15Yeah!
37:16Yeah!
37:17He cool.
37:25He'siced.
37:32And French guy will
37:33go even big times. And such,
37:44Welcome to all of you.
37:46Well, I'm super excited and happy to introduce a South Indian sensation, Mr. Vasudev, to
37:51the Hindi cinema.
38:05I must say, his last film was a super-duper blockbuster hit.
38:09Well, we are about to make it now in Hindi.
38:19Background?
38:22I've got some more great news to share with all of you.
38:27We're going to be making two more very high-budget films with him.
38:56Mr. Vasudev, Mr. Vasudev, there's an arrest warrant on you.
39:00I'm going to be running.
39:02Mr. Vasudev, I'm going to go for the war.
39:04Mr. Vasudev, I'm going for it.
39:11Mr. Vasudev, this is the company.
39:13Mr. Vasudev, this is the company.
39:16I'm calling this announcement for you.
39:23I have no idea what I want to do.
39:26I have no idea what I want to do.
39:28I want to be a big fan of the cinema.
39:30He's a... Basu.
39:32He's a big fan.
39:33I'm going to be watching this one.
39:40Basu, don't worry.
39:42I'm going to be watching this one.
39:52The brain can generate four kinds of waves, delta, theta, alpha, and beta, and each of these dates.
40:00Ah, Parvacha.
40:01I'm sorry.
40:02I'm sorry.
40:03I'm sorry.
40:04I'm sorry.
40:05I'm sorry.
40:05I'm sorry.
40:06I'm sorry.
40:07I'm sorry.
40:08I'm sorry.
40:09I'm sorry.
40:10What's going on?
40:11You're going to tell me why.
40:13I'm sorry.
40:15I'm sorry.
40:16I'm sorry.
40:17You're going to go.
40:17Ok.
40:18I'm going to go.
40:47Oh.
40:47I'm sorry.
40:48Everything was very lovely.
40:50It's the name of Parvacha.
40:52Disad vaya a much more croisade.
40:53My name is Wassro.
40:55Hi der.
40:56Jennifer, she is a beautiful art Starbucks.
40:59That's what they have never been glorious.
41:00Okay.
41:01I'm trying to cross my life things too.
41:03See, I'm glad you know.
41:16Hey, he is Padmavati. My name is Padmavati.
41:21He is in my family. I don't know how much he is in the middle.
41:28He is a gold medalist in the college.
41:30Madam, good morning.
41:32I am in the drunken driveway.
41:34How are you?
41:35You are the only one.
41:36You will be here.
41:37I will be here.
41:38I will be here.
41:40I will be here.
41:45Hi Padmavati.
41:46How are you?
41:47I am a good country.
41:48Are you angry at your aunt?
41:50I'm sorry.
41:52My eyes are so strong.
41:53I am a good person.
41:56I am not a bad person.
41:57No one is a good person.
41:59My relatives are in a hospital.
42:01Do you see?
42:03I am not your friends.
42:04I am a friend.
42:06My friend is a director.
42:07Yes, yes.
42:08I am told you.
42:09I am in the news channel.
42:09I am in the press media channel.
42:10I am in the police.
42:11I am a friend of mine?
42:13So sad.
42:14Yes, I am.
42:15I am from the man out there.
42:17You are not from the man out there.
42:18I am in the coffee shop.
42:21If you come to the cafe, if you come to the cafe, if you come to the cafe and help
42:25you, that's a bill.
42:26No, it's not a bill.
42:30No, it's not a bill.
42:31Of course, if you come to the hotel, I'll go to the hotel.
42:34That's right.
42:35Why don't you come to the hotel?
42:37I'll go to the station.
42:38Please.
42:40I don't want to go to the hotel.
42:53Hi, Vasu. I'm Padmavati. You're a lawyer.
42:57What's happening?
42:58Why are you arrested?
42:59In India, a Pramuka Publishing Company, SR Publishers,
43:03gave you a copyright infringement case.
43:05What?
43:05You made the cinema, edited scripts, and made a Malayalam Bengali book.
43:11What?
43:13Nonsense.
43:15I'll study the case.
43:17I'll come to the point.
43:18Generally, we have to choose the code.
43:21Everything is saved from the code,
43:22but it's not important to say,
43:23but the code is also saved from the code.
43:24If you come to the police,
43:25you'll run into the murder or rape,
43:26you'll be able to save a job for 60 months.
43:28You'll run into the fine of your time.
43:32You'll run into a fine.
43:33How do I have to follow?
43:36How do I know?
43:37How do I know?
43:37How do I know?
43:38How do I know?
43:38How do I know?
43:41I don't want to know how I know.
43:44How do I know?
43:47How do I know?
43:49I am registered at the writer's association in two years.
43:52I am registered with proof.
44:00This book has been published in 50 years.
44:02It is exactly the same writing.
44:04No.
44:05If you have a copy,
44:06if you have a copy,
44:07you don't have a common sense.
44:11Why are you doing that?
44:13If you have a copy,
44:14if you have a copy,
44:15you will have a copy.
44:19No.
44:21I have a copy.
44:27I have read this book.
44:28I have not read this book.
44:30The doctor and the lawyers are not the same.
44:32They are not the same.
44:40If you are a lawyer,
44:42if you are a lawyer,
44:42I am a woulda not.
44:44If you have a copy,
44:45one of them is not the same.
44:48Don't do this to me anymore.
44:51Do you have a copy?
44:53You're welcome.
44:56I'm a comment of the news.
44:57You couldn't figure out what the court is.
44:58I am not going to copy.
45:00For the court,
45:02Do you have a copy of the lawyer?
45:04Yes.
45:05There is no proof.
45:06There is no proof.
45:06The evidence is better.
45:08You can come to my court.
45:09If you don't come back, I'll come back.
45:11Okay, good luck.
45:20Okay.
45:21I don't care about anything.
45:26I don't care about anything else.
45:28Why don't you come here?
45:30It's a simple open and shut case.
45:32I'll cooperate with you in this area.
45:35Please, he's really important to me.
45:41I don't care about anything else.
45:52Oh, that's so important.
45:54Boyfriend?
45:56It's a long story.
45:57Okay, you don't have to worry about anything.
45:59If you're not aware of this case,
46:01I'm not aware of this case.
46:02I'm not aware of this case.
46:06I'm not aware of this case.
46:09I'm not aware of this case.
46:10I'm not aware of this case.
46:11I'll be watching this case.
46:12What are you talking about?
46:13He's my inspiration.
46:15I am a great lawyer for that.
46:16My ambition.
46:17Madam, I'm going to have a dream.
46:19I'm going to have a dream.
46:22I'm going to have a chance to have a dream.
46:23I'm going to have a chance to have a dream.
46:24Please, let me know.
46:31Copyright case OS number 234 of 2021 compliant and SR publishers accused on Vasudev Khanda.
46:38Yes, proceed.
46:44See, your owner and the client SR publishers,
46:46our leading publishing house,
46:50they see a society's a lot of contributions.
46:56Now, coming to the point, the issue here is,
46:59Vasudevan and Ithiham,
47:01my client intellectual property, Astitvam,
47:04which is the best sold novel,
47:05that copyed, scripted,
47:07and created a story made.
47:11That's not all of you, Ron.
47:15We have been copying the many books and published just by the manuscript.
47:18This is what's been written for Bollywood's production company.
47:21Mr. Vasudevan,
47:25this story is written and it's written.
47:27In 1970,
47:29the author in the franchise and established the author of Bengalau's legendary writer,
47:34Shams Shingha Roy.
47:46Thank you very much.
48:04On behalf of my client at the Section 63 of the Copyright Act, 1957, I hereby demand accuse Mr. Vasu
48:12in five years jail shikshayim patthu kodi ppidai.
48:15Who?
48:15That will be all for now, Your Honor. Thank you so much.
48:36Your Honor!
48:39You have to get the defense.
48:41Impossible.
48:44Your Honor, this is a false accusation.
48:46And a client's accusation.
48:49We plead not guilty.
48:50My client is innocent until proven guilty.
49:01I don't believe it's a coincidence.
49:03I don't believe it's a coincidence.
49:05Then how do you defend and prove your innocence?
49:09Sir, I don't know where to go.
49:12I don't know where to go.
49:15I don't know where to go.
49:16I don't know where to go.
49:18I'm ready to go.
49:19What?
49:20No, no, no, no.
49:21This isn't a sin.
49:22I thought it was a lie detection test.
49:24What's that?
49:24Your Honour?
49:25I don't know where to go.
49:27I don't know where to go.
49:29Let's go ahead with the lie detection test.
49:32Defense?
49:36That is the request from the defense, sir.
49:38Okay.
49:39Section 45, Selection of Evidence and Addistan.
49:42Mr. Vasudeva, I'm going to ask you about your question.
49:45I'm going to ask you about the forensic department.
50:06he's going to ask you about the task reasons,
50:06Ms. Vasudeva, I'm going to ask you about the vegetarianors.
50:06At this point,ged by looking at you,
50:06it's Mr., Mr. Vasudeva, I'm going to ask you about the civilian боль detection.
50:08I'm going to ask him to ask you about that,
50:12Yes, he is going to ask you about it next week.
50:14I'm either way it to ask you.
50:15I'm going to ask you,
50:16that everything is James Ashe Maran joan?усор,
50:18which is a bartender man.
50:19The forensic department has a report.
50:28Your Honor, the lie dictation test is not a complete evidence.
50:34I am sure the defense is well aware about this.
50:37The lie dictation test is not available.
50:41It is not available to you.
50:43It is not available to you.
50:48That's all, Your Honor.
50:49Your Honor,
50:50I want you to take a look deep into the issue and gather my evidence.
50:55I also request for an unconditional bail for my client.
50:58Your Honor,
50:58I object to the unconditional bail.
51:01Overruled.
51:03Mr. Vasudevan,
51:05he called the unconditional bail.
51:07In order for further evidence,
51:09the defense has received three days of the defense.
51:11Till then,
51:13the court is adjourned.
51:19The other,
51:22the local police department has received three days of the defense.
51:25I believe that the fire is a good idea.
51:27I am a good idea of how many filmmakers are going to take a look deep into this.
51:29I think it is a good idea of how many filmmakers are going to take a look deep into this.
51:36I am not sure how many filmmakers are going to take a look deep into this.
51:58But still, thank you.
52:01If you were talking to me, I would like to thank you.
52:05That's what I want.
52:07I want to thank you.
52:08I want to thank you.
52:09I want to thank you.
52:10Go.
52:13I don't like that.
52:17I'll put that book.
52:31I want to thank you for the S.R. Publishers.
52:34I'm studying this family.
52:42But for some reason, my mother called Sham.
52:44He was in Chen Bengali.
52:45He had a love marriage.
52:46He was in West Bengal.
52:48He was born in the same place.
52:50He was a family of Sham Singh Roy.
52:52Sham lived in Kalikappur District in a Kalikappur district.
52:57He was a famous writer and social activist.
53:00In 1977, there was no information about what happened in 1977.
53:05This is the first time I was going to finish,
53:07but I didn't want to do anything.
53:11In 1985, three brothers were in a major car accident.
53:16After that, the two brothers were in the company.
53:20I was going to talk to him.
53:31Shama Mai didn't have any paintings in this book.
53:34I think my mother is a Malala teacher.
53:39There are a lot of books in Malala.
54:27Let's go.
54:30God is a man.
54:40He has been a man.
54:44He is a man.
54:48What is the blood?
54:52Don't you ask me to come here.
54:55You should have come here and be in the hospital.
54:57You don't have anything to study,
54:57you don't wanna know what happened to me,
54:59you didn't have anything like this.
55:00What about you?
55:02How many people are there?
55:04I'm telling you there,
55:06but we're telling them to do that...
55:14I've been telling you the scriptures...
55:15I've been telling you...
55:19What about you?
55:20No, I'm not sure if you're a doctor.
55:27I'm not sure if I'm a doctor.
55:28We're just testing this too.
55:28We're stressed.
55:30We're not in the same direction.
55:31We're not in the same direction.
55:32We're not in the same direction.
55:37Strange.
55:38Yes, ma'am.
55:39I really think something is wrong with him.
55:41What's your name?
55:43Hmm.
55:45This is a mystery.
55:46It's a mystery.
55:47It's a mystery.
55:50It's a mystery.
55:50It's a mystery.
55:52It's not a mystery.
55:55Human consciousness is an ocean full of secrets.
55:59What's wrong with him?
56:04We can try clinical hypnosis on him.
56:07Hypnosis?
56:08Yeah.
56:09Hypnosis therapy.
56:10In that blackouts time,
56:11What's wrong with him?
56:13What's wrong with him?
56:16Okay, ma'am.
56:17And one final request.
56:19Hmm.
56:19Actually, this is a sensitive case.
56:21So, ma'am.
56:22Can you tell me?
56:24Sure.
56:28Our print cells have been declined by 23...
56:31Okay.
56:32Okay.
56:32They've cut the hair.
56:34We'll see you.
56:35We'll see you.
56:42Okay.
56:54What do you mean?
56:55What you mean?
56:56It's all tough.
56:57You have to go.
56:58You know, this is all tough.
56:58I have to go.
57:00If you have to go,
57:03You have to go,
57:03You have to talk to me.
57:05I am not sure.
57:05Nothing.
57:05You have to do it or you have to go.
57:10Come on.
57:30Hi, Vasu.
57:41VASU, I am going to start the procedure now.
58:00Just relax.
58:01Take a deep breath in.
58:04Inhale and exhale all your worries out.
58:10Follow my voice and look at the monitor.
58:25E-book, Ninde Life.
58:31VASU, what's the date?
58:41August 17th.
58:44VASU, what's the date?
58:48Last Thursday.
58:58VASU, what's the date?
59:13VASU.
59:15VASU.
59:34VASU.
59:35VASU.
59:35VASU.
59:41VASU.
59:45VASU.
59:46VASU.
59:48VASU.
59:50VASU.
59:50VASU.
59:50VASU.
59:51VASU.
59:52VASU.