{"type":"video","version":"1.0","provider_name":"Dailymotion","provider_url":"https:\/\/www.dailymotion.com","title":"christopher","description":"From the psychedelic tribal blues opener \"Dark Road\" through to the end of the album, Christopher shows just how strong the second-level psychedelia of the late '60s could be. There was no shortage of great musicians hailing from Texas during the era, and the ones who remained in the state were forming some of the most idiosyncratic bands of the swirling, inventive times: top-flight bands such as Thirteenth Floor Elevators, Lost & Found, the Golden Dawn, and Christopher. Christopher, though, cannot exactly be lumped together with those peers. They had to leave Texas for California to make their mark, and indeed, Christopher owes a good deal to the music of that state -- songs such as \"Magic Cycles\" and \"In Your Time\" are informed by the dreamier qualities of the San Francisco sound, especially the extended atmospherics of Jefferson Airplane and the Grateful Dead. There are also hints of fellow Los Angeles bands the Doors and Spirit throughout the album, and like the best music coming out of California, the songs on Christopher sound somehow revolutionary and foreboding, as if there is something dark lurking just beneath the surface of the music. Occasionally, Christopher occupied similar musical territory as Cream. They were not unfamiliar with the blues, and, like the British supergroup, they were an absurdly powerful three-piece with an abundance of ability in both instrumental and songwriting proficiency. In addition, Doug Walden's vocals are a dead ringer for Jack Bruce. With that said, the album actually sounds quite different from Cream. Christopher are somehow both more mystical and earthy. \"Dark Road\" starts out with a loping, jazzy blues groove before being propelled forward by a tempo change and some brilliant, musical drumming. \"Wilbur Lite\" seems grounded by some slashing chording by Richard Avitts, but then an open-ended melody and upward bass progression raise the song up off its legs. \"Queen Mary\" rolls along on top of a choppy drum beat and bass groove until Walden's phenomenal spine-tingling vocals soar above the music, uncontainable.A1 Dark Road 2:52A2 Magic Cycles 5:03A3 Wilbur Lite 3:56A4 In Your Time 5:25A5 Beautiful Lady 2:29B1 Lies 3:04B2 Disasters 3:41B3 The Wind 4:58B4 Queen Mary 3:22B5 Burns Decision 5:14Published By \u2013 Bonel MusicRecorded At \u2013 Sound City StudiosPressed By \u2013 Columbia Records Pressing Plant, PitmanBass, Piano, Recorder \u2013 Doug WaldeDrums \u2013 John Simpson (8), Terrance HandGuitar \u2013 Richard AvittsPercussion, Producer \u2013 Ron KramerWritten-By \u2013 Christopher (33)","author_name":"Vale Canvas Screen","author_url":"https:\/\/www.dailymotion.com\/ValeCanvasScreen","width":480,"height":269,"html":"