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credits to Jollip0p via reddit they send me alot of BL that I will be posting all I had to do for this one is edit bit PLEASEEE SHOW THEM SOME LOVE
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00:03Like me?
00:10Whoa, you scared me.
00:11Staring at your ice prints and daydreaming again?
00:14It's been two weeks.
00:15That photo's practically got a hole burnt through it.
00:18What? No, I was just checking next month's roster.
00:21Seeing if I got the early shift.
00:23Yep, the roster.
00:24Please, you think the whole crew hasn't noticed?
00:26But as your shift lead, I'm telling you,
00:28don't go too deep with this one.
00:30The name Valeri is not as simple as it looks.
00:34I really don't, Lena.
00:35He's just impressive, that's all.
00:37Three years, zero incidents.
00:39I only admire him as a senior colleague
00:41out of professional respect.
00:42Professional respect?
00:43That professional respect in your eyes
00:45is practically dripping honey.
00:46Get yourself together.
00:47We will push off in half an hour.
00:49Don't be late.
00:49Yeah, he's like a star up there.
00:54How could I ever reach someone like that?
01:04Same boring people every single day.
01:07Maybe it's time to just give up.
01:19I've seen you, St. Parkus.
01:21You watch me from the platform.
01:23No way.
01:25St. Parkus?
01:26Who is this?
01:28Is someone messing with me?
01:30The Red Door Pub near King's Cross.
01:32Come meet me.
01:45It's really him.
01:47Marco Valeri.
01:48How is this even possible?
02:02Good evening, sir.
02:04What can I get for you?
02:10I'll...
02:10You'll have what I'm having.
02:12Very good, sir.
02:13Riskies on the rocks.
02:22You knew who I was this whole time?
02:24That profile?
02:26And was that really you?
02:27Whenever you're assigned to car six,
02:29you always stand by the third door.
02:31You lean against the door frame
02:33and stare out at the platform.
02:35Every time I pull into the station,
02:36if I turn my head just slightly,
02:37there you are.
02:38Every single time.
02:39He knew the whole time.
02:41He noticed where I stood,
02:42the way I leaned,
02:44everything.
02:44I thought I was invisible,
02:45hiding in the shadows,
02:47stealing glances.
02:48All these months,
02:49he was watching me too.
02:53So why did you wait until now?
02:55Because I thought you'd come to me first.
02:57But I've realized,
02:58if I don't say something,
02:59you'd spend the rest of your life
03:00just staring at my photo in the staff lounge.
03:05So,
03:06how did you know it was me?
03:08My profile is practically blanket.
03:09I didn't even put up a photo.
03:11Your profile picture was a cat,
03:13a black British shorthand.
03:15And your bio said,
03:16I like watching the sunrise from the train.
03:18That could mean anything.
03:19Plenty of people like the sunrise.
03:21Thousands of people in London
03:22watch the sunrise on trains
03:23every single day.
03:24Your employee number.
03:27The app lets you display your profession.
03:30You're a said train attendant,
03:31but you also filled in
03:31the last four dits of your employee ID.
03:33You probably figured no one would notice
03:34a string of numbers
03:35except the scheduling department.
03:37You...
03:37You looked up my employee number?
03:39No, I memorized it.
03:41Every time you work car six,
03:42you stand at the third attendant post.
03:44The last four knives of the employee
03:46assigned to car six post three
03:47match the numbers you put in your profile.
03:49Besides,
03:50over the past six months,
03:52I've only noticed one person foolish enough
03:54to stand by the door of car six
03:56at the exact same time every morning,
03:58taking poachers of the sunrise.
04:00He checked my employee number
04:01and memorized it
04:02so it wasn't a random match.
04:04He saw those digits
04:06and then swiped right.
04:07On purpose.
04:09Though I have to say
04:09you're much better looking
04:10than that cat.
04:12And better looking than
04:13in that commendation photo
04:14in the staff lounge,
04:15the one where you're
04:16sneaking glitzes at me.
04:18What did you just say?
04:20I said you're better looking in person,
04:23Elliot Walker.
04:25Then why did you wait for six months?
04:27Because I don't want to wait anymore.
04:39I'm terribly sorry, gentlemen.
04:41We'll be closing shortly.
04:48Let's go.
04:59I'll walk you to the tube.
05:04The coldest driver
05:05in the entire Eurocrass
05:07is walking right next to me
05:08and I'm wearing his scarf.
05:10If Lee never finds out about this,
05:12she'll absolutely think
05:13I've lost my mind.
05:26Good night, Elliot.
05:28Good night, Marco.
05:34This was never a dream.
05:36He really was here.
05:37And he saw me.
05:43He said my name.
05:45Oh, God.
05:47Is this real
05:48or am I losing my mind
05:49in some ridiculous dream?
05:57Calm down, Elliot.
05:58This isn't a big deal.
05:59You can't completely lose your mind
06:00just because he gave you a scarf.
06:03Marco Valli,
06:04six years at Eurostar
06:05with an impeccable safety record.
06:07He is professional,
06:09calm and outstanding.
06:10How could someone like him notice me?
06:21Good morning, sir.
06:22Today's breakfast menu.
06:24Cheers.
06:25Full English breakfast
06:26and black tea.
06:27Just a moment, please.
06:28Three days.
06:29Not a single message
06:31on the app since that night.
06:32Was it all just a dream?
06:34Ladies and gentlemen,
06:36we have passed Dover
06:37and will soon enter
06:39the Channel Tunnel.
06:40No sugar.
06:42Marco?
06:43What is he doing out here?
06:44The train's in motion.
06:46Shouldn't he be in the driver's cave?
06:47Sorry.
06:48Just one moment.
06:49Coffee, no sugar, right?
06:54You're coffee, Mr. Valeri.
07:00Attendant,
07:00could I get a blanket, please?
07:02I have to get back to work.
07:08Lena,
07:09I'm going to check
07:09the forward carriages,
07:11see if any passengers need help
07:12or if anything needs clearing.
07:14Go ahead,
07:15but don't be too long.
07:16We need to prepare
07:17afternoon tea service soon,
07:18and business class
07:19is pretty full today.
07:26The way he looks
07:27when he's focused like that,
07:29it's breathtaking.
07:36So,
07:37was that a carriage inspection,
07:38or did you run a lap
07:40on the roof?
07:41Why is your face so red?
07:42No.
07:43No reason.
07:44The AC in the forward carriage
07:45must be cranked up too high.
07:47It's just
07:47a little warm.
07:49Warm?
07:49It's November.
07:51The AC is set to 22 Celsius
07:52across the entire train.
07:54I can fry an egg on your face.
07:55It really is just the heat.
07:56I'll go prep
07:57the afternoon tea service.
07:58That hopeless boy.
08:00Does he think
08:00the rest of us are blind?
08:02Looks like that
08:03frozen iceberg
08:04Valeri is finally melting.
08:20South exit of the station.
08:21There's a cafe
08:22with a blue awning
08:23to the left.
08:23Come.
08:27Lena,
08:28I'm gonna grab a bite
08:29and get some fresh air.
08:30I'll be back soon.
08:31Go on then.
08:31Just don't wander too far.
08:33And don't eat anything
08:33too sweet.
08:34Watch your waistline.
08:41Sit.
08:44Monsieur,
08:45que dƩjez-vous?
08:46Un chocolat chaud pour lui
08:47et un croissant.
08:48TrĆØs bien.
08:49Un instant, s'il vous plaƮt.
08:50How did you know
08:51I like hot chocolate?
08:54Every morning
08:55in the Staff Can a Teen
08:56you have black coffee
08:57with three sugar packets.
08:58I figured you have
08:59a sweet tooth.
09:06Why become a train attender?
09:08With your personality
09:09I thought you'd pick
09:10a quieter,
09:10more stable job.
09:11I didn't finish college.
09:13The job is hard
09:14yet well paid.
09:15It covers my student loans
09:16and I also get to travel
09:18and enjoy different views.
09:19Not bad at all.
09:20I live alone now
09:21with nothing holding me back.
09:24Every place feels the same.
09:26Just wandering.
09:30Let's go.
09:40Elliot.
09:42Are you afraid of me?
09:44Afraid?
09:50No.
09:51I'm not afraid.
10:09What is with you today?
10:10Did you win the lottery
10:11on your little stroll?
10:13Something like that.
10:14Better than the lottery.
10:15You're acting deranged.
10:17The Paris wind
10:18must have frozen
10:19what's left of your brain.
10:30after staling car five.
10:33Car five after staling?
10:35What is he planning to do?
10:41Elliot.
10:42My data checks are all done.
10:43What about you?
10:44A few of us are heading
10:45to the bar around the corner
10:46for a drink.
10:47You in?
10:47I think I left something
10:48on the train.
10:49You guys go ahead.
10:50I'll head back on my own
10:51after I find it.
10:53All right then.
10:54Don't take too long.
10:55Don't stay out too late.
11:04Marco?
11:05Are you here?
11:10Why?
11:11Why car five?
11:12Because when it enters
11:13the channel tunnel
11:14this carriage is the quietest.
11:24Attention passengers.
11:25The last train to Paris
11:27is now ready for departure.
11:31Ever since what happened
11:32in car five
11:33Marco started showing up
11:35everywhere I was
11:36on this train.
11:37Ladies and gentlemen
11:38we have now entered
11:39the channel tunnel.
11:40Our estimated crossing
11:42time is
11:43for your comfort
11:44the cabin lights
11:45will now be dimmed.
11:50I missed you.
11:53I miss you too.
11:55See you later.
11:56He really seems to love
11:57these little moments
11:58and he always knows
11:59exactly how to set
12:00my heart racing.
12:14the tuning in.
12:22And he also knows
12:22how to set
12:22and he still
12:23died.
12:23He's a friend.
12:23He's a friend.
12:24He's a man.
12:26He's a friend.
12:27He's a friend.
12:28He's a friend.
12:29He's a friend.
12:30He's a friend.
12:31Type 2, brake system check complete. Powering down.
12:44You really have no fear of death.
12:48As long as it's with you, I'm not afraid of anything.
12:56What are you thinking about?
12:58Are you afraid?
13:01No. I know what Lina told me.
13:04I know what the name Valerie means.
13:06But I chose you. I won't regret it.
13:11Tu es mon seul salaud.
13:13I don't understand French.
13:16But I know what you meant to say.
13:37What's this? Looks complicated.
13:45Routine manifest. Nothing worth looking at.
13:48Oh, sorry. I wasn't trying to snoop. I just came over to say hi.
13:52It's fine.
13:54Ellet, have you finished checking the roster? The supervisor's looking for you.
13:57Go on. See you at departure.
14:13If only time could stop right here.
14:16Forever.
14:30Who is he on the phone with?
14:32Why does he need to slip out onto the balcony at two in the morning?
14:35That manifest.
14:36Those strange words.
14:38And now this coldness that honestly scares me.
14:41Marco, who are you really?
14:44I thought...
14:53You don't know what he had at the end.
14:58You don't know what to do?
15:08You don't know what to do?
15:14Nice.
15:16This isn't protocol. The attendant manual clearly states all equipment cabinets must remain accessible at all times for emergencies.
15:24Who installed a private lock on this one? And what's inside?
15:31Kid, some things are better left unseen and unquestioned.
15:35Oh, I just noticed the lock seemed a bit jammed. I was checking to see if it was broken. Thank
15:40you for the advice.
15:43That was the Esch. Good time, McWenna Zidorechi.
15:47Marco, what exactly are you doing on this train, hidden behind that perfect driver act?
15:59Attention Ć la marche, madame. Passez un agrĆ©able CĆ©sio Ć Bruxelles.
16:09Who is that? Why would Marco know someone like him?
16:21Marco, what kind of monster is hiding behind you? And what kind of man have I fallen in love with?
16:41It's good.
16:44Thanks.
16:48What's going on with you today? Are you feeling unwell?
16:52Well, I want to ask you something.
16:55Last Wednesday, two in the morning, that call you took on my balcony.
17:00Who was it from? Who were you arguing with in French?
17:04And the equipment cabinet at the bottom of car one.
17:06Why does it have an anti-tampish lock on it?
17:08The attendant manual says clearly on no private locks equipment cabinets.
17:12What is hidden inside?
17:17Elliot, don't let your imagination run wild.
17:20I'm not imagining it.
17:22That day in the office, when you caught me looking at your manifest, do you remember how much you overreacted?
17:27You slammed that document down like I'd just seen something I wasn't supposed to see.
17:33I'm scared every single day.
17:36Scared you'll suddenly stop replying.
17:38Scared I'll see you on the news.
17:40Scared I'll wake up one morning and you'll just be gone.
17:44I thought what we had was different.
17:46I thought you'd at least be honest with me.
17:48I told you.
17:49My work is complicated.
17:52Work, that's all you have to say?
17:53That man at Brussels South in the black cashmere coat, he wasn't looking at you like a colleague.
17:58He was looking at you like you're a weapon that could go off any second.
18:01Elliot, I'm going to say this one last time.
18:04You don't need to know everything.
18:06It will only get you killed.
18:09Get me killed?
18:10So you'd rather keep me in the dark like an idiot?
18:13Let me stand there every day, staring at your back, guessing and guessing like a fool?
18:20You don't trust me.
18:22That's what this is.
18:24Elliot, I'll always be an outsider to you.
18:29Elliot, that's not...
18:30Don't touch me!
18:32You'd rather let me live in fear than tell me a single truth?
18:36If that's how it is, then what's the point of this?
18:50It's been a whole week since that disastrous dinner.
18:54Not a single message.
18:55Not one phone call.
19:01Elliot, what is going on with you lately?
19:04Yesterday, you nearly scalded a first-class passenger while pouring water, and today you've filled out the reports wrong twice.
19:11Do you even want this job anymore?
19:13Sorry, Lena.
19:14I guess I haven't been sleeping well lately.
19:18Don't give me that.
19:19You and I both know what this is really about.
19:21What happened between you and Mr. Valeri?
19:24Not long ago, you two were inseparable.
19:27Couldn't stand to be apart even during shift changes.
19:30Now you're avoiding him like the plague.
19:33Nothing happened, really.
19:34There's nothing to talk about.
19:39Elliot, I told you before, he isn't ordinary.
19:41I've worked on Eurostat for eight years.
19:44In that time, I've seen every kind of driver.
19:47Meticulous ones, careless ones, ones with serious connections.
19:51But I have never met anyone like Marco Valetti.
19:54Haven't you noticed?
19:55He only ever works fixed routes from London to Brussels and Paris.
19:58He personally checks the final stage of every train inspection.
20:01Even the company's senior executives, whenever they see him, don't treat him like an employee.
20:05They treat him like someone they can't afford to offend.
20:07Someone important.
20:09On the continent, in certain circles, the name Valeri means something extremely dangerous,
20:16extremely powerful, and not even remotely legal.
20:20You don't need to know everything.
20:31Don't get in any deeper.
20:34But can I still pull back?
20:35From the moment I first saw Marco in the staff corridor, half a year ago.
20:40From the moment I put my hand in his without hesitation in the underground depot.
20:44From the moment I chose to walk toward him in the pouring Paris rain.
20:48I was already in too deep.
20:51Completely trapped in a black mire called Marco Valeri.
20:55Impossibly gentle and bottomless.
21:00It's the second week without any contact from Marco, and the insomnia is getting unbearable.
21:05My mind is full of that cold face, and Lena's warning keeps echoing in my ears.
21:11Don't get in too deep.
21:12I barely cheat.
21:18Sir, your coffee.
21:21I'm sorry.
21:22I'm so sorry.
21:24Sir, did I burn you?
21:25Is your laptop alright?
21:26I'm fine.
21:28You should get that hand looked at first, young man.
21:30You look ill.
21:32Elliot, what the hell are you doing?
21:33Are you really going to wreck your own life over a man who doesn't even trust you?
21:47I can't tell you everything.
21:48My world is full of dark, ugly things.
21:51Things that can't survive in the light.
21:52I didn't tell you because I didn't want any of it to stain what you see, or drag you into
21:56danger.
21:58But please believe me.
21:59What I feel for you is real.
22:01Elliot, with you, I'm real.
22:04I'm real.
22:17Weird.
22:18Ever since we made up on that rainy night, Marco still won't talk about his secrets.
22:21But he texts back super fast and is really sweet all the time.
22:24He's acting off.
22:25Wonder if something's going on with him.
22:26Lena, I'm a bit thirsty.
22:28The mini-bunk water's a rip-off.
22:30I'm going to run down to the convenience store.
22:32Need anything?
22:33I'm fine.
22:34Just get back early.
22:35The streets around here aren't exactly safe this late at night.
22:38Got it.
22:39I'll be right back.
22:52Maybe he's here, dealing with those things I don't need to know about.
22:56Or maybe he's just fallen asleep in another room.
22:59Or gone out for a drink somewhere.
23:01Elliot, what the hell are you doing?
23:03You're losing it.
23:17What the hell are you doing?
23:44What is he doing?
23:45Who are those?
23:46What's inside that case?
23:47Drugs?
23:48Weapons?
23:49Or something even worse?
23:50The name Valeri means something remotely legal.
24:15That look Marco just gave me.
24:17It was terrifying.
24:19Completely hollow.
24:20Like he was looking at a dead man.
24:22He definitely saw me.
24:23He absolutely recognised me.
24:49It can't be.
24:51You said what we had was real.
25:03Who exactly did I fall in love with?
25:06The Marco who makes me coffee and waits for me in the rain?
25:08Or Valeri, the man who tells me nothing, does God knows what, in a basement and looks at the world
25:13with eyes like ice?
25:20Elliot, are you sure you're all right?
25:22You look even worse than you did last night.
25:24I'm fine, Lena.
25:25It may be an unfamiliar bed.
25:27Didn't sleep well.
25:34He looks exactly the same as always, the respected, flawless chief driver.
25:39Like nothing ever happened.
25:42As if everything that happened in the maintenance pit last night, that silver metal case, those terrifying eyes, was just
25:48some twisted hallucination.
25:49A nightmare born from exhaustion.
25:56Tonight, this address, we talk.
26:00What does he want to talk about?
26:02Possible.
26:03Is it about last night?
26:05Is he finally going to come clean?
26:06Or is this a trap?
26:08Lure me to some room?
26:10Get rid of the loose end who knows too much?
26:12I could just disappear from his world.
26:14Pretend last night never happened.
26:16Go back to my safe, boring, uneventful life.
26:20But I can't.
26:21I need the truth.
26:22No matter how dark it is.
26:24No matter how brutal.
26:25I need to hear it from his own lips.
26:27And I know perfectly well that from the moment I fell in love with him, there was no turning back.
26:35No one knows what's happening beneath this train's polished exterior.
26:39None of these quiet passengers would ever a man imagine what terrible secrets the man driving him is hiding.
26:48His presence is a weight I can't shake.
26:51Like an invisible net.
26:53Vast.
26:54Unbreakable.
26:55Pressing down on me so hard I can barely breathe.
26:58I don't know.
27:06What is he doing here?
27:09Are you insane?
27:11We're in motion.
27:12Why aren't you in the driver's cabin?
27:14Can your co-driver even manage alone?
27:16He'll be fine on full autopilot.
27:18Right now, we have something more important to deal with.
27:22Deal with what?
27:23Me?
27:24Deal with me?
27:25The witness?
27:28Last night, you saw something you shouldn't have seen.
27:37It's been a whole week since that disastrous dinner.
27:40Not a single message.
27:42Not one phone call.
27:48Elliot, what is going on with you lately?
27:51Yesterday, you nearly scalded a first-class passenger while pouring water, and today you've filled out the reports wrong twice.
27:58Do you even want this job anymore?
28:00Sorry, Lena.
28:00I guess I haven't been sleeping well lately.
28:04Don't give me that.
28:06You and I both know what this is really about.
28:08What happened between you and Mr. Valeri?
28:10Not long ago, you two were inseparable.
28:13Couldn't stand to be apart even during shift changes.
28:16Now you're avoiding him like the plague.
28:19Nothing happened, really.
28:21There's nothing to talk about.
28:25Elliot, I told you before, he isn't ordinary.
28:28I've worked on Eurostat for eight years.
28:30In that time, I've seen every kind of driver.
28:34Meticulous ones, careless ones, ones with serious connections.
28:37But I have never met anyone like Marco Valitti.
28:40Haven't you noticed?
28:41He only ever works fixed routes from London to Brussels and Paris.
28:44He personally checks the final stage of every train inspection.
28:47Even the company's senior executives, whenever they see him, don't treat him like an employee.
28:51They treat him like someone they can't afford to offend.
28:54Someone important.
28:55On the continent, in certain circles, the name Valeri means something extremely dangerous,
29:02extremely powerful, and not even remotely legal.
29:06You don't need to know everything.
29:17Don't get in any deeper.
29:20But can I still pull back?
29:22From the moment I first saw Marco in the staff corridor half a year ago.
29:27From the moment I put my hand in his without hesitation in the underground depot.
29:31From the moment I chose to walk toward him in the pouring Paris rain.
29:35I was already in too deep.
29:37Completely trapped in a black mire called Marco Valeri.
29:41Impossibly gentle and bottomless.
29:50Sit down.
29:51Let's talk.
29:53I'll stand right here and hear how the Eurotross flawless chief driver turned out to be a criminal
29:57doing underground deals with gangsters.
30:01The Valeri family controls one of the largest cross-bortal smuggling networks in Europe.
30:07Lena mentioned that name.
30:10She warned me.
30:11Told me not to fall too deep.
30:19She's a smart woman.
30:20But you didn't listen.
30:22Because I trusted you like an idiot!
30:25Tell me!
30:26What are you smuggling?
30:27Narcotics.
30:28Rare artifacts.
30:30High-value electronics.
30:31Everything the black market wants.
30:33Illegal.
30:34Untraceable.
30:35Immensely profitable.
30:36It's all on our manifest.
30:37On this train?
30:39With thousands of innocent passengers on board every single day?
30:42The Eurostar is the perfect golden route.
30:44It crosses Britain, France and Belgium.
30:46With almost no rigorous border check along the entire line.
30:50That's impossible.
30:51Every arrival and departure goes through customs and security.
30:54How do you get anything past them?
30:56The train's undercarriage has hidden equipment chambers.
31:00The ventilation ducts have been modified.
31:02As long as I, the driver, provide the exact docking position and timing, custom snapper dogs won't detect a thing.
31:09And you, becoming a train driver with that perfect safety record and professionalism that never slips.
31:16All a cover.
31:18It was the family's plan.
31:20This job.
31:21This uniform.
31:23This route.
31:24From the very first day I put it on, it was part of an immense criminal network.
31:29Then what about me?
31:31You came after me.
31:34All those things you did, making me fall so hard for you.
31:37Was that part of your perfect cover too?
31:40Am I just another tool to hide who you really are?
31:43No.
31:44You were never part of the plan.
31:46You were the accident.
31:47An accident?
31:48A loose end who might expose all your secrets.
31:51Is that what you mean?
31:52That's why the way you looked at me last night was so terrifying.
31:55What were you thinking at that moment?
31:57How to kill me?
31:58How to shut me up for good?
32:00If I wanted you dead, you wouldn't be standing here talking to me right now.
32:11I told you.
32:12There are things you don't need to know.
32:14Knowing them won't do you any good.
32:16Well now I know.
32:17So what are you going to do with me?
32:19Lock me up in here?
32:20Or call those thugs to finish me off?
32:27I'm giving you one last chance.
32:30The door isn't locked.
32:32You can walk out right now.
32:34What's that supposed to mean?
32:36Go back to your flat.
32:37Show up tomorrow like nothing happened.
32:39Pretend tonight was a dream and we'd never met.
32:41And the pit last night?
32:42I saw the deal!
32:44I'll handle it.
32:45No one will come after you.
32:46Your life will go back to the way it was.
32:48Safe.
32:49Clean.
32:50No danger.
32:50If I walk out that door, I walk away from this dangerous man for good.
32:54Away from this bottomless criminal whirlpool.
32:57You think you can control everything, don't you?
33:00You'd really just let me go?
33:03Go.
33:04As far as you can.
33:09Who the hell gave you the right?
33:11You turned my life upside down.
33:13You made me fall for you like some idiot, completely hopelessly in love.
33:17And now you want to pretend nothing happened?
33:19Kick me out and play the good guy?
33:21Elliot, if you stay, what's waiting for you is hell.
33:24A life without you is the real hell.
33:29I've made my choice.
33:42You don't have to bring all this old stuff.
33:44There are new ones at the apartment.
33:46My grandmother left this for me.
33:47Not everything can be replaced with something new just because you've got smuggling money to throw around.
33:52Go pack the bathroom stuff.
33:54Go pack the bathroom stuff.
33:54I'll tape up the boxes.
34:03Everything here is too clean, like a showroom nobody's ever lived in.
34:06You can make it look lived in now to celebrate your move.
34:12Celebrate me officially becoming an accomplice to a ranking member of a criminal empire.
34:19To celebrate the fact that you're safe.
34:21From now on, this is your home.
34:23Home built on smuggling and lies.
34:31A home with just the two of us.
34:35If one day your family decides I'm a threat, will this home become my grave?
34:40As long as I'm alive, no one will hurt you.
34:44I know I'm walking step by step towards an abyss I can't climb out of.
34:49But this is the choice I made.
34:53I hope you remember those words.
35:06No one can trace where I've been.
35:09This isn't protection.
35:11This is captivity.
35:17You lock me up in here, give me money, give me nice clothes, and this is what you call safe?
35:22I'm standing in one of the most expensive apartments in London.
35:26I have a life of luxury I never dared to dream of.
35:29I even have a man I love, who loves me back.
35:32But I can't get out.
35:33I've become exactly what he made me.
35:35A canary locked inside a gilded cage.
35:43Are you, are you okay?
35:45I'm fine, I just need some time off.
35:48You moved, didn't you?
35:49The landlord said you ended your old lease.
35:51Elliot, did you move in with him?
35:53Lena, thanks for caring about me.
35:56But I'm really fine.
35:59I can't tell her.
36:01I can't drag anyone else into this hell.
36:04This cage, rotting inside it, is mine alone to bear.
36:13So this is the real core of the Valeri family.
36:15A dark empire hidden away in the outskirts of London.
36:20Don't be nervous.
36:22Just stay close to me.
36:24It's him.
36:26The terrifying man from the Brussels South Platform.
36:29The one Marco was speaking to in code.
36:31Uncle.
36:34So this is the accident you've brought home.
36:38Good evening, Mr. Valeri.
36:41I hope you know exactly what you're doing, Marco.
36:44Don't make the family pay the price for your weakness.
36:52That's him.
36:53The supreme ruler of this vast criminal empire.
37:05Don't be scared.
37:06Just eat.
37:11This is the finest food in the world.
37:13But I can't taste a single thing.
37:16Every bite feels like chewing on broken glass.
37:21Every word they speak carries a threat disguised as small talk.
37:25Every polite pleasanty feels like a test.
37:28A way of mapping the boundaries of power.
37:35Marco.
37:37This time you've brought home something different.
37:40Hello.
37:43Cara familia.
37:45The previous ones were never quite so...
37:48...clean.
37:53he is my bottom line you'd better behave yourself
38:00what did you say nothing just told her you're my bottom line and that she should watch her mouth
38:07it's the first time he's ever defended me like that in front of so many people
38:10so directly but the more he protects me the more it tells me just how dangerous this place really
38:15is marco that eastern european vorinko he's been making moves lately you'd be wise to focus more
38:21on business and less on wasting time with this little train attendant i know what i'm doing uncle
38:30you know if you truly knew you wouldn't have brought a loose end like this into the estate
38:36mr walker if i were you i'd run far and fast a seat at the valeri table isn't so easy
38:44to keep
38:47a loose end so that's what i am to them a crack in the foundation a liability that could bring
38:52this whole empire crashing down marco can i really survive in this family as long as i'm here no one
39:01will treat you like a liability but what if even you can't protect me when that day comes what do
39:06i do
39:06then
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