10:26And where Barney left off, his son picked up.
10:29Grant graduated from MIT at 16,
10:33where one of his professors called him the greatest invented mind to come out of MIT in 20 years.
10:38I'm told He was a kid.
10:44I was a kid.
10:46I was a kid.
10:47I'm a kid.
10:49I asked him if he was a kid.
10:50He and I asked him for a girl.
10:51He was a kid.
10:53He'd mehrere.
10:55He's a kid.
10:56I'm sorry.
10:59He'd be a kid, right?
11:00He's a kid.
11:02I'm sorry.
11:02I'm sorry.
11:04He was a kid.
11:06I'm sorry.
11:06late yesterday i got word drake has orders to go to england i've since learned that his plane
11:18is due to arrive at heathrow airport at 9 a.m on friday and that he's booked out under two
11:24separate names on flights later that night which means if he's going to kill someone he has to do
11:29within that time frame any idea who his target is not yet apparently he has to make a phone call
11:34when he reaches london to get that information he's not going to make this easy drake has stayed
11:38alive by not making things easy in all the murders he's been linked to he's never killed twice in a
11:43row in the same fashion as from the hallucinogenic drug he gave tom copperfield to a sniper's rifle
11:49he always chooses something different and the problem is he waits till the last possible moment
11:54to make that choice at random that's the key there's a certain logic to that if i don't know what i'm
12:00going to do so neither does anybody else yes that's why we got to get close to him right inside his
12:06skin we have to know what he's going to do at the same time he knows it himself grant well i've been
12:13in contact with london and they're going to loan us a couple of extra men we'll need that include the
12:18laser technician that's right now we're looking at the kind of hotel drake seems to favor small but
12:26classy now he selects these at random also but in this case we're going to make his random selection
12:31for him this will be the one he chooses absolutely under our control all previous identification has
12:38been removed right now it's a total blank all right we can't afford any mistakes if we lose drake we
12:44lose our chance to identify his boss scorpio jim we're not going to let that happen we know what
12:50this one means to you
12:52that'll be four pound twenty please come thank you
13:17the outside camera is operative this one will be ready in a minute good any more on drake's plane
13:27it's over an hour late jim meet tim connor from our london office he's here helping grant with some
13:33of our laser work glad to have you aboard tim thank you sir it's an honor to work with you
13:37an hour late will that affect our plan it could if he has to make his phone call at a pre-arranged time
13:42if he has to make the call before he checks into his hotel
13:46anything grant
13:52drake's plane will touch down in just about three minutes
13:58good 25 minutes that's all i'll need once he hits his cap
14:01go to 29 repeat 29
14:09ever not pro
14:11mr glover please proceed
14:18join me
14:20looking up
14:24up
14:34up
14:41in
14:42Tara
14:43put
14:44up
14:44up
14:48I'm the first in line. You've got to ride with me.
14:52Say, do you know where the Rayburn is?
14:56The Rayburn?
14:58Yeah, here.
15:00Oh, the Rayburn Hotel in Kensington.
15:04I'm the first in line.
15:06You've got to ride with me.
15:08Say, do you know where the Rayburn is?
15:10The Rayburn?
15:12Yeah, here.
15:14Oh, the Rayburn Hotel in Kensington.
15:16Sean, I know where it is.
15:18As a matter of fact, I took this nice lady there last week.
15:20Spare me the details, I'm in a hurry.
15:22Please, let me get some for you, sir.
15:24Can I take your bags?
15:26I can manage you.
15:28The Rayburn it is.
15:30All right, you heard it. The Rayburn.
15:32Rayburn Hotel, 16 Craven Hill.
15:36R-A-E-B-U-R-N.
15:38The Rayburn Hotel, 16 Craven Hill.
15:42R-A-E-B-U-R-N.
15:44R-A-E-B-U-R-N.
15:46How long is it going to take to get to the hotel?
15:48Depends on traffic, 20 to 35 minutes.
15:50The phone book says 15.
15:52Now, if you can't do it in that, I'm going to find a cabbie you can.
15:54Hey, if any cabbie gets you there in 15 minutes, I can.
15:5615 minutes, Jim.
16:12It's just not enough time.
16:14We don't have a choice. We have to make it work.
16:16The R-A-E-B-U-R-N.
16:20The End
16:22The End
16:24The End
16:26We'll never be ready at the pace he's going.
16:55Well, Max will do what he can, but Drake's insistence on being here in 15 minutes probably means he has to make the phone call to get his assignment.
17:02If we slow him down too much, he's liable to bolt.
17:25All set, Jim.
17:26In case you give me a level.
17:32Mirror, mirror, on the wall.
17:33All right, you better finish off in there.
17:37Just another minute, Jim.
17:38Just another minute, Jim.
17:43Oh, I'll come here.
17:44It's the new, Jim.
17:45I'll come here.
17:46I'll come here.
17:48I'm here for you.
17:49I'm here for you.
17:50In case you give me a level.
17:51Mirror, mirror, on the wall.
17:52All right, you better finish off in there.
17:54Just another minute, Jen.
18:25Oh, now what?
18:27I guess I put my finger in it a bit.
18:29But don't worry, I'll bluff my way out of it.
18:50Could I see your license, sir?
18:52I want an officer.
18:54Better do something wrong.
18:55You were going 20 miles over the speed limit.
18:5720 miles?
18:59Listen, officer, this fair of mine is in a bit of a horror.
19:01You see, I picked him up at Heathrow.
19:02Could I just see your license, please, sir?
19:04Would you have a heart, mate?
19:05Just get it over with.
19:06I'll pay you what the ticket costs.
19:08They're lousy cots.
19:09I mean, how do you make a living these days?
19:11Thank you, sir.
19:22Drake looks nervous.
19:23I'll hold him as long as I can.
19:29I know you're an artery.
19:31I'm sorry about these.
19:33Keep it going, Nick.
19:34We need the minutes, pal.
19:38What is the holdup?
19:39Why is he taking so long?
19:41I don't know.
19:42Your guess is as good as mine.
19:43I'm gonna find myself another cabin.
19:45Would you have a heart?
19:46I need the fair.
19:52Room is set, Jim.
19:53Thanks, Casey.
19:55I'm not gonna wait much longer, you know.
19:58Better move, Max.
19:59Right.
20:08You'd think you'd be out catching crimps
20:10instead of bothering honest working people.
20:12Mm-hmm.
20:16Drive carefully next time, sir.
20:24Sorry, sir.
20:27I tried to hold him as long as I could.
20:29We need more time, Max.
20:30Seven minutes.
20:42All the cameras are set, and the microphone's under the front desk.
20:47Well, Nicholas is doing what he can.
20:48Let's just hope Max can get to the next point before they do.
20:52Only the best for the Ray-Ban.
20:53Talk about hot off the press.
20:54. . .
20:55. . .
20:56. . .
20:57. . . .
20:58. . .
20:59. . . .
21:00. . .
21:01. . .
21:02. . .
21:03. . .
21:04. . .
21:05. . .
21:06. . .
21:07. . .
21:08. . .
21:17. . .
21:18. . .
21:19. .
21:31. . .
21:32. . .
21:33. .
21:34Come on, would you move it? Move it, will you?
21:37I told you I was on a tight schedule.
21:39Give me a break. What do you want me to do? You want me to drive through it?
21:42Look, I've got to get to a phone booth. He's a backup or I'm going to get out of here.
21:50Blast it. What's this now?
21:55Can you believe this?
21:58This is ridiculous. I'm getting out.
22:00No, no, no. Hey, I told you. I'd get you there.
22:04Jim, I couldn't hold him any longer. No one's lost him.
22:28No more time.
22:34Are we ready?
22:42We're about to find out.
22:43I'm sorry it took a little longer than 15 minutes.
23:04Ah, forget it.
23:05You know you ought to do yourself a favor and keep your big mouth shut.
23:10Good morning.
23:29Oh, sorry. Good morning, sir.
23:33I'd like to have a room, please.
23:34A room, yes. We have one of the very best available in all, room 12.
23:38I'd like to pick my own.
23:40I beg your pardon?
23:41I'd like to pick my own room.
23:42Uh, say, uh, how about room 7?
23:47Room 7?
23:49Well, yes, I do believe you're in luck.
23:52Room 7 is available.
23:54If you'd just care to fill out the registers, huh?
23:57Room 7 is available.
24:27Would you like to follow me, sir?
24:31Enjoy your stay, sir.
24:32Yeah, thanks.
24:45Are you all right?
24:46I wonder if I've been away from this too long.
24:55I wanted to kill him.
24:56I wanted to reach across the counter and grab him by the throat.
25:00You killed your best friend, Jim.
25:03No one's going to fault you on that emotion.
25:08Here we are, sir.
25:09All set?
25:26Hope you enjoy your stay.
25:30All right, the trap's been set.
25:33Let's spring it.
25:33I'd like to pick my own room.
25:47I'd like to pick my own room.
25:51I'd like to pick my own room.
25:54I'd like to pick my own room.
25:57Sounds good.
25:58No, I think it needs a little more bass.
25:59Hope you're comfortable.
26:03If there's anything else you need, sir,
26:04please don't hesitate to give us a call.
26:07Thank you, sir.
26:08Come on.
26:24Damn.
26:28He's leaving the room.
26:29As long as he uses the phone in the lobby, we're set.
26:31All right.
26:38Max, do you have him?
27:05Right on target, Jim.
27:08Come on.
27:38I'm waiting for a friend to call.
27:49This is the friend from California.
27:51You're late. I nearly wasn't here.
27:53It couldn't be helped. Do you have something for me?
27:56Yes.
27:58All right, where do we meet?
27:59City Botanical Gardens, by the river.
28:02Be there at noon.
28:03How will I find you?
28:08Wear a white rose and I'll find you.
28:13Just a little more than an hour.
28:16If we can still catch her.
28:36Hello?
28:37It's me again.
28:39Your friend from California.
28:42What now? Decided we don't like white roses?
28:44Decided I didn't want to wait so long for the information.
28:49Look, it's the way I work.
28:52Where then?
28:53At my hotel, the Rayburn.
28:55Do you know where that is?
28:56No.
28:57It's near the corner of Long Bridge Street and Military Road.
29:00I'm in room eight.
29:02I can find you.
29:04Be here in 30 minutes.
29:05And forget the white rose.
29:09Let's go.
29:18What now?
29:19Decided we don't like white roses?
29:21What now?
29:22Have you decided you don't like white roses?
29:24I think the register should be a little higher.
29:28What now?
29:29Have you decided you don't like white roses?
29:30What now?
29:30Have you decided you don't like white roses?
29:30For a guy who makes his living by killing people, he's certainly relaxed.
29:48That's what makes him so good.
29:49He's leaving early.
30:05He's a careful man.
30:06He probably wants to have a good look at the botanical gardens.
30:09Yep.
30:09If I'm not mistaken, here comes Drake's lady.
30:13This has got to be close.
30:14Excuse me.
30:27Could you tell me where room eight is, please, Mr Drake's room?
30:30Yes.
30:31If you turn right at the top of the first flight of stairs, you'll find his room now.
31:04I'm looking for a friend.
31:16From California?
31:19It's all in there.
31:21Oh.
31:22Who pays off when I make the hit?
31:25I do.
31:26As I said, it's all in there.
31:29Let me know when it's done.
31:34So this is the man.
31:42Looks like I'm elected.
31:45William Bratton, president of a California-based construction union.
31:48We'll be at the Crown Regent Hotel, room 526.
31:52He'll be in his room from 4.30 to 5 p.m. today, working on a speech.
31:57You'll be alone.
31:59Well, at least we know when he's going to make the hit and when.
32:01Yes, and who he's going to kill.
32:03Let's hope not.
32:04Get the camera interlocked.
32:19Ready?
32:20You're on.
32:40He'll be alone.
33:00Yeah.
33:01you're looking for a friend depends upon ways from california do that'll do just
33:27fine so you're the famous man you're scorpio's messenger well i must say you're the most
33:34attractive one i've seen so far
33:47you called me the famous man why is that your last job attracted a lot of attention rather
33:53spectacular that doesn't please you look i work in one of the few businesses where fame is not
33:59something one hopes for now the hotel where this guy's staying how far is it from here just under
34:05a mile and when i'm done who pays call me i'll be there you know being famous could have its
34:12advantages you're not the girl i talked to on the phone should i take that as a compliment
34:25take it any way you like i was planning to leave tonight but maybe i'll stay
34:42and i'll see how's bratton he's upset it's not every day you find out a professional assassin's out to
34:58kill you will he cooperate well he's not happy about it he's agreed to stay out of it until this
35:03is all over all right now the question is how will drake try to kill him there's quite a few rooftops
35:08out here give him a clear shot well that's how he's gonna make his move i'll make it easy for him
35:15maybe too easy we have to remember this man is unpredictable there's no telling where he may come
35:20to remember him i'm gonna be a couple of doors down the hall
35:31too late
35:50okay
36:01Jim, I lost Drake.
36:25All right.
36:27Grant, we can call this off.
36:29Not a chance, Jim.
36:30There is no telling where or how he's going to make the hit.
36:33This is a big hotel.
36:33We can't cover it all.
36:35I always like surprises.
36:57Sorry I lost him.
37:00Yeah, still no sign of him.
37:02I'll cover the back.
37:03Okay.
37:03We can get to the next door.
37:06Okay.
38:36I've got a call. I'm switching you on.
38:40Hello?
38:41Hello, Mr. Bratton.
38:43Yes?
38:44My name is Lou Lawrence.
38:45I'm with one of the local trade unions.
38:47I was wondering if I might be able to come up and see you for a few minutes.
38:50What union did you say?
38:52I'm the secretary of the Pyfittas Union.
38:54It'd be a big help to us, Mr. Bratton.
38:56Okay.
38:57Well, what time did you want to come up?
38:59Fifteen minutes.
38:59Fine. I'll be here.
39:04Thank you, Mr. Bratton.
39:08Yeah.
39:10Thank you, Mr. Bratton.
39:12You heard it.
39:14Fifteen minutes.
39:16You can't be far.
39:17That's a good one.
39:34Thank you, gentlemen.
39:36Thank you!
39:37Thank you, Mr. Bratton.
39:41Thank you, Mr. Bratton.
39:42Come on.
40:13Max, anything?
40:16No, nothing yet.
40:26Anything, Nicholas?
40:28Not yet, Jim.
40:29He's got to show up soon.
40:42Come on.
41:12Jim, Drake's just come out of the back of the hotel.
41:18I don't like that.
41:19He likes to set up the job and be gone.
41:25Grant, get out of there.
41:26Get out now!
41:43Grant!
41:45Grant.
41:46You okay?
41:47I'm all right.
41:48Are you sure?
41:49I'm okay.
41:50Jim.
41:51Yeah, Grant seems okay.
41:53Good.
41:56All right, it's still working.
41:57We're one step away from Scorpio.
42:12Welcome home.
42:30Well, well, well.
42:32Go.
42:46Step away from the door.
42:54All right, let's settle down here.
42:57Now, who are you?
42:59I guess you could say I'm your replacement.
43:01I told you you're becoming too famous.
43:04Scorpio doesn't like that.
43:07Scorpio sent you?
43:08The old company loyalty isn't what it used to be.
43:11I guess the proverbial gold watch looks pretty good right now, doesn't it?
43:25No.
43:26No, please.
43:28Loyalty.
43:31I'll teach Scorpio about loyalty.
43:32I'll teach Scorpio about loyalty.
43:33I'll teach Scorpio about loyalty.
43:38I'll teach Scorpio about loyalty.
43:39I'll teach Scorpio about loyalty.
43:45I'll teach Scorpio about loyalty.
43:46I'll teach Scorpio, the mayor.
43:47And the new guy, he went in.
43:48He was an accountant.
43:49You aware, I'm having to do it.
43:50Good.
43:51Good.
43:52Good.
43:53Good.
43:54Good.
43:55Good.
43:56Good.
43:57Good.
43:58Good.
43:59Good.
44:00Good.
44:01Good.
44:02Good.
44:03Good.
44:04The other thing is, he's a big name.
44:05I can't forgive you if he didn't forgive you.
44:06It's my body.
44:07It's my body.
44:08I can't forgive you.
44:09It's fine.
44:16Nice work, Casey.
44:18Drake's on his way to Heathrow.
44:19Max is following.
44:20Next stop, Scorpio.
44:39Drake went in a few minutes ago.
44:44This is where Tom Copperfield died.
44:47Alfred Chambers lives in the penthouse.
44:49He was supposed to be Tom Copperfield's friend.
44:52The preliminary investigation cleared him of any involvement.
44:56Maybe Matthew Drake didn't.
44:58Police? Yeah, I don't know why.
45:09I don't know why.
45:31Barry? This is Chambers.
45:33I want you to put the heat on that amalgamated crowd.
45:35I want them out of the game now.
45:37I understand.
45:38Okay.
45:39Get back to me on it.
45:52I'm breaking a golden rule with you.
45:55I'm killing you the same way I killed Copperfield.
45:58Why?
45:59Call it a lesson in loyalty.
46:07Who do you think I am?
46:08You think I'm stupid?
46:10Do you have an identity on the dead man?
46:12Alfred Chambers.
46:13It's crazy.
46:14Three weeks ago a guy jumped from the penthouse.
46:15Now the guy who lives there takes a dive after getting some other guy with a knife.
46:22We go on.
46:31We go out.
46:32Sorry for me.
46:33You do not want to have been out.
46:34They call me now.
46:35We go K!
46:36We go 38, man.
46:37Go on.
46:38It's not easy.
46:39Come on, I'm back in.
46:41Tell me about me.
46:42Don't hurt me, discern Herbox guitar,
46:43Pretty nice to get Ennung, yearning, .
46:45.
46:46.
46:56That's all...
47:13It's over. Tom Copperfield's job is finished.
47:18He was a good friend.
47:45What do you do now, Jim?
47:48Well, I think I'll have to stay.
47:53It'd be a shame to break up a nice team like this, wouldn't it?
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