Classic Movies by RonnieMclassics - Dailymotion

RonnieMclassics

Classic Movies, from horror to mysteries, drama's and more. Enjoy

Transcript

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00:03:42HOW LONG YOU THINK YOU'LL BE?

00:03:44I WOULD NOT KNOW.

00:03:45HOW LONG DOES IT TAKE

00:03:46TO READ A WILL?

00:03:47I STILL THINK IT'S

00:03:48funny. I WASN'T

00:03:49asked to come along.

00:03:50I WONDER WHY.

00:03:51IT'S OBVIOUS.

00:03:52IT DIDN'T leave YOU

00:03:53ANY MONEY.

00:03:54IT'S JUST AS

00:03:55GOOD A FRIEND OF HIS

00:03:56ITS...

00:03:57OH, IT ISN'T THE MONEY.

00:03:58YOU KNOW I NEVER

00:03:59THINK OF THAT.

00:04:00WHY SHOULD YOU?

00:04:01HAVEN'T YOU A GOOD

00:04:02HUSBAND?

00:04:03DON'T I ALWAYS GIVE YOU

00:04:04EVERYTHING YOUR HEART

00:04:05DES cookie.

00:04:06Miss Max, don't you? See if you can swap your matinee seats for a pair for the evening.

00:04:10I'll go with you. Arthur Evans, you haven't been to a symphony concert in years.

00:04:14Yeah, what kind of husband are you? Oh, hello, Ken. Hi. You also expecting

00:04:17to inherit a fortune? Why shouldn't he next of kin? Mother thinks we will. Me,

00:04:21I never expect anything. Saves a lot of disappointment. Yes, my boy. You coming?

00:04:25Better go ahead. I'll see you upstairs. So long, Jane. Bye. Wait just a second.

00:04:31Bye, Alex. Please.

00:04:32Bill? Here. Cheer you up.

00:04:37Well, you know, sometimes you're awfully sweet.

00:04:40For a husband.

00:04:50Good afternoon, Mr. Evans. Good afternoon, Miss Reynolds.

00:04:53Would you please wait in the library? I'll tell Mr. Waterman you're here. Thank you.

00:04:55Oh, hello, Dan. Hi, Art.

00:05:03Well, I didn't know I was going to see you here.

00:05:05Neither did I. I'd rather be over the track.

00:05:07Hey, what's all this about, anyway?

00:05:09The will, I imagine. It's my guess.

00:05:11And what's it going to do with me?

00:05:12It ain't like I'm a relation or a business associate.

00:05:15Hey, maybe it's not the will.

00:05:17Well, what could it be?

00:05:18Mr. Waterman, we'll see you first, Mr. Evans.

00:05:27Hello, Edwin.

00:05:28Come in, Arthur. Sit down.

00:05:31Sorry I kept you waiting so long at all.

00:05:33It's been one of those days.

00:05:35You know, funerals always upset my schedule.

00:05:38I'll hold those things in the evening.

00:05:41Excuse me, ma'am.

00:05:42Yes, Mary?

00:05:43Well, I can't talk to Mrs. Wordiman now.

00:05:46Hello, Edwin.

00:05:48Hello, dear.

00:05:50I'll accept the cigar.

00:05:52I shouldn't.

00:05:53Yes, dear, I'm listening.

00:05:54I have to be careful, you know.

00:05:55Makes you stop and think, doesn't it?

00:05:56A man like Max in the prime of life,

00:05:58passing on so suddenly.

00:06:00Oh, there's nothing sudden about it.

00:06:01Max knew he was going to die.

00:06:02And it was his heart.

00:06:03Yeah, his heart.

00:06:04I mean, yes, sweetheart.

00:06:05You'd never have thought it from the way he lived.

00:06:07Why, the last time I saw Max...

00:06:09Yes, dear, I promise.

00:06:10I'll stop at the supermarket on the way home.

00:06:13There you are.

00:06:14What's this?

00:06:15Max left that for you.

00:06:17But I thought the will was to be read.

00:06:18Isn't that why he...

00:06:19Well, tomorrow.

00:06:20I'll let you know the time.

00:06:22Don't forget.

00:06:23Well, I can't have the...

00:06:25Yes, dear, I'll hear you.

00:06:45I'll remember it.

00:06:46But...

00:06:47You know what's in this letter?

00:06:50No, as executor, I was simply instructed to hand it to you.

00:06:53Not bad news, Al.

00:06:54Oh, no, no.

00:06:55Nothing like that.

00:06:56Just about the business.

00:06:57Well, I'd better be getting on.

00:06:58Working, man, you know.

00:07:00I'll phone you about the will.

00:07:01Yes, the will.

00:07:02Oh, yes, certainly.

00:07:03Well, bye.

00:07:05Bye, Al.

00:07:07So long, fellas.

00:07:09So long, Mars.

00:07:09So long.

00:07:10Must be good news.

00:07:14Kenneth, won't be too long, Dan.

00:07:18Good afternoon, Miss Randall.

00:07:20Good afternoon, Mr. Evans.

00:07:40Going down.

00:07:42Going down.

00:08:10Well, Max, what a guy.

00:08:18Imagine him blowing a gag like this even on the day of his funeral.

00:08:21Gag?

00:08:22Sure.

00:08:22I got a nose for it.

00:08:23I can smell a gag ten miles away, and that's what this is.

00:08:26And I'll tell you something else.

00:08:27That would have told me everything else.

00:08:29Okay, so I'm wasting your time.

00:08:30Bill me.

00:08:31I can afford even your fees.

00:08:33You don't think it's money, huh?

00:08:35Well...

00:08:35Nah, you didn't know, Max, the way I did.

00:08:37Why are you sporting spirits?

00:08:39Now you're talking, Edwin.

00:08:41A natural-born sport, that's me.

00:08:42And a great sense of humor.

00:08:44That'll pull you through anything.

00:08:46Okay.

00:08:47I won't waste any more of your valuable time.

00:08:49You gotta see a man about a horse.

00:08:50A bookie.

00:08:51You forgot something.

00:08:53What?

00:08:54Oh, yeah.

00:08:55I gotta show this to somebody.

00:08:57Who?

00:08:57My wife.

00:08:58She got a great kick out of this.

00:09:00Well, Lucille's got an even better sense of humor than me.

00:09:07What's the matter, Kenny?

00:09:17Bad news?

00:09:19Okay.

00:09:20None of my business.

00:09:21Wait a minute, Joe.

00:09:25Read that.

00:09:27Dear Kenneth.

00:09:28I think it's probably the right person.

00:09:30I don't know.

00:09:31I don't know.

00:09:32I don't know.

00:09:34Your wife and I...

00:09:36What'd you do if somebody said that about your wife?

00:09:41My wife?

00:09:42Impossible.

00:09:43Why?

00:09:43She ain't got the time.

00:09:45You know what I'd do if I was you?

00:09:47I'd beat the living bejeebers out of a guy like that.

00:09:49Wish I could.

00:09:50Well, why can't you?

00:09:51A big guy like you?

00:09:52It's not that.

00:09:53Well, suppose he's smaller.

00:09:54Suppose he's weaker.

00:09:55He deserves it, don't he?

00:09:56I can't.

00:09:57Well, now, why can't you?

00:09:58Just answer me that.

00:09:59Why not?

00:09:59He's dead.

00:10:00Well, but look what he'd done to you.

00:10:02Dead.

00:10:06Well, in that case, there's only one thing you can do now.

00:10:10What?

00:10:10There was another party involved, wasn't there?

00:10:13Oh, I don't beat women.

00:10:15Oh, neither do I.

00:10:17Only when it's necessary.

00:10:18Jane.

00:10:38Jane?

00:10:38Good afternoon, Mr. Evans.

00:10:40Isn't Mrs. Evans here?

00:10:41No, sir.

00:10:42Didn't you give her my message?

00:10:43She didn't call.

00:10:43You're sure you don't know where she is?

00:10:45She usually tells you, doesn't she?

00:10:46She didn't today.

00:10:48Why not?

00:10:48Suppose one of the children got sick.

00:10:50What would you do?

00:10:50I'd phone the doctor.

00:10:52Haven't you any idea where she might be?

00:10:54Well, usually Fridays.

00:10:57Go on.

00:10:58She went to the symphony concert with poor Mr. Max.

00:11:01Why do you talk about him all the time?

00:11:03Oh, I'm so sorry, Mr. Evans.

00:11:05I know how badly you must feel about poor Mr. Max.

00:11:09Don't mention that name again!

00:11:12Oh!

00:11:16No, no, it's not possible.

00:11:40Why are you so smug?

00:11:42You have a very attractive wife.

00:11:45It can't be.

00:11:46Are you afraid to remember?

00:11:50Think about it.

00:11:52Think back.

00:12:03Arthur, I have a feeling I've caught you bluffing.

00:12:06What makes you think so?

00:12:07You know, you ought never to try to conceal your feelings.

00:12:09You haven't got a poker face.

00:12:12You know what I'm going to do?

00:12:13I'm going to raise you again.

00:12:15You might give us a look for our investment.

00:12:30No, certainly hold eyes.

00:12:32Who things one looks to be reckless about?

00:12:34Poker.

00:12:35The women.

00:12:35You ought to know.

00:12:36You're lucky with both.

00:12:37Well.

00:12:38Deal me out of this, will you?

00:12:40Yes.

00:12:40Hello.

00:12:41Come on, here you go.

00:12:42Oh, hello, my dear.

00:12:43Hey, Max, is she pretty?

00:12:44Of course she's pretty.

00:12:45What do you think?

00:12:47Well, well, it's true, isn't it?

00:12:49You got a nice day?

00:12:50Well, tell me about it.

00:12:51She's married.

00:12:52Uh-huh.

00:12:53Oh, man.

00:12:54Oh, no.

00:12:55Hey, Max, see she's got a friend.

00:12:57Tall and skinny with good legs.

00:12:58Yes.

00:13:00Yes.

00:13:01Is she married?

00:13:02Well, she's just alone.

00:13:03You've got a lot of them.

00:13:04What are you doing?

00:13:05I'll toss you.

00:13:06Don't risk your money.

00:13:07He's bragging.

00:13:08Sorry, no.

00:13:09What?

00:13:10Disturbing me now.

00:13:11On the contrary, you're rescuing me from a bunch of second-hand Romeos.

00:13:15Oh, listen to him.

00:13:16You ought to try being married.

00:13:18He's learned.

00:13:18The facts are lying.

00:13:20Don't you be so smug, boys.

00:13:22There's plenty I could teach you cut-rate Casanovas.

00:13:26Do you hear that?

00:13:27Hmm?

00:13:28Yes, yes, of course.

00:13:29Have a right.

00:13:30Two.

00:13:30All right.

00:13:30Thank you for calling, Dad.

00:13:31Bye-bye.

00:13:32Goodbye.

00:13:32Bye-bye.

00:13:34Why do you suppose he's never gotten married?

00:13:36It ain't that he don't like dames.

00:13:37You're absolutely right, old boy.

00:13:39I like women far too much ever to make wives of them.

00:13:41What's wrong with wives?

00:13:43Husband.

00:13:44Oh.

00:13:45Nothing to drink?

00:13:46Not for me.

00:13:47I've got to go home.

00:13:47Break it up.

00:13:48Oh, it's early yet.

00:13:49It's after two.

00:13:50He's got a bunch of time clock when he goes home.

00:13:52I wish I did.

00:13:53No, he's on night duty.

00:13:54Why isn't I married a trained nurse?

00:13:56You ever try going home to an empty apartment?

00:13:58At least you don't have to lie when you get in late.

00:14:00Gentlemen, I beg of you.

00:14:01Marriage is a sacred institution.

00:14:03I agree with you.

00:14:03Jane and I have never found it necessary to lie to each other.

00:14:06Hey, Art, what do you do for fun?

00:14:08Say, didn't you ever tell him just one little one?

00:14:10He studied honor at Harvard.

00:14:12Sorry, Arthur, no nightcap for you.

00:14:14Jane just said to remember your stomach.

00:14:15What was that, Jane?

00:14:17Look, Max, I want to talk to you before I leave about those new posters.

00:14:20Arthur, aren't you going to ask me why your wife should ring me up at this time of life?

00:14:23To tell you the latest bright sayings of your godchildren or that Mozart is being played on station KXXY?

00:14:28You underestimate your wife's emotional quality.

00:14:30Jane is a very sentimental woman.

00:14:32Well, what did she want?

00:14:33To remind you to take your fills.

00:14:34That's Jane for you.

00:14:37She's happiest when we were all tucked in bed at 8.30 with hot milk.

00:14:41Come off it, Arthur.

00:14:42You'll love going to bed at 8.30 with hot milk.

00:14:44You seem to forget that I'm in the office every morning at 9.

00:14:47Uh-oh.

00:14:48I'll take guards on whose wife it is this time.

00:14:50Tell her I left 20 minutes ago.

00:14:52Wait, I'll write down it with you.

00:14:55How do we go?

00:14:57Hello?

00:14:58Good.

00:14:59No, dear.

00:15:00He hasn't been here all evening.

00:15:01Well, I would know where he is, uh, who is probably with a woman.

00:15:05That'll put her in her place.

00:15:07Oh, Arthur, I really will try and come and see you tomorrow in the office.

00:15:09You'd better, Max.

00:15:10We're way behind schedule on that new design.

00:15:12Well, if he's not home with you in 10 minutes' time, uh, you ring me up and I'll come along

00:15:16and put so on.

00:15:17What do you say, huh?

00:15:17All right, dear.

00:15:19Good-bye.

00:15:20I'm glad you reminded me, Arthur.

00:15:21I've got just the artist for you.

00:15:23Meet us at, uh, 5 o'clock tomorrow at Guglielmo's Bar.

00:15:26I'll be there.

00:15:27Right, Max.

00:15:28Hello, Max.

00:15:29Right.

00:15:29Is Matilda Clegg.

00:15:31But she signs herself just Matilda.

00:15:33Very chic nowadays in her profession.

00:15:35Oh, Max.

00:15:36How do you do?

00:15:37How do you do?

00:15:38Well, I never thought Max's artist would be like you.

00:15:41Well, that's very conventional.

00:15:42Does an artist have to wear smocks and have untidy hair?

00:15:45Well, I'm not conventional.

00:15:46It's just that you were such a pleasant surprise.

00:15:50You're very relaxed.

00:15:51Well, he's the salonsalot of the suburbs.

00:15:53Well, let's not pay any attention to him.

00:15:56My dear, I wouldn't like you to misunderstand, Arthur.

00:15:57He's interested in you as an artist.

00:16:00She's very good, too, in spite of her appearance.

00:16:01Oh, I like her appearance.

00:16:02She's, she's, she's very nice.

00:16:05There, you see?

00:16:06Arthur, don't you let yourself be taken in.

00:16:08She likes to drink with her gloves on because it makes her feel like an adventurer's.

00:16:12Isn't he wicked?

00:16:13He's wicked.

00:16:15Joking apart, though, she is clever.

00:16:18And she does need the work.

00:16:19I have a feeling she'd make a first trade job of those posters.

00:16:21I'm sure she would.

00:16:26Would you like me to leave now?

00:16:28Or shall we discuss the project?

00:16:30We might do that over dinner.

00:16:32I'll go and see what old Guglielmo's got in his refrigerator, shall I?

00:16:34Well, um, tell me about your work.

00:16:40Well, there isn't much to tell, really.

00:16:42Max thinks differently.

00:16:44I'd love to show you my drawings.

00:16:45I'd love to see them.

00:16:46When?

00:16:47Whenever you'd like.

00:16:48The sooner the better.

00:16:50My studio's not far from here.

00:16:52North Beach.

00:16:53Well, that's right on my way home.

00:16:55Perhaps I could take you there.

00:16:56Tonight?

00:16:57Why not?

00:17:00Excuse me, will you?

00:17:02Oh, Arthur, I congratulate you.

00:17:03You've succeeded in getting her to take off one glove,

00:17:06but she's further than she's ever gone with me.

00:17:09Do you know that Guglielmo's found some small squab chickens

00:17:11even tenderer than Matilda?

00:17:14Let's get Jane to join the show, eh?

00:17:15Oh, well, uh...

00:17:16I'll call her.

00:17:17Oh, no, no, no.

00:17:17I'll take care of it.

00:17:19Excuse me.

00:17:25I'm dying.

00:17:26I'm just dying.

00:17:27Now, my dear, control yourself, will you?

00:17:29The purpose of this meeting was purely professional.

00:17:32He looks wistful.

00:17:34He's very unhappy.

00:17:35Matilda, when you feel one of these sentimental,

00:17:37romantic urges coming on,

00:17:39why don't you take up an old bachelor like me?

00:17:41I never take up.

00:17:43Oh, sorry.

00:17:44I'm very sincere.

00:17:46That's why I don't fall in love with you, Max.

00:17:48Frivolous men don't touch me.

00:17:50Too bad.

00:17:51Would you like to see a picture of my godchildren?

00:17:53No.

00:17:53Aren't they handsome?

00:17:55Either Jane's their mother,

00:17:56and she's also Arthur's wife.

00:18:00They've been married for nine years,

00:18:02and they have never told each other a lie.

00:18:05Mm-hmm.

00:18:06Why do you carry another man's wife in your wallet, Max?

00:18:10Oh, is Jane coming?

00:18:12She's very sorry, but it's the maid's night out,

00:18:14and there's no one to stay with the children.

00:18:15Oh, too bad.

00:18:16Poor things.

00:18:17That means you'll have to go back and keep her company, won't it?

00:18:20Oh, never mind another time.

00:18:21One more squab chicken for us, eh?

00:18:24Oh, I'm so sorry, darling.

00:18:25I neglected to tell you.

00:18:27I have another date.

00:18:29Oh.

00:18:29Good morning, dear.

00:18:48I hate to do this to you,

00:18:49but it's later than you think.

00:18:52Oh, no, you don't.

00:18:55Laurie, let you sleep the absolute limit.

00:18:57Come on, now.

00:18:58Up to go.

00:19:00Hey, open up.

00:19:01How many fingers, huh?

00:19:02Six.

00:19:03Oh, darling.

00:19:05Go on, hangover.

00:19:06Late conference.

00:19:07Uh-uh, uh-uh.

00:19:08Please, dear.

00:19:10We never lied to each other before,

00:19:11and let's not start now.

00:19:13There.

00:19:14Max called me up and told me everything.

00:19:18Well, I can see by your face

00:19:20you were very guilty conscious.

00:19:23Come on, dear.

00:19:23Take your pill.

00:19:24You'll feel a lot better.

00:19:25How much did you lose?

00:19:28Well, I have to see.

00:19:30Excuse me.

00:19:31I'm in bad shape.

00:19:32What's the matter with you, anyway?

00:19:34Are you so in love with that game

00:19:35you have to play poker two nights in succession?

00:19:40Well, not to blame you playing with Max.

00:19:42He's such fun.

00:19:44Is that all he told you?

00:19:47Oh, what else is it at?

00:19:49Oh, nothing.

00:19:49Uh-huh.

00:19:50Oh, so you did lose.

00:19:53I didn't lose at all.

00:19:55As a matter of fact, I won.

00:19:58Won?

00:20:00And I'm going to take my best girl out on my winnings.

00:20:03We'll have lunch at the palace.

00:20:05Lunch?

00:20:07Oh, darling, I think I may get to like this game.

00:20:10Oh, I'm sorry, dear, but I can't go.

00:20:15Why not?

00:20:16Today's Friday.

00:20:17Friday?

00:20:18Symphony.

00:20:19Oh, yes.

00:20:20That's right.

00:20:21You know how Max loathed being late for the symphony.

00:20:24Hmm.

00:20:26So you're going with him again, huh?

00:20:28Uh-huh.

00:20:31Do you mind?

00:20:32Why should I?

00:20:33Well, you know Max's reputation.

00:20:36He doesn't feel that way about you.

00:20:37That's me?

00:20:39He values you for your intellect.

00:20:46My, uh, intellect, hmm?

00:21:02Avant toi?

00:21:04Avant toi, je n'avais jamais connu de telle joie, mon amour.

00:21:06T'es l'esprit.

00:21:08Solitaire.

00:21:10Le désiré.

00:21:11Sans but.

00:21:12Famille de jour et de nuit sans fin.

00:21:15Cherchant.

00:21:16Cherchant un idéal sans jamais le trouver.

00:21:19Tu comprends?

00:21:20Oui, mon amour.

00:21:21Hum.

00:21:21Mais je sens que tu comprends.

00:21:24C'est la letra affamée.

00:21:26Brûlée par une soie insasiale.

00:21:29Errant.

00:21:29Errant dans des vignes aux vignoles.

00:21:31Plein de bras succulents, mais les voyants sans jamais les désirer.

00:21:37Ma faim devenait plus exigeant et ma soie plus ardente.

00:21:42Tu vous prends? Oui.

00:21:45Alors? Alors, tu es mes appareils.

00:21:51Alors, tu es mes appareils.

00:21:54Oui.

00:21:55Et subitement, subitement, la nourriture, la poisson reprirent leur sens pour moi.

00:22:02La lumière, l'espace, l'existence, rejoignent leur place dans le monde universel.

00:22:10Fini le cauchemar la nuit, mes angoisses sur ma lièvre.

00:22:17Une seule chose comptait pour moi, c'était de voir s'écouler plus vite les heures qui nous séparaient.

00:22:22Mais tout cela, c'est une histoire ancienne. Oublions le souci et une tracate. Alors, une seule chose compte maintenant, c'est l'avenir.

00:22:33En ce qui me concerne, je connais un petit village sur la côte azur, pas loin de Tamaris.

00:22:41Des maisons aux toits rouges, des grands arbres, des paparasols.

00:22:46Oh, pas de grandes plages mondaines et de casinos, non.

00:22:51Mais des petites criques au sable fin.

00:22:54Où l'on peut vraiment oublier le monde civilisé.

00:22:59Je ne puis pas imaginer de meilleur endroit au monde pour commencer une vie heureuse, tous les deux.

00:23:05Veux-tu venir avec moi?

00:23:06Oh oui, mon amour.

00:23:07Oh oui, mon amour.

00:23:10Et découvrez-vous ?

00:23:11It's wonderful, wasn't it?

00:23:35Wonderful.

00:23:37You certainly never see anything like that in an American film.

00:23:41It's called Love in the Blood, it's a French picture, they talk French in it but it tells you underneath

00:24:09what it means.

00:24:10Even if it didn't, you'd understand it all right.

00:24:13And this guy is absolutely sensational.

00:24:15He's a kind of romantic type but with muscles, you know.

00:24:19There's a scene in it that's so terrific, he grabs this girl and he says, mon amour, je t'adore, je t'adore, je t'adore.

00:24:28Oh, I tell you, I got chills.

00:24:29The girl was good too.

00:24:30What did she say?

00:24:31She said, oui mon amour.

00:24:32She'd had a lot of trouble in the picture.

00:24:33I tell you, I've seen it three times already and every time I bawl like a baby.

00:24:35You ought to see it, Jane.

00:24:36You would love it.

00:24:37You would really love it.

00:24:38I know I would.

00:24:39You ought to take her sometime.

00:24:40Oh, I will.

00:24:41I certainly will.

00:24:42Gee, I'd like to learn French.

00:24:43I got an idea they don't translate some of the best parts.

00:24:46Absolutely right.

00:24:47Would you like me to teach you French?

00:24:48Would you, Max?

00:24:49I'd be delighted, of course.

00:24:50Oh, George, have you got any beer?

00:24:51Yes, ma'am.

00:24:52How do you like that?

00:24:53They serve champagne, my wife wants beer.

00:24:54I happen to like beer.

00:24:55So do I.

00:24:57Draw two, George, are you ust a minute?

00:24:58Come in, darling.

00:24:59Dear Max.

00:25:00Oh, dear, Tilda, I upon you, what do you like that?

00:25:03He had to translate some of the best parts.

00:25:04Oh, yeah.

00:25:05You'd like me to teach you French?

00:25:06Would you, Max?

00:25:07Oh, I'd be delighted.

00:25:08Of course.

00:25:09Oh, George, have you got any beer?

00:25:10Yes, ma'am.

00:25:11How do you like that?

00:25:12They serve champagne, my wife wants beer.

00:25:14I happen to like beer.

00:25:16So do I.

00:25:17Draw two, George, are you up?

00:25:19Yes, sir.

00:25:20Oh, just a minute, please.

00:25:21Oh, dear Matilda.

00:25:23How nice it all looks.

00:25:25Well, how nice of you to say so.

00:25:32Now this, everybody, is Miss Matilda Clay.

00:25:35Mary seems to be enjoying herself.

00:25:37Why shouldn't she, Mother?

00:25:39I didn't know she was so fond of music.

00:25:42Oh, she's over. I'm off the bad business as Mrs. Wordman.

00:25:46I could listen to a piano all night.

00:25:52Too bad your husband doesn't play.

00:25:54Putting in dance. Do you mind if I steal her?

00:25:57No, I'll furnish the accompaniment.

00:25:59Thanks.

00:26:01And this is a great friend of mine, Jane Evans.

00:26:04How do you do?

00:26:05Her husband I think you know.

00:26:07This is an unexpected pleasure.

00:26:09I've heard so much about you.

00:26:11About me?

00:26:12My husband's simply mad about your work.

00:26:15As a matter of fact, so am I.

00:26:17Your posters are simply magnificent.

00:26:20Haven't I seen you somewhere, Mrs. Evans?

00:26:22It's a spot of caviar, don't you think?

00:26:26You'll have to watch your step, my pretty.

00:26:30I'm dying.

00:26:31Well, I've heard you die so often.

00:26:32I can't believe you can be serious this time.

00:26:34You think you're so subtle having us both to your silly party.

00:26:37I'm not going to be influenced, I assure you.

00:26:39That's an important dress.

00:26:40Must have cost $200.

00:26:41No wonder he's always worrying about money.

00:26:43You don't seem to realize we're both sincere.

00:26:45My dear, if you could just manage.

00:26:46You see, I'm not really very bright.

00:26:47If you could manage to have your remarks follow each other in some sort of logical sequence.

00:26:51I know why you did it.

00:26:52To show me the good wife whose life I'm destroying.

00:26:55What about my life?

00:26:56Your life?

00:26:57Well, a minute ago you were dying.

00:26:59Poor little Bathilda.

00:27:00Don't pity me.

00:27:02It's glorious to love.

00:27:03Glorious to love?

00:27:04Haven't I heard that remark before somewhere?

00:27:06In a French movie?

00:27:08I think I hate you.

00:27:09Oh, I'm sorry because I like you very much.

00:27:11You hate me.

00:27:12If you liked me sincerely you'd have some sympathy.

00:27:14Instead of treating me like a homewrecker.

00:27:16A homewrecker?

00:27:17Anybody think you had a guilty conscience?

00:27:19I've always treated you like a naughty child, which is exactly what you are.

00:27:22Do nothing to be ashamed of.

00:27:24Can I help it if I'm in love?

00:27:26Oh, I thought it was something serious.

00:27:27No, there is somebody here that I would like you to meet.

00:27:29He's a composer.

00:27:30He's just back from Paris.

00:27:31He's talented.

00:27:32And what's more he's unattached.

00:27:34He's that handsome young man at the piano.

00:27:36That infant?

00:27:37Really, I never thought you'd do anything so obvious, Max.

00:27:40You will?

00:27:41How funny, I thought it was.

00:27:42Should I have heard that?

00:27:43Yeah, don't be a max.

00:27:44Jenny, do you think the moment has come for our silly number?

00:27:46Well, do you think they can stand it?

00:27:47Oh, who cares about that?

00:27:48We enjoy ourselves, don't we?

00:27:49To let you know, everybody.

00:27:50We can't sing it now even, Mr. Dear.

00:27:52I heard that.

00:28:02Anything wrong?

00:28:03Oh, darling, I'm in despair.

00:28:05Please, Matilda.

00:28:06Indiscretion will get us nowhere.

00:28:08Where are we now?

00:28:09Hiding in corners, sneaking down side streets,

00:28:11as if I were ashamed of loving you.

00:28:14And this, this is the last straw.

00:28:17A husband brought two tickets home

00:28:21to take his wife to Tosca.

00:28:26I found a note which told him that

00:28:34Quote.

00:28:35I am out with your friend, Oscar.

00:28:39Oscar.

00:28:41Oscar.

00:28:42Oscar.

00:28:43Unquote.

00:28:44Poor chap, poor chap.

00:28:47This party, I'm sure he just gave it to humiliate me.

00:28:50Don't be absurd.

00:28:51Max has a birthday every year.

00:28:53He always throws a party.

00:28:54Men can be so cruel and blind.

00:28:57Why must you always exaggerate?

00:28:59Blood, there's a limit to my endurance.

00:29:01I can't go on like this any longer.

00:29:03You've got to decide now, tonight.

00:29:06Oh, darling, I don't care if we never go to Paris.

00:29:10I don't have to live on the left bank.

00:29:12I could live in an American suburb with you.

00:29:15You've got to tell her.

00:29:17You can't do a thing like that quickly.

00:29:19There's too much involved.

00:29:21Five months isn't quickly.

00:29:22We've been married eight years.

00:29:24I can't hurt her.

00:29:25She's never hurt you, I suppose.

00:29:27If you really knew her, you wouldn't ask ridiculous questions.

00:29:30Poor chap.

00:29:31Poor chap.

00:29:32Poor chap.

00:29:33Poor husband's all.

00:29:34Eh, Max?

00:29:35Just because she's your wife, she's no holier than other women.

00:29:49What are you implying?

00:29:50Can't you see it with your own eyes?

00:29:52They're old friends.

00:29:53After where she was last Friday afternoon.

00:29:56You're getting hysterical.

00:29:57Please, you're hurting me.

00:29:58You're angry with me now.

00:30:00You hate me.

00:30:01Oh, don't be a little fool.

00:30:03I guess it doesn't matter how much you hurt me.

00:30:05I want to make you happy, believe me, darling.

00:30:08Both of you.

00:30:09Then I'm afraid you'll have to face the truth.

00:30:11She goes to the symphony on Friday.

00:30:14And after the symphony?

00:30:15I assure you I'm not the least worried about it.

00:30:17Why not?

00:30:18Are you afraid to know?

00:30:20Oh!

00:30:21Don't be a little fool.

00:30:23I'm tired of having to beat about the bush while our love is sacrificed.

00:30:27If you don't ask her, I will.

00:30:30Matilda!

00:30:35Hey!

00:30:36Give me a gentle snack bar, everybody.

00:30:38Come on.

00:30:39Come on.

00:30:40Follow me.

00:30:41Now, let's spread it.

00:30:42Oh, Max.

00:30:43And since she, nobody does like as beautifully as you.

00:30:45See, I don't need a wife, do I?

00:30:47I beg your pardon?

00:30:48I'm not crowding you, am I?

00:30:49Well, not at all.

00:30:50There's plenty of room.

00:30:51A little white, please.

00:30:52Don't you just adore things in Aspic?

00:30:54If you mean just a jellied salad, send me.

00:30:56Definitely not.

00:30:57Your face is so familiar.

00:30:59I know I've seen you so much.

00:31:00Excuse me.

00:31:01Oh, hello, dear.

00:31:02Arthur Evans, are you trying to break up our marriage?

00:31:05Hmm?

00:31:06Well, I don't have even looked at another lobster.

00:31:08It was grounds for divorce.

00:31:09Don't you remember what happened last time?

00:31:11Now I know where I saw you.

00:31:12Last Friday...

00:31:13I think I will have some love, sir, after all.

00:31:15I'm sure it was just my imagination last time.

00:31:17Now, dear, may I give you some advice?

00:31:18If you ever marry, pick a man with a strong stomach.

00:31:21A great love overlooks trifles.

00:31:23Well, if you'd lived with him for eight years,

00:31:25you'd hardly call Arthur's stomach a trifle.

00:31:27Couldn't we talk about something else?

00:31:29We could talk about the three days you spent in the hospital.

00:31:31Let him go to the hospital again,

00:31:32and we'll have as much fun as we had last time, hmm?

00:31:35Oh, man!

00:31:59What?

00:32:00Hello, dear.

00:32:01You're home already?

00:32:02Oh, I got the tickets changed.

00:32:03They were wonderful about it.

00:32:04Stop chattering.

00:32:05Arthur, what's wrong?

00:32:06It isn't the children.

00:32:07Doesn't your conscience tell you?

00:32:08My checking account isn't overdrawn.

00:32:09Don't look so innocent, you...

00:32:10You...

00:32:11Jezebel!

00:32:12Arthur!

00:32:13Arthur!

00:32:14Arthur!

00:32:15Arthur!

00:32:16Well, have come any conclusions?

00:32:19Yeah, give me another drink.

00:32:20Aw, this ain't gonna do you any good, Ken.

00:32:22Might make you feel a little better up to a point, but conclusions, uh-uh.

00:32:24Okay, okay.

00:32:25I don't know what to believe.

00:32:26I don't know.

00:32:27No.

00:32:28What?

00:32:29Oh, this ain't gonna do you any good, Ken.

00:32:31Might make you feel a little better up to a point,

00:32:32but conclusions...

00:32:33Uh-uh.

00:32:34Very okay.

00:32:35I don't know what to believe.

00:32:38I don't know.

00:32:39I don't know.

00:32:41leave? I don't know. Yes, you do know. You've always believed it. After all, she was my

00:32:53nurse. Do you remember? Think back. So there I found myself at last, in the promised land,

00:33:04Columbus, Ohio, among my American cousins. I'd been expecting cowboys and Indians. What

00:33:09did I find? Your mother-in-law. Only just as pretty then as you are now. Well, not quite

00:33:14so pretty. Oh, do tell us more. Hello, Ken. You're early, aren't you? Yeah, we didn't expect

00:33:18you till six. If I'm interrupting a tender moment, I can leave. Oh, no, no, no. You must

00:33:24enjoy working overtime. Will I have to pay a time and a half? You bet you do. Oh, don't

00:33:27be silly. I wouldn't stick around if I didn't love it so. Doesn't Max look wonderful? He's

00:33:33the healthiest looking invalid I ever saw. Shall I tell you something? I've been putting

00:33:36the whole thing on so as to keep this radiant creature near me. Oh, Max. Let me tell you

00:33:40something. I believe it. You ought to be grateful for my heart attacks. If it hadn't been for

00:33:44your ailing cousin, you'd never have met her, wouldn't you? And when you snatched it away

00:33:48from me, I wasn't too pleased either. Were you jealous? Max, were you jealous? Jealous?

00:33:52You know perfectly well that when he first met you, you and I were madly in love with each

00:33:56other. Oh, you want me to get a heart attack too? Oh, just keep this up. I love it. I bet

00:34:00you do. You about ready? Mm-hmm. I'm all right. Now, you're breaking my heart. It's in pretty

00:34:04bad shape already. I shall probably have a relapse. Oh, how can I thank you enough?

00:34:08The only way that you can thank me is by taking care of yourself. Mm-hmm. Now, you'll remember

00:34:12your promise. If at any time you feel even, even slightly uncomfortable, I want you to

00:34:17call me. I don't care if it's day or night. Oh, sure. 3 a.m., 4, 5? Call me and I'll be

00:34:23there in 15 minutes. Just like that. Now, you're making promises and rash ones too. What happens

00:34:27the night when I'm feeling perfectly well, only just a little bit bored? Oh, it'll be a pleasure.

00:34:33Hey, break it up. It's a date. We'll be late. Oh, we've got plenty of time. Hey, what's

00:34:40that? Isn't it beautiful? Where'd you get it? A grateful patient. Surprise. Surprise.

00:34:58Oh, that funny man's here again. What have you got? What did you bring me?

00:35:05Uh-uh. Payment in advance. Oh. Oh, Ken, an orchid. Happy second

00:35:12anniversary. Oh, I haven't had an orchid in years. I'll wear it tonight. Wait, wait.

00:35:17That's not all I've got. Oh, another present. Madam, you have a doating and

00:35:22extravagant husband. I thought we weren't going to spend any money on presents.

00:35:26What? Huh? Why'd you get me? Well, it's not a diamond wrist block. Oh, Ken. Oh. Hey, mine's

00:35:39bigger than yours. Well, mine's imported. Mmm. Smell. Mmm, yummy. Ooh. On your way. Oh, yeah.

00:35:57Our reservation's at Louie's. We're going to stop at the top of the mark for cocktails.

00:36:01And that's only a beginning. Ken, do you know what I'm thinking? What? That will cost

00:36:08an awful lot of money. Well, I thought you wanted to go out. Well, but we haven't spent

00:36:13an evening alone, just the two of us, for such a long time. Holy cat, I've been trying

00:36:18all day to figure out how to sell you that idea. I was afraid to mention it. And I thought

00:36:22you wanted to go out. Oh. Oh, I've got a little chicken ready for the broiler and champagne

00:36:29on ice. I'll build a fire. Oh. Champagne? Uh-huh.

00:36:34Brute La Fontaine, 1923. Where'd you get that? Max gave it to me, don't you remember?

00:36:41Oh, yeah. Let's drink the whole bottle by ourselves. Oh. Uh, did you talk to Mother today?

00:36:51What do you think? Did you tell her we were going out? I told her we were going out. Was

00:36:55she, uh, angry? Well, if she was, she's too much of a lady to mention it. We'll be entitled

00:37:02to one evening alone on her anniversary. But if we stay home and don't ask her, she'll

00:37:06be terribly upset. Hurry up! Let's go! We'll be late! Coming!

00:37:17I'll open the champagne. We're out. Uh-uh. Uh-uh. Uh-uh. Will you just keep on wringing all

00:37:40evening disturbance? I tell them I'm not taking any calls tonight. I don't trust you. Remember

00:37:44what happened last time when Mr. White was, uh, Fenifus? All right. You answer it. Tell

00:37:49them I'm out. Because if they know definitely they can't get me, well, they'll call another

00:37:53nurse. Tell them yourself. You're a big girl now. You know how to say no. Go on. I want

00:37:57to see how much our anniversary means to you. Oh. Hello? Are we lucky? Saved by the bell!

00:38:07I'll get the chicken ready. I'll open the champagne. No, you make yourself comfortable. I'll take

00:38:14care of everything. Okay. I'll get shaved. I thought we weren't going out. We're not. Hey,

00:38:20hey, phone Louise and cancel our reservation, will you? All right. Hello? Yes, this is Mary. Oh, hello. No, not tonight.

00:38:36It's our anniversary. Oh, I'm terribly sorry to hear that. Well, I know, but couldn't you? Oh. Well, I'll be there in 15 minutes. Kent, listen, I won't be gone long. If you just let me explain. You've explained it now. Now I know how much our anniversary means to you. But this is serious.

00:39:06Why bother? Your patient's waiting. Oh. Who is it this time? An old man, 94 years old, dying of double blood pressure with a touch of fungus? Bad case, huh? No one else can save him. Only Mary. Our Mary Whitaker. Always obeys the call of duty.

00:39:23Set it all wrong. My patient's not an old man. He's young and handsome. Divorced three times as regular playboy. He's not sick at all. He's crazy about registered nurses. Always gives them gold things and emeralds to the ones that he likes best. I've been waiting months for this call.

00:39:39Maybe that's not all kidding. What makes you think it is? And cook that chicken whenever you want to, because I probably won't be back all night.

00:39:46Happy anniversary. Hello, son. Hello, mother. Isn't Mary here? No, she went out. Emergency call. On your anniversary.

00:40:14I thought you were going to have dinner in a restaurant. Want me to fix something for you? No, she'll be back in an hour. Better let me fix you a little supper. Remember the last emergency? What was it this time? I didn't ask. Couldn't be too much of an emergency for only an hour. You want a drink, mother? I thought you were saving this for some special occasion. Isn't this my anniversary? Perhaps I will have a little

00:40:44sip with you, son, to cheer you up. Here's to you, son. May the later years of your marriage be happier.

00:40:52We're doing all right now, mother. Did Max call again? I didn't know he called at all. Well, just before you came in, she didn't answer and he called me. He seemed very anxious to get hold of her. Why didn't you tell her? You know Max, he usually gets what he wants.

00:41:08Is he ill again? I can't take Max's horse attacks too seriously. He always seems to recover so quickly.

00:41:16Oh, mother, you know he's got a bad heart. Oh, can't I have my opinion? She's with old Mr. White. He's 75. He's got high blood pressure.

00:41:24I thought you didn't know what the emergency was about. Then there's nothing for you to worry about. Who said I was worried?

00:41:29Well, don't shout at me, son. I'm not deaf. She's not with Max, mother. I know she isn't. Well, whoever said she was?

00:41:36Well, not in a very good mood, are you? I think I'll go up and eat my little dinner. Good night, dear.

00:41:47Good night, mother.

00:42:17Good night.

00:42:18On a clear day, you can see Alcatraz. I know. You're just out for a breath of fresh air.

00:42:23Well, is there any law against it? Oh, no, no. Go right ahead.

00:42:28Well, if you see anything suspicious, let us know.

00:42:31What do you think he's up to? I don't know. Let's just mosey along and come back.

00:43:01Good night, Mr. Boyd. Good night. You're George. Yes, sir.

00:43:23Bring me a quarter of champagne and two glasses, will you? Two glasses, sir? Yes.

00:43:28Yes, sir. If you're expecting somebody, I can take another night off.

00:43:31Yeah, it's all right, sir. You'll get the glasses, sir. Yes, sir.

00:43:33Believe you have them come here, will you? Yes, sir.

00:43:35All right.

00:43:55Darling, the champagne's just coming up, dearest.

00:44:05That's right, George. Put the two glasses down there, will you?

00:44:26George! Take the night off. Yes, sir.

00:44:29And don't hurry back in the morning. Yes, sir.

00:44:36George! Remember, I spent the evening alone.

00:44:41Darling!

00:44:43Will you come down for the champagne or shall I bring it up to you, hmm?

00:44:50What did you say?

00:44:51Let's go.

00:45:01Darling, I think you'll love this champagne. It brutes la fontaine 1928.

00:45:05I only give it to my favorite.

00:45:08Oh, must be those hoodlums again. Sorry, sir.

00:45:10I don't want to alarm you, sir, but there's a burglar in the house.

00:45:17A burglar in the house?

00:45:18We saw him enter from your terrace.

00:45:19Better let me go ahead.

00:45:20Be careful, officer. He might be dangerous.

00:45:22Wherever you are, come out. We've got you covered.

00:45:25I want this house searched.

00:45:26You what?

00:45:27Say where you are.

00:45:28Keep him covered, officer. He looks a desperate character.

00:45:30Where do you think you're going?

00:45:31I'm going to look around upstairs.

00:45:32Don't you like it down here?

00:45:33He can explain everything.

00:45:34Me?

00:45:35The judge would rather hear it from you. Come on.

00:45:37Let's be fair, officer. I'd like to hear what he's going to say for himself.

00:45:40But we caught him red-handed. Illegal entry.

00:45:42I was only looking.

00:45:43Oh, a peeping Tom, huh?

00:45:45He could get ten years for that alone, couldn't he, officer?

00:45:47At least.

00:45:48Don't let him kick you. He's my cousin.

00:45:50I've never seen eyes on the fellow before in my life.

00:45:52Why, you!

00:45:53McCarthy!

00:45:54Surround him!

00:45:55Come on, let's go.

00:46:04Come on.

00:46:05There, too, is a gas chamber?

00:46:07Someone's gone bail for you.

00:46:08Oh, nice.

00:46:17Ken.

00:46:18Oh, it was you.

00:46:19Thanks for nothing.

00:46:20Don't thank me.

00:46:25Hey, you can't go back. You got bail.

00:46:27I don't want any bail!

00:46:28Fire, please.

00:46:29Ken, please don't make a worse fool of yourself. Come on.

00:46:32Excuse me, sir. Haven't you forgotten something?

00:46:39If it had been up to me, I'd have kept you in there for three or four years.

00:46:42I didn't ask you to bail me out.

00:46:43No, but she did.

00:46:44Some joke.

00:46:45Suppose I gave you both a big laugh.

00:46:46Ken, please.

00:46:47The next time you visit me, Kenneth, come in by the front door.

00:46:50It looks better to the police.

00:46:54Aren't you ashamed of yourself?

00:46:55Never mind me. Suppose you start explaining, and it better be good.

00:46:58I'm not going to tell you anything.

00:46:59Where did you go tonight?

00:47:00I started to tell you once, and you wouldn't listen.

00:47:02Now I'm never going to tell you.

00:47:04Either you trust me or we're quitting right now.

00:47:07Which, Ken?

00:47:10Come on home.

00:47:11Joe.

00:47:24What are you going to do?

00:47:25I'm going to take your advice.

00:47:27There's a time when a man's got to be a man.

00:47:36Hello, son.

00:47:37Hi, honey.

00:47:38What happened down at Werterman's office?

00:47:39Was it the will?

00:47:40Mother, would you mind leaving us alone for a few minutes?

00:47:42Mary and I have something to talk about.

00:47:43Couldn't it wait, honey?

00:47:44I've got to hurry.

00:47:45It's old Mr. White.

00:47:46He asked for it.

00:47:47You're not going anywhere.

00:47:48Now, son.

00:47:49Now, you stay out of this.

00:47:50What's the matter, darling?

00:47:51I once asked you to explain something.

00:47:52You refused.

00:47:53Well, now I know.

00:47:57We'd better talk about it when I get back.

00:47:58Keep going off that door.

00:47:59You're not coming back.

00:48:00Make up your mind.

00:48:03I'll send for my things tomorrow.

00:48:09You're not alone, son.

00:48:10You still have mother.

00:48:11You're not alone, son.

00:48:12You still have mother.

00:48:16You still have mother.

00:48:17You still have mother.

00:48:18You still have mother.

00:48:19You still have mother.

00:48:20I will never go out of her.

00:48:21All right.

00:48:22Come on, my dear mother.

00:48:23Hi.

00:48:24What's that new 20 bucks and audacious King Max told me to watch that night rest

00:48:54is so we're gonna get your tips now Max is gone how am I gonna miss that guy look at you look

00:49:01at some show for the neighbors what's wrong I'm just getting a little suntan can't you wear a

00:49:06sun suit you got plenty of dough to spend charge accounts in all the stores I got three sun suits

00:49:10I'm just too lazy to put one on James give me the sheet no if I had on the sun suit you'd tell me I

00:49:16was getting fat again so why bother remember what you look like last year have a piece it'll sweeten

00:49:23your disposition okay get fat see if I care you care all right you'd like a streamlined model to

00:49:30brag about I don't know what's going to you lately you just have such a sense of humor which do you

00:49:35want McKay the sense of humor or a glamour girl I happen to like candy yeah and I like beer and

00:49:41sodas and mashed potatoes we work hard for our dough what's the good of it if you can't enjoy

00:49:47life I can enjoy life without going in training for the fat lady in a side show you're awful crabby

00:49:52today what'd you have for lunch I'm crabby how about you I can home the hand you'll laugh something

00:49:57what's the word a man gave me what I get from you a caramel

00:50:01well what was the big laugh

00:50:21that dick Tracy

00:50:27all right so don't tell me

00:50:32what do you want to know what wordman gave me I don't care if he gave you a black eye

00:50:42you're the one that got the black eye from wordman he's not the type that'd make cracks about a lady

00:50:49a gentleman huh like your friend Max you should be such a gentleman McCabe

00:50:54no gentleman to pull a gag like this don't speak ill of the dead on the day of the funeral what's the gag

00:51:01what's so funny most husbands would be sore if someone said this about their wives sure I would too if I believed it

00:51:29you're awful sure it's a gag I got a nose for it I can smell a gag two miles away

00:51:34you might be surprised McCabe you mean you are Max

00:51:38yeah don't try to kid me oh I didn't have class enough huh

00:51:42well I'm not saying anything against you but I'm a man I know what men go for

00:51:47Eskimos go for blubber he was no Eskimo

00:51:51glass of beer or romance Max would have only the best

00:51:55that's why I picked you for a friend I suppose what didn't he from the very first moment we went we

00:52:01were just like like that sure at the stables oh you were all right for a judge of horse flash or a few

00:52:07laughs how do you like how do you like that I was over this place all the time a poker games but did

00:52:14he ever ask you to dinner I'll come to see us or invite you to his party till he met me

00:52:18I'm not a woman I don't remember things like that well jog your memory you remember all right

00:52:30me and Max you remember

00:52:37think back

00:52:39that's the right

00:52:42it's clamber boy by 3-1 to the lake

00:52:445-5 second

00:52:45Mr. Miscuit into the blue

00:52:46clamber boy

00:52:47come on clamber boy

00:52:50come on

00:52:51yeah look at him and get my log in front

00:52:54come on boy keep going

00:52:55I got 50 bucks on clamber boy

00:53:03come on boy throw him your tail

00:53:05shut up and sit down will you when you're in a buck short act like it

00:53:07listen for my 50 bucks I got a right to yell

00:53:10come on keep going

00:53:11most of these people 50 times 50 bet on the horse

00:53:13see them jumping up and yelling

00:53:15he's driving he's driving

00:53:26little loo

00:53:27little loo

00:53:28it's little loo

00:53:30by the lake

00:53:31clamber boy

00:53:35he's looking at you

00:53:48what am I supposed to do drop dead because associated amalgamated looks at me

00:53:52amalgamated associated you see amalgamated industries associated with amalgamate no associated amount

00:53:57he's one of our best customers smile for Pete's sake

00:53:59I'll bet you 50 bucks those two zombies are after some dough

00:54:09don't point with you it's always dough

00:54:11he does a lot of charity work

00:54:12probably members of the committee

00:54:13you could join one of them

00:54:14not me my mother was scared by a committee

00:54:16max barred's here put it back on your head

00:54:21I can't see with an arm

00:54:22for $80 it don't make no difference whether you can see or not

00:54:24what do people think

00:54:25they come to see the horses not look at me

00:54:27what are you going to bet on thunder fourth or be yourself

00:54:30that must be heaven's wife

00:54:31the long-legged type

00:54:32some class

00:54:33too thin

00:54:34put it back on he's looking at you

00:54:40what did he ever do that's so special

00:54:43besides taking your money at poker

00:54:45the one thing he owns glamour boy

00:54:47glamour boy if that's high society excuse me

00:54:50where you going

00:54:51get a hot dog

00:54:52if you're hungry why don't you go to the clubhouse get a club sandwich

00:54:54I feel like a hot dog

00:54:56where do you think you are steel beach

00:54:57was it so bad then

00:54:59you'll get me crazy sometimes

00:55:00we work hard all our lives

00:55:01we finally meet some classy people

00:55:02what do you do

00:55:02eat hot dogs

00:55:04listen mccabe

00:55:05I started out in life selling popcorn

00:55:07and if my luck don't improve today

00:55:08it looks like I'll wind up that way too

00:55:10uh-uh

00:55:11associated amalgamated is calling you

00:55:14one dog without

00:55:18one coke here

00:55:20I'm telling you lady

00:55:21it's thunder fourth

00:55:22look at the yard

00:55:23I look

00:55:23it's not my place to pass an opinion madam

00:55:25but I've worked the whole thing out mathematically

00:55:27and the odds are right

00:55:28I don't know

00:55:29that thunder fourth just don't appeal to me

00:55:31you got a better choice

00:55:32I got a feeling about be yourself

00:55:34a sticky feeling

00:55:35like he was close to the glue factory

00:55:36that's be yourself

00:55:38take my word for it madam

00:55:40be yourself is a fool's gamble

00:55:41mathematics never fail

00:55:43yeah

00:55:43how many races did you win

00:55:45cleaned up 432 dollars this season

00:55:47on paper

00:55:48I'm telling you

00:55:48only the schnooks are putting their dough on be yourself

00:55:50he ain't got a glimmer

00:55:51forgive me for butting in sir

00:55:53but you know that's only one man's opinion

00:55:54your dog madam without

00:55:56thanks

00:55:57okay jack

00:55:57do you want to join the schnooks

00:55:59the schnooks

00:55:59well it sounds an admirable organization to me

00:56:01but I'm afraid I only join clubs

00:56:02when they become widely unpopular

00:56:04I'm sorry

00:56:04my money's on be yourself

00:56:06don't take any tips from him

00:56:08he owns glamour boy

00:56:09I bought glamour boy

00:56:10on the advice of one of the greatest

00:56:11horse racing experts in this country

00:56:13which one

00:56:14your old man

00:56:15oh

00:56:16ask his advice about women sometime

00:56:19he's an expert on that too

00:56:20hmm fine notice

00:56:22I don't blame him for keeping this filly a secret do you

00:56:24say I think I'm gonna like you

00:56:26same here

00:56:27be yourself huh

00:56:28always

00:56:29it's gonna cost you money lady

00:56:30I'm warning you

00:56:31so you're next bar

00:56:33and you're Lucille McCain

00:56:34how do you do

00:56:35send it now but I think we're being followed

00:56:37just protecting the lady's interest bud

00:56:39you've got exactly 45 seconds left to get your money down on the right horse

00:56:42and we can place it for you

00:56:43thank you for reminding me

00:56:44I'll put five on the nose for you

00:56:46why bother with the machines Jack

00:56:47I'm mechanically minded

00:56:48that pony ain't gonna put any bets down for you lady

00:56:50that's his racket

00:56:51why don't you give him the brush

00:56:52we happen to know the bonafide owner of glamour boy

00:56:54yeah and it ain't him

00:56:55now if you want to listen to one

00:56:56oh there you are

00:56:57I've been looking everywhere for you

00:56:58just a minute Jack

00:57:00this lady and I was talking

00:57:02you happen to know this lady

00:57:03yeah

00:57:04do you?

00:57:05slightly

00:57:05she's my wife

00:57:07oh

00:57:07hello

00:57:09the odds are that he will be surprised

00:57:12clubhouse ain't good enough for you huh

00:57:13I leave you alone for a minute

00:57:14what do you do?

00:57:15associate with plots and the jets

00:57:16how did you know their names?

00:57:18how did I?

00:57:18those two gentlemen happen to be friends of mine

00:57:21that's all I see

00:57:21the kind of characters you'd expect in an environment like

00:57:23hey Max

00:57:24Dan

00:57:24what are you doing here?

00:57:25hey I want you to meet my wife

00:57:27they always wanted to get you two together

00:57:28be yourself

00:57:29be yourself?

00:57:31what are you doing in the morning?

00:57:33what can you beat the

00:57:34I see you two are mad

00:57:35yes we ran into each other at the hot dog counter

00:57:37do you like a pint?

00:57:38no I gotta be going

00:57:39so you had some back with me

00:57:41oh

00:57:41oh don't change it

00:57:42couldn't look nicer than it does now

00:57:43thank you

00:57:44I got bad news for you Lucille

00:57:46I can't drive you home

00:57:47what's bad news about that

00:57:48the way you drive?

00:57:49what happened?

00:57:50associated amalgamated needs a free ride?

00:57:52one of my associates

00:57:53Jonathan Rimm

00:57:54on the way over to Oakland

00:57:55he wants to talk over a deal

00:57:56yes Jonathan Rimm

00:57:57we all know him

00:57:58why don't let me take you home?

00:57:59I drive even worse than your husband

00:58:00you couldn't

00:58:01but you got a deal

00:58:02you don't have to bother

00:58:03she can take a cab

00:58:04she's found her way home before

00:58:05have you been to Town Street for dinner?

00:58:07I certainly am

00:58:08good

00:58:09see you later

00:58:10oh no

00:58:11no

00:58:11your wife huh

00:58:13I suppose you own two horses

00:58:15dang

00:58:16did I wake you honey?

00:58:27a fine time for a decent woman to be getting in

00:58:30I thought you'd been killed or something

00:58:32I wasn't killed

00:58:33where you been?

00:58:34having fun

00:58:35fun huh?

00:58:36that Max

00:58:37he's great

00:58:38he is so funny

00:58:40that guy

00:58:41you want to know what he told me?

00:58:43yeah why?

00:58:44come on a bed

00:58:45I'm tired

00:58:46you want to hear my story?

00:58:57we used to have so much fun together

00:58:59you and me

00:59:00remember?

00:59:01what's the idea

00:59:07of getting me all worried?

00:59:09were you worried

00:59:10kid?

00:59:13were you worried?

00:59:18isn't he cute?

00:59:20Max bought him for me

00:59:21says he looks just like you

00:59:23hurry up will ya?

00:59:29don't wait for me

00:59:30why not?

00:59:33oh that's how you're wasting your time huh?

00:59:36you used to yell at me because I dress so fast

00:59:39now I waste time

00:59:40how do you like the outfit?

00:59:42you're okay come on

00:59:43I hope it's classy enough for you

00:59:45Max picked it out

00:59:46what are you putting that stuff on for?

00:59:48you like it?

00:59:50I suppose Max picked that out too huh?

00:59:51his favorite

00:59:52some taste he's got

00:59:53come on

00:59:54when we're gone

00:59:54nobody will smite you

00:59:55why not?

00:59:56it's obvious

00:59:57where do you think I'm going?

00:59:59to the stable

00:59:59but he's waiting to be fed

01:00:00go on feed her then

01:00:02you mean you're not coming?

01:00:04not today

01:00:05I got something more important

01:00:06more important than your own horse?

01:00:08forget it

01:00:09you're calm with me

01:00:10I can't possibly

01:00:11what is it so important?

01:00:13I got a committee meeting

01:00:14I never thought I'd live to see the day

01:00:17when you ditch your own horse

01:00:18for a bunch of female zombies

01:00:19you ain't putting on that perfume for them

01:00:22you want your wife to go out with society people

01:00:24smelling of stables?

01:00:27well why don't you get going?

01:00:29you weren't in such a hurry

01:00:30I'll take you wherever you're going

01:00:32you needn't bother

01:00:33I'm getting picked up

01:00:34by whom?

01:00:35by whom?

01:00:36by whom?

01:00:36the chairman of the committee

01:00:38what are you waiting for?

01:00:48I thought your poor horse was starving

01:00:50what's worrying you?

01:00:51one of the zombies might see you

01:00:52with the lower classes?

01:00:53don't answer that

01:00:53here comes the chairman

01:00:54must be two other zombies

01:01:06hi Max

01:01:08taxi ma'am

01:01:09I thought you'd never get here

01:01:11oh darling am I late?

01:01:13I'm so sorry

01:01:13hello Pam

01:01:15I wasn't expecting to see you

01:01:16I thought you were going to a committee meeting

01:01:18well she is

01:01:19I'm the chairman

01:01:20did you tell him?

01:01:22what don't I know?

01:01:23it's going to be one of those long meetings

01:01:24too you know what it is

01:01:25passing resolutions

01:01:26seconding motions

01:01:28votes of thanks

01:01:29yak yak yak

01:01:29and I'm afraid that this ravishing creature

01:01:31she may not be home for dinner tonight

01:01:33hope you don't mind

01:01:34oh no

01:01:35that won't bother him

01:01:36he'd rather be with his horse

01:01:37sure

01:01:38with his horse

01:01:38oh well

01:01:39what side?

01:01:41French

01:01:41every man to his taste

01:01:43shut the door old thing will you?

01:01:45well

01:01:45merci mon petit

01:01:47au revoir

01:01:48au revoir

01:01:50merci

01:01:50french

01:01:55il pleuvera demain

01:01:57mon oncle et moi

01:01:59nous n'irons pas aux courses

01:02:00it will rain tomorrow

01:02:02my uncle and I

01:02:03cannot go to the races

01:02:05right

01:02:05le gratisiel

01:02:07a trente-six étages

01:02:09gratisiel

01:02:10oh the skyscraper

01:02:11has thirty-six stories

01:02:12right

01:02:13mon mari d'or

01:02:14est à bu

01:02:15trop de bia

01:02:16my husband's sleeping

01:02:18he's had too much beer

01:02:19right

01:02:20100% perfect

01:02:21I talk French

01:02:22okay

01:02:22only be careful what you say around the kids

01:02:24what's that?

01:02:24oh who cares

01:02:25je suis en français

01:02:27perfect

01:02:27get that McCabe

01:02:29je suis en français

01:02:30yeah je suis cheese

01:02:31leave me alone

01:02:31I'm now going to demonstrate

01:02:32a very famous continental custom

01:02:34very elegant

01:02:35watch me

01:02:35one continental custom

01:02:40coming up

01:02:41oh wrong continent

01:02:42hey

01:02:43oh look Dan

01:02:47what

01:02:47oh the Oakland Ferry

01:02:49so what

01:02:50well don't you remember

01:02:51yeah I remember

01:02:52May 10, 1931

01:02:53what happened then

01:02:54we spent our honeymoon on that

01:02:56riding back and forth

01:02:57on the poor man's Atlantic

01:02:59why don't you go to a few more people

01:03:02huh

01:03:02get a megaphone

01:03:03broadcast on the radio

01:03:03we're all young once Dan

01:03:05oh was this one ever young

01:03:07full of beans

01:03:08he was always going to take me

01:03:09traveling to Europe and places

01:03:11you ain't done so bad

01:03:12yeah but I always wanted to see the world

01:03:14what's the world got the California

01:03:15come on let's go

01:03:16you know I'm going to get you another beer

01:03:17sit down

01:03:17no I don't want

01:03:18I don't want the milk

01:03:18go get it

01:03:19I'll drink it if he doesn't

01:03:20do we always have to hang around here

01:03:22until the rooster crows

01:03:23we got a home

01:03:24don't be a big cow

01:03:25okay I'm a big cow

01:03:27but at the 3 a.m.

01:03:28I can't give milk

01:03:29I'm tired

01:03:31that's what you always say

01:03:32just when I'm having fun

01:03:33I get up early

01:03:34and I've worked for a living

01:03:36so do a billion other people

01:03:37they don't complain

01:03:38they do but you don't hear them

01:03:39you're too busy running around

01:03:40at committees

01:03:41learning French

01:03:42buying new dresses

01:03:43I thought that was the kind of wife

01:03:45you wanted in the cave

01:03:46oh you're just in time

01:03:48I was getting thirsty

01:03:49from arguing with him

01:03:50Danny boy

01:03:50there's one rule in this house

01:03:51no arguing

01:03:52one beer coming up

01:03:53I ain't thirsty

01:03:54okay I'm a sport

01:03:57here's to you Max

01:03:59here's to us

01:04:01to fun frolic and jolly

01:04:02honestly we've had more darn fun

01:04:05this last year

01:04:05haven't we Dan

01:04:06thanks to a certain party

01:04:07that was a laugh to me

01:04:08remember the night I cook the goose

01:04:10see you Pete

01:04:12you know what Scott boys

01:04:13remember the Italian restaurant

01:04:16bigger game

01:04:16yeah but how about the rubberneck puffs

01:04:18and what the curis

01:04:19you remember

01:04:20I gotta thank you pal

01:04:21you've been a real pal pal

01:04:22I gotta thank you

01:04:23I gotta thank you

01:04:24for teaching my wife

01:04:25how to talk

01:04:25I gotta thank you

01:04:27no I gotta thank you

01:04:28no I gotta thank you

01:04:29for teaching my wife

01:04:30how to act like a lady

01:04:31I gotta thank you

01:04:32for being the biggest sport

01:04:33that ever drew breath

01:04:35yes he is

01:04:36isn't he

01:04:36but I gotta thank you

01:04:37honestly

01:04:38you've been

01:04:39he's a jolly

01:04:40I can't tell you

01:04:42what you mean

01:04:43I can't tell you

01:04:43no matter honey

01:04:45he's crying

01:04:45oh don't cry honey

01:04:48poor chap

01:04:49poor chap

01:04:51poor chap

01:04:52he just couldn't understand

01:04:54the husband loved his little wife

01:04:56she ran off with a draper

01:04:58she didn't know

01:05:00how far she'd go

01:05:01to read it in the paper

01:05:03do you step max huh

01:05:05poor chap

01:05:06poor chap

01:05:07he just couldn't understand

01:05:09he was left with the paper

01:05:11the mean wicked paper

01:05:12he was left with the paper

01:05:13in his hand

01:05:14he was left with the paper

01:05:16in his hand

01:05:19woo

01:05:19paper in his hand

01:05:29sucker

01:05:32you remember all right

01:05:35well ain't that great

01:05:36my wife

01:05:37after all I've done for you

01:05:39what were you when I met you

01:05:41selling popcorn for a living

01:05:43and I didn't quit when we were married

01:05:45remember Dan

01:05:46you didn't have a cent

01:05:47now look at you

01:05:47real diamonds

01:05:48French perfume

01:05:50$80 hats

01:05:51what do you do with them

01:05:52carry dogs in them

01:05:53and do you thank me for it

01:05:54do you

01:05:55I'd thank you to quit yelling

01:05:56some to be a sucker

01:05:57not say anything about it

01:05:58huh

01:05:59rise above it

01:06:00be a nice fellow Dan

01:06:01have you heard what they're saying

01:06:02about Dan McCabe

01:06:03a letter like this

01:06:06most wives

01:06:07would take a thing like this

01:06:08seriously

01:06:08so would most husbands

01:06:09I do

01:06:10I do

01:06:11what do you think

01:06:12honey guard

01:06:14au bois

01:06:14and

01:06:15please the neighbors

01:06:16shut up you

01:06:17I'm still the man

01:06:19in this house

01:06:20and you'll be the wife

01:06:20the way I see it

01:06:21or else

01:06:22you'll get out

01:06:23do I hear correctly

01:06:25you sure do

01:06:27there are some things

01:06:28no man will stand for

01:06:29not if he's a man

01:06:30some things no woman

01:06:31will stand for either

01:06:32maybe you forget

01:06:33this is my home too

01:06:34it is

01:06:36huh

01:06:36yeah

01:06:37and I'll fight for it

01:06:38to the last toothpick

01:06:39okay

01:06:40so it's a fight

01:06:42you'll see

01:06:44left with a paper

01:06:46in his hand

01:06:46huh

01:06:47not Dan McCabe

01:06:48hey where you going

01:06:49stupid

01:06:50to see a smart

01:06:52lawyer

01:06:53you can send us over

01:06:59now

01:06:59all right

01:07:00good morning

01:07:02I'm Mrs. Evans

01:07:03I received a telegram

01:07:05oh yes Mrs. Evans

01:07:06isn't Mr. Evans with you

01:07:07he'll be along later

01:07:09I hope

01:07:10the telegram specifically

01:07:11asked for both of you

01:07:12Mr. Worderman will be upset

01:07:13aren't we all

01:07:14hey

01:07:18good morning Mary

01:07:19why do you

01:07:20yes

01:07:21I'm glad we finally reached you

01:07:23we couldn't get you at home

01:07:24I wasn't there

01:07:25is your husband coming

01:07:26did you tell his mother

01:07:27oh yes

01:07:28he's coming

01:07:29well good morning all

01:07:32Lucy

01:07:33good morning Mrs. McCabe

01:07:35morning

01:07:35where's Mr. McCabe

01:07:37I thought you might know

01:07:38I don't

01:07:39well at least you ladies

01:07:40are here on time

01:07:40Mr. Worderman will appreciate that

01:07:42promptness is one of his standards

01:07:44he'll be a few minutes late

01:07:45will you step this way please

01:07:46a committee meeting huh

01:07:55I wonder what's cooking

01:07:56I don't know

01:07:57but apparently our husbands

01:07:58are expected too

01:07:59oh no no kidding

01:08:00Lucille

01:08:01don't you know where Dan is

01:08:02I thought I was sent for

01:08:03to talk over the case

01:08:04of McCabe versus McCabe

01:08:06what

01:08:07a divorce

01:08:08you two

01:08:09both of them

01:08:10so suddenly

01:08:12last night

01:08:13about 10 o'clock

01:08:14that big ape calls the butler

01:08:15and says to pack his things

01:08:17not just his pajamas

01:08:18and toothbrush

01:08:19all his things

01:08:20and bring them someplace

01:08:21didn't you ask the butler where

01:08:22I got pride

01:08:24but I wish I'd had him followed

01:08:26then this morning

01:08:27I get Worderman's wire

01:08:28I should be here

01:08:29you having trouble too

01:08:31I let him

01:08:32it just couldn't be a coincidence

01:08:35no it certainly wasn't

01:08:36we've been in training

01:08:37for it a long time now

01:08:39no no I mean

01:08:40all three of them

01:08:41not Arthur too

01:08:43Arthur too

01:08:44well at least you know

01:08:46where he is

01:08:47I certainly do

01:08:48snoring on the living room couch

01:08:50he didn't come in

01:08:51until 4 a.m. this morning

01:08:52after making the most

01:08:53incredible accusations

01:08:54he dashed out of the house

01:08:55and I

01:08:56I found him asleep

01:08:57on the couch this morning

01:08:58I left the telegram

01:09:00on his chest

01:09:01like a lily

01:09:02I wonder what's got into them all

01:09:05I don't know what's eating

01:09:06your boys

01:09:06but Dan got a letter

01:09:08a letter?

01:09:09Worderman gave it to him

01:09:10Kenneth saw Worderman

01:09:11do you know what was in the letter?

01:09:15oh nothing much

01:09:16your boys couldn't have got the same news

01:09:19it was about me and Max

01:09:22Max and you?

01:09:25you and Max?

01:09:27in love?

01:09:28yeah

01:09:28what's so impossible about that?

01:09:30dear

01:09:31you and my husband both

01:09:33oh that's what Arthur was so upset about

01:09:36Arthur suspected you?

01:09:38and why not?

01:09:41a symphony concert

01:09:43well of course you would feel that way a mother

01:09:45but afterwards

01:09:46we had tea together

01:09:47we had tea together

01:09:48we certainly did

01:09:50but at his house

01:09:51it was always his man's day off

01:09:53oh yeah

01:09:54you're both bragging

01:09:56how would you know?

01:09:58yeah a kid like you

01:10:00took care of him through four heart attacks

01:10:02I was with him day and night

01:10:05when a man's as sick as bad

01:10:06he's not interested in women

01:10:08he always kept me on through convalescence

01:10:10that Max

01:10:16good morning

01:10:18good morning girls

01:10:19hi Ed

01:10:19good morning

01:10:20I'm sorry to be late

01:10:21but I was late in conference

01:10:22the divorce case

01:10:24I believe the others are here

01:10:26won't you come into the library?

01:10:28um

01:10:29um

01:10:30um

01:10:31um

01:10:32um

01:10:33um

01:10:34and the bequests

01:10:56for the aforementioned organizations and institutions to be distributed in the manner provided for in paragraph 12 of this last will and testament

01:11:03I think you'll find that what follows will interest you more

01:11:08to Mathilde Clegg

01:11:10for the development of her unique talents

01:11:13tuition for two years and living expenses provided the beneficiary studies and takes up residence in Paris, France

01:11:21and to my cousin Jenny Bard Whitaker

01:11:26our grandfather's house and property in Columbus, Ohio providing she takes up immediate residence there

01:11:33will contains only two more clauses I'll read the first clause first

01:11:37naturally

01:11:37the remainder of the remainder of my estate is to be provided equally among my dearly beloved friends

01:11:45Jane Evans, Mary Whitaker

01:11:47and Lucille McCabe

01:11:49look at that man

01:11:54but it's not right they were nothing to him we are the next of kin

01:11:57it's his will mother

01:11:58oh

01:11:59you ought to be angry you were cheated

01:12:01because I'm so high

01:12:04if he thinks I intend to return

01:12:07we are going to fight this to the end son

01:12:09don't worry

01:12:11I won't take the money

01:12:12don't be crazy Mary

01:12:14Max meant you to have it

01:12:15I'm rich

01:12:16me McCabe

01:12:18please please

01:12:20now if you'll allow me I'll continue

01:12:22in making these requests

01:12:24I'm expressing my belief that women are better wise if they are not dependent on the peccadilloes

01:12:28the weaknesses

01:12:36the whims and pretensions

01:12:39of their husbands

01:12:41there are no provisions or restrictions attached to these requests

01:12:44the legacies may be used as the beneficiaries see fit

01:12:48either to enhance their marriages or to make themselves independent of financial restraint

01:12:54to my friends Arthur Evans

01:12:56Kenneth Whitaker and Daniel J. McCabe

01:12:59I solemnly bequeath the good news that the confidential letters delivered to them yesterday

01:13:03were written for the best purpose of causing them grief and disturbance

01:13:07so that they reconsider the charms and virtues of their respective wives better to appreciate them

01:13:13and the additional information that said letters being intentional fabrications are false

01:13:18deceitful and untrue

01:13:23that's all thank you

01:13:24I think it was all

01:13:25it's the most ridiculous one I've ever heard in my life

01:13:27it's not going to be the end I assure you

01:13:30I assure you

01:13:35I want to talk to you Ed

01:13:36oh I'm sorry my wife's waiting for you

01:13:37I only want to ask you one question

01:13:39that divorce complaint you talked about before is it Dan McCabe

01:13:42no your husband is not my client

01:13:43then I am

01:13:44hey James

01:13:46oh Arthur I'm so glad I caught you I must talk to you

01:13:50couldn't we talk about this later

01:13:51what I am about to say will affect the course of our entire lives

01:13:55hurry I've got to talk to you

01:13:56oh let me go

01:13:58you don't have to act like an heiress so soon

01:14:00I don't want the money

01:14:02then at least you can listen to me

01:14:03hey hey hey

01:14:09what's the idea of changing the lock on me I couldn't get in

01:14:11that's your idea of a gag or something

01:14:12I didn't want you in my house

01:14:14your house huh

01:14:15okay get technical

01:14:16I suppose that's the advice of your lawyer

01:14:18I'm filing a converse suit

01:14:19I'm the one that's got the grounds

01:14:21not so loud McCabe what'll people think

01:14:24let me tell you what I think

01:14:26well now I hope you'll understand why I've arrived at this tragic decision

01:14:30I couldn't come between a man and his children

01:14:33and his wife no time will heal our wounds dear

01:14:37if that's the way you want it

01:14:39we must face it bravely this is goodbye goodbye

01:14:50Arthur Jane now that the economic barrier is removed

01:14:53I feel it's only fair that you should have your freedom

01:14:55I'll see my lawyer in the morning if that's the way you want it Jane

01:14:58there's just one thing I'd like cleared out before I go ahead

01:15:05you believed that letter of Max's didn't you

01:15:07no not for a minute don't lie you called me a jezebel why

01:15:10all right I did I believed it I was jealous

01:15:12you were oh thank you darling that's wonderful

01:15:27oh darling you don't have to be jealous of any man before we met or

01:15:33or since we're married or ever

01:15:41I have nothing did you tell me that it was true

01:15:44you confessed it of your own free will didn't you well didn't you

01:15:46you must be slipping McCabe I thought you could spot a gag a mile off

01:15:50then it was a gag you and him made it up just to fool me huh

01:15:54what's that French what's it mean you'll have to wait and ask Max

01:16:05if I were a lawyer I'd get rid of my clients rather than keep my wife wicking

01:16:09is it beat yes sir wait a minute I want you to tell me something truthfully

01:16:14how well did you know Max

01:16:44make sure I'm going to get rid of your boys

01:16:46so

01:16:47and then

01:16:47I'll do it

01:16:48and that's a good one

01:16:49I'll do it

01:16:49and then

01:16:50yeah

01:16:52I'll do it

01:16:52so

01:16:54I'll do it

01:16:58and then

01:16:59oh

01:17:00it's

01:17:01and then

01:17:02so

01:17:02I'll do it

01:17:06so

01:17:06I'll do it

01:17:11and then

01:17:11I'll do it

01:17:11and then

01:17:12I'll do it

Three Husbands 1951

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