Ernő Rapée (1891-1945) was born in Budapest, Hungary, where he studied as a pianist and later conductor at the Royal National Hungarian Academy of Music. Later, he was assistant conductor to Ernst von Schuch in Dresden. As a composer, his first piano concerto was played by the Philharmonic Orchestra of Vienna, and after a tour of America as a guest conductor, he began performing at the Rialto Theater in New York as assistant to Hugo Riesenfeld, where he began composing and conducting for silent films. Following positions at the Rialto and Rivoli theaters, he was hired by Samuel "Roxy" Rothafel as the musical director of the Capitol Theatre's orchestra in New York. While at the Capitol, he pioneered orchestral radio broadcasts over station WEAF as part of the Roxy's Gang programs. He also engaged Eugene Ormandy as the Capitol's concertmaster and assistant conductor. The Capitol orchestra made a number of commercial recordings under Rapée's direction in 1923-24. Rapée's next move was to Philadelphia, where he conducted at the Fox Theatre. After his tenure at the Fox, Rapée went on to international success in Berlin at the UFA Theater. While there he was invited to conduct the Berlin Philharmonic Orchestra. Later he appeared as conductor of the Budapest Philharmonic and other European orchestras. In 1926, he returned to America after notable European successes. He began an engagement at the Roxy Theatre in New York, as music director of its symphony orchestra. He also conducted for the General Motors Concerts. Finally, in 1932, Rapée reached the apex of his career as the musical director and head conductor of the symphony orchestra at Roxy Rothafel's new Radio City Music Hall, a position Rapée held until his death in New York City. During his years conducting for silent films on Broadway, Rapée arranged and composed a bulk of his library. In 1923, Robbins-Engel Music began publishing the music of Rapée and his associates under the banner of the "Capitol Photoplay Series". Under their "Gold Seal" series (carefully selected pieces chosen to be printed on high-quality paper), his song "When Love Comes Stealing" was published the same year. Five years later, it became the theme song of the Paul Leni film, The Man Who Laughs. Collaborating with Dr. William Axt, Rapée co-wrote an eminent collection of photoplay music, which included a series of three Agitatos, Appassionato No. 1, Debutante, Frozen North, Screening Preludes 1 and 2 and Tender Memories. Other pieces written solo included The Clown's Carnival and Pollywog's Frolic. In 1926, Rapée collaborated with composer Lew Pollack on "Charmaine" for the film, What Price Glory? (1926), "Diane", for the Fox Film production, Seventh Heaven (1927), and "Marion" for the Fox production 4 Devils (1928). As for the present, virtuosic recording, it was made in 1932. The scat solo remained uncredited.