Damien Hirst: End of End of an Era at GAGOSIAN

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James Kalm slips into the Madison Avenue branch of the Gagosian Gallery to bring viewers unauthorized video of one of the seasons most controversial exhibitions. “End of an Era” may be a cynical ploy by Hirst to vaccinate himself from complaints of his promotion of overly conspicuous consumption. Whether a preserved bull’s head, or a gold plated cabinet with nearly 30,000 manufactured diamonds, the presentation of ostentation is the apparent point of Hirst’s latest body of work.

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