- 5/24/2025
They say eyes are the window to a person’s soul! In this episode, Rhian Ramos and other Kapuso celebrities talk about eyes and their wonderful abilities, inside and out.
For more ‘The Sweet Life’ Full Episodes, click the link: https://shorturl.at/9trGU
For more ‘The Sweet Life’ Full Episodes, click the link: https://shorturl.at/9trGU
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LifestyleTranscript
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00:43Hi, and welcome to The Sweet Life.
00:45I'm currently chatting with a person
00:47who will take part in today's show.
00:49Our topic is all about eyes,
00:51and as they say, the eyes are the windows to the soul.
00:55Wilma, are you attracted to men with beautiful eyes?
00:59Of course!
01:01You like men with ugly eyes.
01:03Your eyes are beautiful.
01:05Why are you saying that again?
01:07My eyes are beautiful.
01:09Yes, of course.
01:10If you have beautiful eyes,
01:11men will look at you like,
01:13oh, you're attractive.
01:15Yes, I like that.
01:18That's beautiful.
01:19Who are you chatting with?
01:20Are you going to have an eyeball?
01:22No, you'll like our gimmick later in the show.
01:24Really?
01:25Yes.
01:26Do you want me to copy your chat?
01:27Maybe.
01:28Why not?
01:29I think.
01:30I like that.
01:31Later, you'll get to know
01:33who our chat is.
01:35So don't go away.
01:36We will find that out when we come back.
22:27You're really, really pretty.
22:28There's a nice way to say it.
22:29Yeah.
22:30Are you vain?
22:31I like your…
22:32Well, I'm supposed to be, but I'm not.
22:33You're not?
22:34Because, of course, we're in showbiz.
22:35We're supposed to be.
22:36You have to be.
22:37Yeah.
22:38We have to be vain.
22:39We have to put on makeup.
22:40Yeah.
22:41But for me, it's such a chore.
22:42Putting on makeup.
22:43It takes too long.
22:44Today, I didn't brush my hair.
22:45But you're kikay in the sense that you like to put on makeup.
22:46Yeah.
22:47I like to put on makeup.
22:48Yeah.
22:49But for me, it's such a chore.
22:50Putting on makeup.
22:51It takes too long.
22:52But for me, it's such a chore.
22:53Putting on makeup.
22:54Yeah.
22:55But for me, it's such a chore.
22:56Putting on makeup.
22:57But for me, it's such a chore.
22:58Putting on makeup.
22:59But for me, it's such a chore.
23:00Putting on makeup.
23:01But for me, it's such a chore.
23:02Putting on makeup.
23:03But for me, it's such a chore.
23:04Putting on makeup.
23:05But for me, it's such a chore.
23:06Putting on makeup.
23:07But for me, it's such a chore.
23:08Putting on makeup.
23:09But for me, it's such a chore.
23:10Putting on makeup.
23:11But for me, it's such a chore.
23:12Putting on makeup.
23:13But for me, it's such a chore.
23:14Putting on makeup.
23:15But for me, it's such a chore.
23:16Putting on makeup.
23:17No, I'm not courting.
23:18No, I'm not courting.
23:19No, I'm not courting.
23:20No, I'm not courting.
23:21No, I'm not courting.
23:22No, I'm not courting.
23:23No, I'm not courting.
23:24No, I'm not courting.
23:25No, I'm not courting.
23:26No, I'm not courting.
23:27No, I'm not courting.
23:28No, I'm not courting.
23:29No, I'm not courting.
23:30No, I'm not courting.
23:31No, I'm not courting.
23:32No, I'm not courting.
23:33No, I'm not courting.
23:34No, I'm not courting.
23:35No, I'm not courting.
23:36No, I'm not courting.
23:37No, I'm not courting.
23:38No, I'm not courting.
23:39No, I'm not courting.
23:40No, I'm not courting.
23:41No, I'm not courting.
23:42No, I'm not courting.
23:43No, I'm not courting.
23:44No, I'm not courting.
23:45No, I'm not courting.
23:46No, I'm not courting.
23:47No, I'm not courting.
23:48No, I'm not courting.
23:49No, I'm not courting.
23:50No, I'm not courting.
23:51No, I'm not courting.
23:52No, I'm not courting.
23:53No, I'm not courting.
23:54No, I'm not courting.
23:55No, I'm not courting.
23:56No, I'm not courting.
23:57No, I'm not courting.
23:58No, I'm not courting.
23:59No, I'm not courting.
24:00No, I'm not courting.
24:02Anyway, now we're going to turn to trouble.
24:04Next question, please.
24:08For acting, do you use your eyes a lot?
24:10Oh yeah, you have to.
24:17Are your lashes real?
24:18Yeah.
24:19My daddy gave them to me.
24:20Your daddy gave them to you.
24:22And you don't need to curl your lashes.
24:24It's really...
24:25Yeah, I don't curl my lashes anymore.
24:26What? Mascara?
24:27Mascara.
24:28And that's what holds it.
24:29Okay, and then when the directors tell you,
24:32in acting, when they say,
24:34you need to look happy here,
24:35what are the happy thoughts that you think about?
24:37I went to the salon with him.
24:39I went to the salon with him.
24:41To make it come out in the eyes.
24:47I don't know, happy thoughts?
24:50Actually, I just...
24:52Usually, I don't do it personally.
24:54I get it from the character.
24:56Oh, from the character,
24:57what the scene calls for.
24:59Yeah, so if it's happy,
25:01what makes the character happy.
25:03So if it's girlish,
25:05the makeup.
25:07So I just get it from the character.
25:10Do you read a person's mood through his eyes?
25:15Or if you want to catch someone,
25:16let's just say you have a boyfriend,
25:18have you ever caught someone
25:19that you only saw through the eyes?
25:21Because I have girlfriends who say,
25:23I have no reason to believe that he cheated on me,
25:27but I ask him a question,
25:28and they saw it through the shifting of the eyes.
25:31Yes, you can see it.
25:33It's like if you're asked a question,
25:35and the answer is just a question.
25:38Even if the answer is quick,
25:41you can see if it's true or not through the eyes.
25:46Because of that,
25:48let me see how you're going to tantalize.
25:50Oh, I saw her tantalizing.
25:52Let me see how you're going to do it.
25:54Hey, you're tantalizing.
25:58Wait, when you,
25:59okay, flirting is a natural thing.
26:02All women flirt,
26:03even if they don't know that they're flirting.
26:05True.
26:06So we do something with the hair.
26:07See, that's flirting.
26:08Yeah, that's flirting.
26:09So I'm flirting with you?
26:11No, with the salon.
26:12Actually, I'm just conscious.
26:14I'm not pretending.
26:15But do you flirt with your eyes?
26:20Yes.
26:21Women can do fun things with the eyes, right?
26:23Yeah, like, it should be with the eyes.
26:25I mean, if it's with anything else,
26:27maybe that's kind of wrong.
26:28Yes, until the eyes.
26:31There, it's like that.
26:34How do you flirt with the eyes?
26:36Like this.
26:39There.
26:40Sexy, right?
26:41It's different.
26:42It's like I'm on a piano.
26:45Because the eyes are so good.
26:47All your emotions show there.
26:49When you're scared,
26:50when you're angry,
26:51when you're sad,
26:52when you're sleepy.
26:54There's a lot.
26:55You're so quick to do that.
26:58So let's look at Rian.
26:59Rian, when you're angry,
27:01let me see your eyes.
27:02What is it?
27:03It's like a robot.
27:04Big baby.
27:05Because you know, it's so cute.
27:06When it's in the salon,
27:07you're with someone.
27:08There, you're angry.
27:10There's nothing.
27:12And the eyebrows help.
27:14Oh, your mic.
27:15And the eyebrows.
27:17Sorry.
27:18And the eyebrows help also
27:19if you raise your eyebrows or something.
27:22So when you're flirting,
27:23it's like that.
27:25You're so pretty when you're angry, Rian.
27:28And when you're flirting,
27:30it's like that.
27:31No, there's nothing.
27:32There's nothing else?
27:33There's a bit of blinking
27:35and the stare is like...
27:37Sticky stare.
27:38Sticky stare that you don't like.
27:40When our kids grow up.
27:43How old are you, Rian?
27:44Why are you so good, Rian?
27:45Sixteen.
27:46You're only sixteen?
27:47Yes.
27:48Oh no, Lucy.
27:49When our kids grow up,
27:50they might be like that.
27:51Like what?
27:52We're too late, Wilma.
27:53We started too late.
27:55Anyway, thank you for being on the show.
27:56Is there anything you'd like to plug?
27:58Your shows?
27:59Oh yes, please.
28:00Watch Lupin.
28:02And also,
28:04watch Weejam.
28:05It's coming soon
28:06with Judy Ann,
28:07Jolina,
28:08and Iza Calzado.
28:11Catch more of my eyes.
28:12That's it.
28:13Just on Lupin.
28:15That's great.
28:16Okay, we will catch more of Ria's eyes
28:17on all her shows.
28:19Here's an eye-catching event
28:20you can feast your eyes on.
28:22The Aniwan Fiesta.
28:23Watch this.
28:29The pomp and pageantry of our festivals
28:30had attracted throngs of tourists
28:32all over the world.
28:34But did you know that
28:35you can catch a glimpse
28:36of all these festivals
28:37in one single event
28:38held in April of every year?
28:41The Aniwan Fiesta
28:42in Rojas Boulevard.
28:43Aniwan Fiesta started
28:44about five years ago
28:45in 2003.
28:48We came about
28:49and we saw
28:50that the Philippines
28:51is known for its fiestas.
28:53Every major city
28:54has a festival.
29:00There is no one fiesta
29:01that brings everything together.
29:04And so what we decided was
29:05hey, let's bring
29:06the best of the best
29:09all up to Manila
29:10to compete for a Grand National
29:13Aniwan Fiesta Prize.
29:15Look at it.
29:16The choreography is beautiful.
29:17The costumes are absolutely amazing.
29:21And they take a long time
29:24to go up and prepare
29:25for this thing.
29:26At the Aniwan Parade,
29:27you can see the talent
29:28of young people
29:29from all parts of the country.
29:31And aside from the dance exhibition,
29:32there are still many
29:33street parties.
29:35Additionally to these things,
29:38we also have a bazaar
29:40with about 84 booths.
29:42We also celebrate
29:43the Larong Kalye Olympics.
29:46In addition to that,
29:47we also have
29:49the party zones.
29:51You don't have to go
29:52to the provinces
29:53to see the dance exhibitions.
29:57The Aniwan Fiesta
29:58is definitely full of surprises,
30:00pageantry,
30:01and lots of fun.
30:03Pinoy should be proud
30:04of their culture,
30:05of their heritage,
30:06of their history.
30:08If you want to catch
30:10the best
30:11of what the Philippines
30:12has to offer
30:13as far as festivals
30:14is concerned,
30:15you have to come
30:16to the Aniwan Fiesta
30:18because it's unparalleled.
30:34We are back
30:35on The Sweet Life,
30:36and we are going to start
30:38our segment on featuring
30:40eye-catching accessories.
30:42We still have with us
30:43Rian and Jewel
30:45together with
30:46the man of the hour,
30:48Ignatia Loyola
30:50to do our rubber band bag.
30:52Ignatia, this is amazing.
30:54Look at this.
30:55Who would ever think
30:56that all of this
30:57is made of plastic?
30:59You know what we used
31:00to play when we were kids?
31:02Rubber bands.
31:04Like that.
31:06We used that in
31:07the Chinese garter.
31:08She made bags.
31:10How did you come up
31:11with this idea?
31:13My inspiration
31:14is really based on
31:15the things
31:16that I grew up with.
31:18So, do you already know
31:20what the bag will look like?
31:22Or did you think about it
31:23first?
31:24Did you draw it
31:25on paper
31:26or you tried it right away?
31:27No, I don't draw.
31:28I just thought about it.
31:29So, what was
31:30the first shape you made?
31:31Because I can see
31:32you have lots of
31:33different shapes here.
31:34The first shape
31:35is this.
31:37Then the next
31:38is the strawberries.
31:40That's beautiful.
31:41Strawberries.
31:42Chesa.
31:43Chesa?
31:44Is there still chesa?
31:45Chesa.
31:46Okay, and this one,
31:47when you made
31:48all of the shapes,
31:51you thought of
31:52embellishing them.
31:53Yes.
31:54You're so good.
31:57To match
31:58your clothes,
31:59you put
32:01this is what's used
32:02in tirador.
32:03Yes.
32:04Balatik.
32:05Yes, in balatik.
32:06In tirador.
32:07We call it balatik.
32:08Who would ever think
32:09that rubber band
32:10can become
32:11so glamorous, right?
32:12Yes.
32:13Also, did you know
32:14that Ignacio
32:15didn't just make
32:16bags out of rubber band?
32:17I remember
32:18we had a fashion show.
32:19With blouse or gown?
32:20Clothes.
32:21Cool.
32:22Whole clothes
32:23made of rubber band.
32:242001.
32:25Back in 2001.
32:26Yes.
32:27In black.
32:29Let's ask Rian and Jewel.
32:30They've been amazed
32:32since Ignacio
32:33laid it all out.
32:34Galing, no?
32:35Did you ever see
32:36anything like this?
32:37First time.
32:38First time talaga.
32:40And it can hold a lot.
32:42This one can hold a lot.
32:43It's really roomy.
32:44Yeah, that one.
32:45It's a new shape.
32:46This is the new shape.
32:47You can wear this.
32:48It's three-dimensional, right?
32:49You can buy them all.
32:50Yes.
32:51Oh, adjustable.
32:52She's buying them all.
32:53And it's adjustable
32:54if you have a lot of stuff.
32:55It'll stretch.
32:56Yes.
32:57Do you export this?
32:58Not yet.
32:59So, I'm planning to export.
33:00You should.
33:01And you should patent it, I think.
33:02Yeah.
33:03That's the main thing
33:04I want to do.
33:05Before you export it,
33:06you have to patent it.
33:07Because you know here,
33:08right?
33:09It's fast.
33:10Yes, the cheese meal
33:11spreads fast.
33:12It spreads fast.
33:13How much are the bags?
33:14Now it's on TV.
33:15That cost from 500 up.
33:16500 up?
33:17Wow, that's cheap.
33:18Yes.
33:19With all the effort
33:20and everything
33:21and the bulag mata.
33:22Wow.
33:23Do you do this alone
33:24or you taught your staff
33:25already to do this?
33:26Only one worker.
33:27One worker?
33:28Yes.
33:29Wow.
33:30There are only two of us.
33:31We also do the handles.
33:32Oh, so even the handles,
33:33you made them?
33:34Yeah, yeah.
33:35The handles.
33:36Ah, okay.
33:37So, it's made of
33:38plastic inside.
33:39And then,
33:40there are leatherette
33:41straps.
33:42What direction
33:43will your bags take?
33:44How do you see it?
33:45Like, maybe
33:46in a few more months?
33:47Are you going to do
33:48anything more?
33:49I'm having an exhibition.
33:50Are you going to have
33:51an exhibit?
33:52Yes.
33:53Okay.
33:54But it's
33:55going to be
33:56a different sculpture,
33:57more on graphic,
33:58more on psychedelic.
33:59Bags?
34:00Bags.
34:01Using rubber bands?
34:02Yes.
34:03Everything.
34:04Rubber bands.
34:05So, how many?
34:06Like, one bag
34:07of this size.
34:08Say, this size.
34:09This color is beautiful.
34:10Very you, Yan.
34:11Yeah, it's so me.
34:12One bag of this size
34:13uses how many
34:14rubber bands?
34:15I can't tell.
34:16But more, yes.
34:17Maybe around
34:18four or five.
34:19Four or five?
34:20Yes.
34:21Four or five?
34:22Yes.
34:23Okay.
34:25One-fourth kilo.
34:26Ah, by weight?
34:27Yeah, by weight.
34:28What if, for example,
34:29something breaks?
34:30Is it easy to fix it?
34:31Or once it's broken,
34:32it's broken?
34:33Yeah, it's easy
34:34to fix it.
34:35It's easy to fix it.
34:36Amazing.
34:37Wow.
34:38It's just a waste.
34:39So, wait a minute,
34:40Ignacio.
34:41Where can we find
34:42these beautiful bags?
34:43Where can they buy
34:44these bags?
34:45They can see
34:46that one-to-one
34:47at Tordesillas Street.
34:48One-to-one
34:49at Tordesillas Street.
34:50One-to-one
34:51at Tordesillas Street.
34:52Tordesillas Street.
34:53Tres Salcedo, please.
34:54Tres Salcedo, please.
34:55Unit 103.
34:56Unit 103.
34:57And a phone number
34:58that they can call?
34:59884-1543.
35:00884-1543.
35:01Okay.
35:02Call them, okay?
35:03884-1543.
35:04You just saw
35:05a bag.
35:06You forgot
35:07what you were chatting about.
35:08Oh, that's right.
35:09I was chatting.
35:10What happened?
35:11Wait a minute.
35:12My God.
35:13I'm so tense.
35:14Wait a minute.
35:15Come back.
35:16I have something
35:17in my eyeball.
35:18Wait a minute.
35:19I have something
35:20in my eyeball.
35:21Wait a minute.
35:22Don't lose sight
35:23of our next portion
35:24because when we come back,
35:25Wilma's eyeball will be here.
35:26Watch out for it.
35:27We're all excited.
35:28Every day's
35:29a new beginning.
35:30Every night
35:31a start of something
35:32brand new ways
35:33and a brand new day.
35:34Every day's
35:35a new beginning.
35:36Every night
35:37a start of something
35:38brand new ways
35:39and a brand new day.
35:40Every day's
35:41a new beginning.
35:42Every night
35:43a start of something
35:44brand new ways
35:45and a brand new day.
35:46Every day's
35:47a new beginning.
35:48Every night
35:49a start of something
35:50brand new ways
35:51and a brand new day.
35:52Every day's
35:53a new beginning.
35:54Every day's
35:55a new beginning.
35:56Every day's
35:57a new beginning.
35:58Every day's
35:59a new beginning.
36:00Every day's
36:01a new beginning.
36:02Every day's
36:03a new beginning.
36:04Every day's
36:05a new beginning.
36:06Every day's
36:07a new beginning.
36:08Every day's
36:09a new beginning.
36:10Every day's
36:11a new beginning.
36:12Every day's
36:13a new beginning.
36:14Every day's
36:15a new beginning.
36:16Every day's
36:17a new beginning.
36:18Every day's
36:19a new beginning.
36:20At the beginning
36:21of the show.
36:22At the beginning
36:23of the show
36:24I was chatting
36:25with somebody
36:26but I was actually
36:27chatting with him
36:28for Wilma
36:29who is forever
36:30in search of
36:31the right man.
36:32Hopefully,
36:33this is it.
36:34I'm nervous.
36:35I'm tense.
36:36I can't relax.
36:37It's like I can't
36:38control myself.
36:39Do you know
36:40why I'm nervous?
36:41Because...
36:42You pulled out
36:43your outfit.
36:44Her last message
36:45is,
36:47I have something
36:48to confess.
36:49What she wants
36:50to confess is
36:51that she's here
36:52in the show.
36:53And she wants
36:54to see Wilma.
36:55Even me,
36:56I don't know
36:57what she looks like.
36:58Me too.
36:59What do you think
37:00she looks like?
37:01I don't know.
37:02I just saw her
37:03but she looks
37:04like she's wearing
37:05a manicure.
37:06What did you see
37:07there?
37:08Yes.
37:09She's white
37:10and she looks
37:11like she's wearing
37:12a manicure.
37:13She's wearing
37:14a white tie
37:15and she's wearing
37:16a manicure.
37:17I'm tense.
37:18It's like she's wearing
37:19a French tie.
37:20White.
37:21That's right.
37:22That's right.
37:23White.
37:24Because you want
37:25to look white, right?
37:26Me?
37:27Anything.
37:28Anyone.
37:29As long as it's not me.
37:30As long as it's a guy.
37:31There.
37:32Straight.
37:33Okay.
37:34Let's now call in
37:35Ernesto,
37:36also known as Claudio.
37:37Seriously?
37:38Welcome to the show.
37:39Wherever he is.
37:40Where will he come from?
37:46Hello.
37:47Hi.
37:48This is Wilma.
37:49Hi.
37:50I'm Wilma.
37:51I'm Lucia.
37:52No.
37:53She's Wilma.
37:54Okay.
37:55She is the friend.
37:56I'm Lucia.
37:57Have a seat, please.
37:58Your name is
37:59really Claudio.
38:00My name is really Claudio.
38:01Hi, Claudio.
38:02Please have a seat.
38:03And I wonder, Claudio.
38:04Why are you talking to me
38:05like that?
38:06Come here.
38:07She wants to sit
38:08beside you.
38:09No, no, no.
38:10I'm hard to get.
38:11Claudio, I'm wondering
38:12where did our staff
38:13find you?
38:15We were just
38:16meeting on the street,
38:17walking.
38:18You were just
38:19on the street,
38:20walking?
38:21Yes.
38:22And then they
38:23stopped you
38:24and said,
38:25Hey, you.
38:26Hey, you, Claudio.
38:27Would you like to
38:28meet a very good
38:29friend of us?
38:30So, Claudio,
38:31what can you say
38:32about, you know,
38:33your confession?
38:34No, but I'm really,
38:35my name is not
38:36really Ernesto.
38:37My name is Claudio,
38:38but I'm really
38:39from Argentina.
38:40From Argentina.
38:41Argentina.
38:42Argentina.
38:43From Argentina.
38:44Argentina.
38:45Buenos Aires.
38:46Buenos Aires.
38:47Yes.
38:48So, what can you
38:49say about Lucy?
38:50About me.
38:51About me.
38:52Are you single?
38:53Yes, I am single.
38:54You're single.
38:55She's going to
38:56collapse, Claudio.
38:57You have to.
38:58Ah, you look like
38:59you, Gramps.
39:00I'm Julia Roberts.
39:01Do people
39:02tell you that?
39:03You look like you,
39:04Gramps.
39:05Yeah, yeah.
39:06I hear that many,
39:07many times.
39:08Yeah, and
39:09the answer,
39:10how old are you?
39:11Well, how old
39:12do you want me to be?
39:13Ah, Gramps,
39:14don't do that.
39:15Ah, don't
39:16do that.
39:17You like young
39:18people?
39:19No.
39:20Is this your
39:21first time to meet
39:22someone you haven't
39:23seen before,
39:24but you chatted
39:25with already?
39:26Yes.
39:27Actually,
39:28this is the first
39:29time, yes.
39:30I mean,
39:31the blind,
39:32it's brilliant.
39:33So, are you
39:34blind now?
39:35I'm not blind.
39:36No, no,
39:37you're not blind.
39:38I like more
39:39eye-to-eye.
39:40I prefer that,
39:41as I tell you
39:42before.
39:43Okay, what can
39:44you say about
39:45Dilma?
39:46Well, I'm shocked.
39:47You're shocked?
39:48Yeah.
39:49Why?
39:50Why are you shocked?
39:51Shocked in a
39:52positive way or
39:53in a negative way?
39:54No, no,
39:55positive way.
39:56Very funny.
39:57She wants me to
39:58ask you if you
39:59find her attractive.
40:00Yeah, I really
40:01do.
40:02She's very
40:03attractive.
40:04Daniel,
40:05can you sing?
40:06Can you sing?
40:07Can you sing
40:08something in
40:09your native dialect?
40:10We won't know
40:11what it says anyway.
40:12But it will
40:13sound bad anyway.
40:14No, nothing
40:15will sound bad
40:16at this point.
40:17Nothing will.
40:18No, please,
40:19don't ask me that.
40:20I can dance
40:21with you.
40:22More romantic.
40:23Stop that.
40:24What are you doing?
40:25You're the one
40:26who's dancing.
40:27Okay,
40:28while they dance,
40:29I will do my
40:30closing spiels.
40:31Go ahead, guys.
40:32Enjoy the floor.
40:33It's yours.
40:34I would like
40:35to thank
40:36Max Studio
40:37for my dress,
40:38Jerome Chang
40:39for my makeup,
40:40Christian M
40:41for Jerome Chang
40:42for assisting Jerome,
40:43Big Salon,
40:44Dr. Vicky Bello,
40:45and we had fun
40:46with this episode
40:47about eyes.
40:48Keep your eyes
40:49wide open
40:50because you never
40:51know, like Wilma,
40:52you may be in
40:53for a wonderful surprise.
40:54I'm Lucy Torres
40:55Gomez for
40:56The Sweet Life
40:57of Wilma.
41:36Thank you so much.
41:37Thank you so much,
41:38Claudia,
41:39for being such a good sport.
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