Deniece Williams - Live In Los Angeles
- há 2 anos
0:00 - Introduction
0:33 - God Is Amazing
5:00 - Gonna Take A Miracle
8:30 - Silly
18:20 - Let's Hear For The Boy
23:23 - Free
Deniece Williams (born June Deniece Chandler; June 3, 1951)[1][2][3] is an American singer, songwriter and record producer. Williams has been described as "one of the great soul voices" by the BBC.[4] She is best known for the songs "Free", "Silly", "It's Gonna Take a Miracle" and two Billboard Hot 100 No.1 singles "Let's Hear It for the Boy" and "Too Much, Too Little, Too Late" (with Johnny Mathis). Williams has won four Grammys with twelve nominations altogether.
Deniece Williams has a four-octave range and distinctive soprano voice.[68] Her vocal range was also pointed out by The New York Times, "Miss Williams mounted a spectacular vocal display in which her penetrating, feline soprano soared effortlessly to E flat above high C, and she worked various vowel sounds into prolonged feats of vocal gymnastics."[69] In pointing to Williams's similar vocal ability as her former musical icon and colleague (Minnie Riperton), Mark Anthony Neal, in referencing Jill Scott's agility in displaying vocal acrobatics, states, "Scott draws on her upper register recalling the artistry of the late Minnie Riperton and "songbird" Deniece Williams."[70] According to Monica Haynes of Post-Gazette.com, Williams "has the kind of range that would make Mariah Carey quiver".
0:33 - God Is Amazing
5:00 - Gonna Take A Miracle
8:30 - Silly
18:20 - Let's Hear For The Boy
23:23 - Free
Deniece Williams (born June Deniece Chandler; June 3, 1951)[1][2][3] is an American singer, songwriter and record producer. Williams has been described as "one of the great soul voices" by the BBC.[4] She is best known for the songs "Free", "Silly", "It's Gonna Take a Miracle" and two Billboard Hot 100 No.1 singles "Let's Hear It for the Boy" and "Too Much, Too Little, Too Late" (with Johnny Mathis). Williams has won four Grammys with twelve nominations altogether.
Deniece Williams has a four-octave range and distinctive soprano voice.[68] Her vocal range was also pointed out by The New York Times, "Miss Williams mounted a spectacular vocal display in which her penetrating, feline soprano soared effortlessly to E flat above high C, and she worked various vowel sounds into prolonged feats of vocal gymnastics."[69] In pointing to Williams's similar vocal ability as her former musical icon and colleague (Minnie Riperton), Mark Anthony Neal, in referencing Jill Scott's agility in displaying vocal acrobatics, states, "Scott draws on her upper register recalling the artistry of the late Minnie Riperton and "songbird" Deniece Williams."[70] According to Monica Haynes of Post-Gazette.com, Williams "has the kind of range that would make Mariah Carey quiver".