- 11 years ago
Horror (1971) 87 minutes ~ Color
Satan saves Ashley from death on condition he become his disciple (and, as it turns out, a hairy murderous beast).
Director: Eddie Romero
Writers: Eddie Romero
Stars: John Ashley, Mary Charlotte Wilcox, Leopoldo Salcedo
Satan saves Ashley from death on condition he become his disciple (and, as it turns out, a hairy murderous beast).
Director: Eddie Romero
Writers: Eddie Romero
Stars: John Ashley, Mary Charlotte Wilcox, Leopoldo Salcedo
Category
🎥
Short filmTranscript
00:00:00You
00:00:30You
00:01:00You
00:01:30You
00:01:47This is the mayor mr. Griffin and mr. Morelli of the American Embassy
00:01:52The bodies are being brought down
00:01:54all dead
00:01:56The man and the two children must have been killed instantly. The woman was still alive when they found her
00:02:23Oh, but it's good
00:02:27There's no fruit around here no food crops and nobody to help you the mountain people have all been warned about
00:02:35You
00:03:05You don't
00:03:35You
00:04:05You
00:04:35Oh
00:05:05Oh
00:05:13Run Langdon run if you can
00:05:19Don't shoot I'm not armed what difference Langdon
00:05:25I'm sick. I'm dying
00:05:30Langdon bleeding for pity
00:05:33Langdon the traitor
00:05:37Langdon the murderer rapist thief Langdon the evil man
00:05:46They recognized evil man
00:05:53Please
00:05:55I'm too weak to try to run. I'll do anything you ask. Don't kill me
00:06:03What have you got to offer
00:06:20Kill me like wild animals
00:06:27I'm a human being
00:06:30Just like you are
00:06:33Would you serve me Langdon without question
00:06:38Loyally for the rest of your life. No, I
00:06:43swear
00:06:44No need for that. I
00:06:47Always take a man at his word
00:07:03You
00:07:09Really are sick, you know
00:07:12That fruit you just ate is extremely toxic as a matter of fact you should be dead and it's a wonder you're not
00:07:24Starving is such a wretched business
00:07:29Wretched painful
00:07:33Dirty
00:07:35Dirty
00:07:41When was the last time you had some fresh meat to eat
00:07:49Your friend isn't coming
00:07:52She died of bullet wounds a while ago
00:07:56Leaving a trail of canned beans and dried fish behind him
00:08:01But then she wasn't really a friend was she in a way though she did come through for you
00:08:10In a way
00:08:19Come now, it's good meat probably better than anything you ever tasted eat my boy
00:08:30Eat
00:09:00You
00:09:30You
00:10:00You
00:10:30Oh
00:10:48Lord our God your days are without end
00:10:52Your mercy is too many to count
00:10:55Cause us never to forget that our life is short and uncertain
00:10:59Let your Holy Spirit lead us through this world in holiness and justice all the days of our lives
00:11:06And after we have served you on earth in the comfort of our faith and in perfect charity to all men
00:11:11May we joyfully come to your kingdom
00:11:14For Jesus Christ our Lord
00:11:28You
00:11:58You
00:12:28You
00:12:35Are you quite comfortable Landon?
00:12:40Leave me alone. I
00:12:44Know just how you feel my boy
00:12:47believe me
00:12:49Even I don't enjoy everything I have to do
00:12:53But we have our rules the same as everyone else. Can I have a moment's peace?
00:12:59hardly
00:13:02It's one thing to be melancholy dear boy, but quite another to be in name I
00:13:12Think you'll find this new situation quite interesting. In fact, I think I will too
00:13:28Mr.
00:13:30Earl is here mrs.
00:13:32Yeah, I'm ready
00:13:35Dr. Porfirio Santos wanted in surgery be immediately. Dr. Porfirio Santos, please
00:13:44Telephone call for dr. Goris at main lobby desk. Dr. Goris telephone call
00:13:50Believe me mrs. Rogers. I'm a surprised and shocked as you are
00:13:55There was not the slightest basis for suspecting that there was anything wrong
00:14:00That is why I would like your permission to have an autopsy performed on the on your husband. I
00:14:08Would like to see my husband, of course, we haven't moved him from his room. I want to see his face
00:14:14I
00:14:16What happened to his face
00:14:20Mangled beyond recognition in an industrial accident
00:14:24He's had a number of operations
00:14:27I've been helping here and there
00:14:31Now that
00:14:37I
00:14:40Know that
00:14:42I
00:15:08Just what the hell are you trying to pull doctor?
00:15:12Oscar for failure to come here immediately
00:15:18Phil
00:15:21Get these bandages off his face
00:15:26You do it right now
00:15:41You
00:16:11You
00:16:26You know
00:16:37Don't touch
00:16:41You
00:16:49Get help quick
00:16:56Doctor doctor
00:17:11You
00:17:37Get up
00:17:41Get up
00:18:12I
00:18:13Think I'm rediscovering the nicest part of the house
00:18:18You never used to think that you used to make a joke of all the trouble I went to having it done
00:18:26Come sit by me
00:18:29You
00:18:39It's not too cold for you now
00:18:50You've had a pretty rough time of it haven't you I never expected you to say anything like that
00:18:59I've been away a long time. You should expect to be surprised. I do I
00:19:05Don't know you anymore. Are you sorry?
00:19:09No
00:19:14I've never been afraid of you before
00:19:19You are getting chilly
00:19:28You
00:19:58You
00:20:28You
00:20:58You
00:21:20You might have given me some idea of what you were gonna do you were always a little squeamish early would have showed
00:21:28I see. It's a one-man operation now
00:21:32Is that new to you?
00:21:34We're not like this Phil
00:21:36These people were your partners. Sure. You've always had control, but they trusted you
00:21:41they put their trust in figures and ironclad notes and
00:21:45They came out of it a lot richer
00:21:47And a lot greedier, too
00:21:51Phil I don't I don't know that I want to go along with this
00:21:54What do you really want then peace of mind a clear conscience
00:22:00Why not?
00:22:02Have you got a clear conscience, Earl?
00:22:06What do you think I ought to do about Julia I
00:22:09Don't know what you mean
00:22:12There aren't many women who could have stood by you all this time. You're right
00:22:16You see, that's the point things aren't gonna get any better
00:22:20And there's nothing that she or I can do about it
00:22:23So, what are you gonna do just throw her out like your board of directors
00:22:27Would you like that
00:22:31All right, Phil
00:22:33Come out with it. If you're implying that there's ever been anything between Julia and me Earl
00:22:38I'm just trying to make things easy for you easy
00:22:43Easy
00:22:47Julia knows what a disaster our marriage has been but she's not the kind to let go
00:22:52or walk away
00:22:54principles
00:22:55She's not going to just wake up one morning and realize that it's you. She's wanted all along
00:23:00If I threw her out neither one of us would ever see her again
00:23:04Why should you care? I?
00:23:06Don't want to hurt her any more than I have to
00:23:09If she can make a good life for herself with you
00:23:12Why shouldn't she have a chance for it?
00:23:14So
00:23:22Why don't you and I kind of help her along
00:23:45Why
00:23:48Here's Tom Milton remember him
00:23:51You inhabited him in 54
00:23:5455 I think
00:23:55You know, I can't for the life of me. Remember what I did with him
00:24:00I'll have to look it up
00:24:05Actually Langdon since I happen to be in the neighborhood
00:24:08I thought I'd look you up and have a little therapy session with you
00:24:11You know bringing you back with your own phase was an irresistible temptation
00:24:17But it may turn out to be an awful mistake
00:24:20What have I done?
00:24:22Nothing yet
00:24:25But having a face of your own is encouraging you to think about personal identity and
00:24:31You know, we can't have that I
00:24:34Take no pleasure in it. Naturally not
00:24:38But your mind wanders
00:24:42Why do you think I keep bringing you back Landon apart from the pleasure you get out of it
00:24:48To awaken the latent evil and the people that I come in contact with good. I
00:24:54Knew you'd be sharp enough to grasp that
00:24:57It isn't as easy as it might seem to find qualified agents human nature is so ambiguous
00:25:05That the propagation of evil is left entirely to chance
00:25:11There's been a great deal said about the scarcity of truly good men why truly evil men are just as hard to find
00:25:21Do you realize Langdon that if you really put your mind to it you could be a saint
00:25:28for our side, of course
00:25:30Nothing seems worth doing
00:25:36You want to die is that it yes
00:25:41What fantasies people pick up? This is all there is, you know
00:25:48You have to stop thinking of yourself as a man
00:25:52groping towards some sort of fulfillment
00:25:55Within a measured span of time because surely you can see that you stop being mortal some 20 odd years ago
00:26:04What am I?
00:26:06Well, you're in transition
00:26:08You're still part man becoming hopefully a
00:26:13quality a
00:26:14pure
00:26:16moral force so to speak I
00:26:18am a man
00:26:20Damned maybe but still a man who knows shame and sorrow and revulsion and regret
00:26:26You have no idea how distasteful I find this. I wish there was some subtler and equally effective way of making a point with you. Do try to remember, Langdon. I find you quite useful, but I don't want you to be anybody. Not anybody. I want you to be a man.
00:26:56I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I don't want you to be a man. I
00:27:27Can I get you a drink?
00:27:38Earl stopped in this afternoon.
00:27:41I figured he would.
00:27:44He told me.
00:27:48He said you had to talk about me.
00:27:52Yes.
00:27:54What did you tell him?
00:27:59I think you know what I told him, Julia.
00:28:03Just what do you take me for?
00:28:07What was his attitude?
00:28:10I don't know what you mean.
00:28:15Did he seem interested in the idea?
00:28:23No.
00:28:33What was the point of telling him all those lies?
00:28:36What are you trying to do to me?
00:28:40About four months ago, you let an airline pilot pick you up at Savoy Bar.
00:28:46Now that bothered you a lot, didn't it?
00:28:48You hadn't spoken to me in months.
00:28:51You didn't care whether you lived or died.
00:28:54You didn't care what happened to me.
00:28:57How was I supposed to feel?
00:28:59Just the way you did feel, Julia.
00:29:01The trouble is you've never been able to forgive yourself for it.
00:29:07How long have you known?
00:29:09What difference does it make?
00:29:12Philip, suddenly I don't understand you at all.
00:29:15Earl is as close to being what he seems to be as anyone you've ever known.
00:29:19With him, you'd never have to wonder where you stood.
00:29:22And that's what you've always wanted, isn't it?
00:29:24And it's not supposed to matter whether I love him or not.
00:29:27What do you want, Julia?
00:29:29Love you've had.
00:29:31Why don't you settle for something you can live with?
00:29:34Who are you?
00:29:37I'm the one you love.
00:29:39I'm the one you love.
00:29:41I'm the one you love.
00:29:42Who are you?
00:29:45As far as you're concerned, I am and can only be
00:29:49whoever or whatever you think I am.
00:29:56Philip?
00:30:07I need you.
00:30:10I don't want to lose you.
00:30:12Whoever, whatever you are.
00:30:42I love you.
00:31:12I love you.
00:31:43What's the matter?
00:31:45Are you ill?
00:32:13What's the matter?
00:32:16Oh, dear.
00:32:18What's the matter?
00:32:21Come on, let's go.
00:32:42Come on, let's go.
00:33:12Come on, let's go.
00:33:42Let's go.
00:34:13Let's go.
00:34:40Philip?
00:34:41Philip?
00:34:46Philip?
00:34:48Let me in, please.
00:34:51I'm very tired, Julia.
00:34:53I'll talk to you later, all right?
00:34:56Is there anything wrong?
00:34:58No.
00:35:00There must have been some kind of weapon used.
00:35:03Nobody would have done that with his bare hands.
00:35:07I don't know, Lieutenant.
00:35:10Even a weapon has to be handled.
00:35:12What kind of a weapon would you need
00:35:14to rip out a man's heart with a single blow?
00:35:18You're not sure it was a single blow?
00:35:20I wouldn't swear to it, no.
00:35:21Not on something as mutilated as that.
00:35:25I don't know.
00:35:27I don't know.
00:35:29I don't know.
00:35:31I don't know.
00:35:33I don't know.
00:35:35I don't know.
00:35:37I don't know.
00:35:39I don't know.
00:35:41But I would guess he was hit no more than three times.
00:35:45Once on the head and twice across the body.
00:35:48With the force of a jackhammer.
00:35:50And that's not all.
00:35:53We picked up bits of tissue from his heart, lungs, digestive tract
00:35:57that looked as if they came out of a meat grinder.
00:36:02No.
00:36:03Well, how else can you explain the way he's been acting?
00:36:07All right.
00:36:09He's having a hard time fitting into things.
00:36:12Do you really think sending him away again will help him?
00:36:16I'm only suggesting that he needs psychiatric help.
00:36:19That amounts to the same thing.
00:36:22Don't you see?
00:36:24He needs us.
00:36:25He needs me.
00:36:27Not some stranger poking around in his mind
00:36:29the way they did with his body.
00:36:35He's all alone.
00:36:37And he doesn't want to beg for anything.
00:36:42That's why I said all those things to you yesterday.
00:36:46I wish that were true.
00:36:48It is true.
00:36:50Maybe he is lonely in a way.
00:36:52But I can't reach him.
00:36:54And I don't think you can.
00:36:56He's grown hard.
00:36:57Mean even.
00:36:59He can hurt you, Julia.
00:37:00And we can't risk that, can we?
00:37:03He's my brother.
00:37:06That's hard to believe, too.
00:37:08Julia, I'd make very sure of my own feelings if I were you.
00:37:13What?
00:37:14Why has he become so important to you?
00:37:17Only a week ago, you weren't sure you wanted to stay.
00:37:21What's he done to you?
00:37:23Or is it something that you've done to yourself?
00:37:27So now we're both dangerous.
00:37:30Nobody's harmless.
00:37:31Even to himself.
00:37:33Are you sure you're helping him this way?
00:37:37No.
00:37:40Are you sure you're helping me?
00:37:51Did I wake you?
00:37:55I guess you did. I didn't hear you come in.
00:37:58Beware the Coloradans bearing gifts.
00:38:04What's the occasion?
00:38:06An attack of guilt, probably.
00:38:09I spent the entire day indulging myself.
00:38:12Drove around, shopped, ate a fantastically expensive lunch.
00:38:17Went to a movie.
00:38:20Open it.
00:38:29The cook says you haven't had anything to eat all day.
00:38:31You must be starved.
00:38:33Not really.
00:38:37Dinner should be about ready. I'll go see.
00:38:40Julia.
00:39:06Love you.
00:39:29Love me.
00:39:36Love me.
00:40:06Love me.
00:40:25Philip, what are you doing? I don't...
00:40:27Philip, please.
00:40:29Philip.
00:40:31Philip.
00:40:33Philip, let me in.
00:40:35Go away, Julia. Go away for your own good.
00:40:39Philip, please let me in.
00:40:44Philip.
00:40:50Philip, please let me in.
00:41:02Philip.
00:41:33Philip.
00:41:35Philip.
00:41:38Philip.
00:42:02Philip.
00:42:15Mama, wait a minute.
00:42:22Let's go this way.
00:42:26There's someone there.
00:42:32There's someone there.
00:42:46Look at the woman.
00:42:53Let's go this way.
00:42:56There's someone there.
00:42:57There's someone running.
00:42:58Let's go.
00:43:02Let's go.
00:43:14Philip.
00:43:16Philip.
00:43:17Philip.
00:43:18Philip.
00:43:19Philip.
00:43:20Philip.
00:43:21Philip.
00:43:22Philip.
00:43:23Philip.
00:43:24Philip.
00:43:25Philip.
00:43:26Philip.
00:43:27Philip.
00:43:28Philip.
00:43:29Philip.
00:43:30Philip.
00:43:31Philip.
00:43:32Philip.
00:43:33Philip.
00:43:34Philip.
00:43:35Philip.
00:43:36Philip.
00:43:37Philip.
00:43:38Philip.
00:43:39Philip.
00:43:40Philip.
00:43:41Philip.
00:43:42Philip.
00:43:43Philip.
00:43:44Philip.
00:43:45Philip.
00:43:46Philip.
00:43:47Philip.
00:43:48Philip.
00:43:49Philip.
00:43:50Philip.
00:43:51Philip.
00:43:52Philip.
00:43:53Philip.
00:43:54Philip.
00:43:55Philip.
00:43:56Philip.
00:43:57Philip.
00:43:58Philip.
00:43:59Philip.
00:44:00Philip.
00:44:01Philip.
00:44:02Philip.
00:44:03Philip.
00:44:04Philip.
00:44:05Philip.
00:44:06Philip.
00:44:07Philip.
00:44:08Philip.
00:44:09Philip.
00:44:10Philip.
00:44:11Philip.
00:44:12Philip.
00:44:13Philip.
00:44:14Philip.
00:44:15Philip.
00:44:16Philip.
00:44:17Philip.
00:44:18Philip.
00:44:19Philip.
00:44:20Philip.
00:44:21Philip.
00:44:22Philip.
00:44:23Philip.
00:44:24Philip.
00:44:25Philip.
00:44:26Philip.
00:44:27Philip.
00:44:28Philip.
00:44:29Philip.
00:44:30Philip.
00:44:31Philip.
00:44:32Philip.
00:44:33Philip.
00:44:34Philip.
00:44:35Philip.
00:44:36Philip.
00:44:37Philip.
00:44:38Philip.
00:44:39Philip.
00:44:40Philip.
00:44:41Philip.
00:44:42Philip.
00:44:43Philip.
00:44:44Philip.
00:44:45Philip.
00:44:46Philip.
00:44:47Philip.
00:44:48Philip.
00:44:49Philip.
00:44:50Philip.
00:44:51Philip.
00:44:52Philip.
00:44:53Philip.
00:44:54Philip.
00:44:55Philip.
00:44:56Philip.
00:44:57Philip.
00:44:58Was happy to see you.
00:45:06And if you come to steal, you're wasting your time.
00:45:17I know you're there.
00:45:23Are they looking for you?
00:45:46It's not a bad place to hide.
00:45:49Unless they saw you coming.
00:46:24Phil?
00:46:37What does it mean, Errol?
00:46:39Where is he?
00:46:40They'll have to keep you.
00:46:55Operator, I'd like to call police headquarters, please.
00:46:59I'm assuming that they're still somewhere in this area.
00:47:02I've stripped eight precincts of every man they can spare.
00:47:05We've sealed off all possible exits from the district.
00:47:07They're on alert, but they won't come in until we ask for them.
00:47:11I'm not going to have a panic if we can help it.
00:47:14As you all know, no specific description of the fugitive has been issued.
00:47:19Except for that he's male, of medium build, with heavily scarred and mutilated face.
00:47:24Frankly, that's all I'm prepared to believe at this point.
00:47:32I thought you might want to look at these, sir.
00:47:35Pictures of a window in the house of Philip Rogers, a well-known American businessman.
00:47:41The man had an argument with his wife and locked himself in.
00:47:46Apparently, this is how he got out sometime during the night.
00:47:51Notice that there are no tool marks or abrasions of any kind on the iron bars.
00:47:56Which means that Rogers, or whoever bent those bars, did it with his bare hands.
00:48:03♪♪
00:48:13♪♪
00:48:23♪♪
00:48:33♪♪
00:48:43♪♪
00:48:53♪♪
00:49:03I'm making some soup.
00:49:07I can't offer you anything else.
00:49:13I don't know.
00:49:15I thought not.
00:49:18Why did you help me?
00:49:20The odor of blood was very strong on you when you came in last night.
00:49:25I can still smell it.
00:49:27I know it well.
00:49:29I can smell it.
00:49:31I can smell it.
00:49:33I can smell it.
00:49:36I can smell it.
00:49:39I can smell it.
00:49:42I know it well.
00:49:44And that's why you helped me?
00:49:45I did not help.
00:49:48I just left you alone.
00:49:51I would do as much for a stray dog.
00:49:55You don't belong here.
00:49:57No.
00:49:58My nephew Mateo is the caretaker here.
00:50:01I'm just visiting him.
00:50:03Speaking of belonging, the police are liable to be here soon.
00:50:07And they may wonder what someone like you, a foreigner,
00:50:10is doing in a place like this.
00:50:12Yes, I guess they would.
00:50:18I see.
00:50:21What?
00:50:22That it makes little difference to you whether you are lost or saved.
00:50:27All you want is to make an end.
00:50:30No one is ever saved.
00:50:34You are an optimist.
00:50:36If things were as simple as that,
00:50:39there would be no need for life to run so long.
00:50:50Who are you?
00:50:52Who I am now is of no great interest to anyone.
00:50:56My name is Savas Asnar.
00:51:00The bandit?
00:51:02You have a long memory.
00:51:04Yes.
00:51:05Savas Asnar, the bandit.
00:51:08They didn't hang you then?
00:51:10No.
00:51:12They kept me in prison for 30 years,
00:51:15hoping that I would die quietly.
00:51:18But after a while, it was no longer important.
00:51:22Only I remembered.
00:51:24And I remember as though it all happened yesterday.
00:51:31What about the others?
00:51:33The ones who followed you?
00:51:35Many of them are dead.
00:51:37The others believe I died long ago.
00:51:40It is better that they do.
00:51:42I do not have much time left.
00:51:45Time for what?
00:51:48To do what remains to be done.
00:51:53You two-faced old bastard.
00:51:57You haven't given up, have you?
00:51:59You're still rooting around for that blood-soaked soul of yours.
00:52:06You old fool, it's gone.
00:52:10And you'll never find it again if you live to be a thousand.
00:52:14You're quite wrong.
00:52:16That is the one thing we never lose.
00:52:19Not even if we long to be rid of it.
00:52:22And he who gave it to you remains forever part of it.
00:52:27That is why you are in such agony.
00:52:36I love you.
00:52:55Philip Rogers, a well-known businessman of this city in connection with the killing.
00:52:59Rogers is 35 years old, 5 feet 9 inches tall, a medium build.
00:53:07I have nothing more to say.
00:53:10I'm interested in locating my husband, not in having him hunted down like a criminal.
00:53:15No one has even implied that he is one, Mrs. Rogers.
00:53:19But surely you can understand that we are obliged to take certain measures in the interest of public safety.
00:53:24We do want to find your husband, Mrs. Rogers.
00:53:27And perhaps it's in his best interest that we do.
00:53:30I'm not a complete fool, Inspector.
00:53:34Philip, where...
00:53:36Langdon.
00:53:39Joseph Langdon.
00:53:41I'm in no position to say.
00:53:44I never saw Langdon when we shipped the old files back to the States years ago.
00:53:48Surely it must be possible to send his file back here with photographs.
00:53:52But what photographs?
00:53:54I don't know.
00:53:56I don't know.
00:53:59Surely it must be possible to send his file back here with photographs.
00:54:03But what for, Inspector?
00:54:05Joseph Langdon is dead.
00:54:07Not only is that a matter of record, you were one of those who witnessed his death.
00:54:11I thought I did.
00:54:13I saw him hit.
00:54:14I saw him fall down the ravine 100 feet high.
00:54:1724 years ago.
00:54:19The man you're holding is 35.
00:54:21He wasn't even in his teens at the time.
00:54:24Just what are you trying to prove?
00:54:27I don't know.
00:54:30The man you have is Philip Rogers.
00:54:33He has personal records that go back to the day he was born.
00:54:37There's a perfectly valid explanation for his change in appearance.
00:54:41His wife, his brother, his friends all know who he is.
00:54:44On the other hand, even if Langdon were alive today, he'd be well over 50.
00:54:48And he wouldn't look at all like that.
00:54:50It just doesn't add up.
00:54:58Sorry to have wasted your time, Colonel.
00:55:01Not at all.
00:55:16You didn't say much in there.
00:55:19I'm not going to suggest that you should take a long rest if that's what you're driving at.
00:55:24Maybe I should.
00:55:27I never put much faith in hunches before.
00:55:31And I can't question the facts.
00:55:35Why am I so sure that that man is Joseph Langdon?
00:55:55This is all so pointless, Langdon.
00:55:59Let me die then.
00:56:01I can't.
00:56:03And won't.
00:56:05Look at it this way.
00:56:07I have commitments that go back to the beginning of time.
00:56:11To hell with that.
00:56:13My life is all I'll ever know of time.
00:56:17I'm going to die.
00:56:20My life is all I'll ever know of time.
00:56:25Do what you like with me.
00:56:28I'm not afraid of you anymore.
00:56:30What incredible arrogance.
00:56:33Just who do you think you are?
00:56:36What makes you think you can ever get away from the man who placed his soul at my feet
00:56:42in trade for a bag full of rotting meat?
00:56:46You gave me the idea.
00:56:48You said I was still becoming
00:56:51and had a choice.
00:56:53It was a mistake.
00:56:55But not a disastrous one.
00:56:58I've been making things easy for you.
00:57:02I've given you something to resist, haven't I?
00:57:06A convenient scapegoat for these recent
00:57:09transports of self-indulgence.
00:57:13Well, no more, Langdon.
00:57:16The next time you have a transformation, it'll be entirely your doing.
00:57:21Do bear that in mind.
00:57:23You will not have another one unless you bring it on yourself.
00:57:47It won't be any better tomorrow.
00:57:50You really want to go through with it?
00:57:52Yes.
00:57:54Let her with me. Go ahead. You can meet us later.
00:57:57No. I'm staying here.
00:58:00Give me a few moments.
00:58:03Quiet, Langdon.
00:58:06Quiet, Langdon.
00:58:09Quiet, Langdon.
00:58:13Quiet, Langdon.
00:58:16I have something to tell you.
00:58:26Quiet, Langdon.
00:58:29Quiet, Langdon.
00:58:31Now, listen up.
00:58:34We allow this man to go home
00:58:37because we have nothing against him.
00:58:40I have a message for you.
00:58:43If you hurt him,
00:58:46the trouble will only get worse.
00:58:49And I will not tolerate that.
00:58:56Give him the way.
00:59:10Get a doctor.
00:59:35Get a doctor, quick.
00:59:37I'm not hurt. I'm okay.
01:00:07Rogers, I'll call you.
01:00:37Where are we going?
01:00:40We're not going back to the house.
01:00:43Why not?
01:00:46Oh, Philip, it wouldn't be safe.
01:00:49You saw those people back there. They've already convicted you.
01:00:52Hiding isn't going to do me any good, Julia.
01:00:55Well, anything's better than just sitting in that house waiting.
01:00:58Earl found a place in a quiet part of town.
01:01:01We can stay there for a while.
01:01:04We're leaving the country, Philip.
01:01:07Was this your idea, Earl?
01:01:10No.
01:01:13I'll go along with whatever you want.
01:01:16It was my idea. Earl made the arrangement.
01:01:19Tomorrow night we're driving out to Corban across the bay.
01:01:22There'll be a fishing boat waiting for us.
01:01:25I won't let them take you, Philip.
01:01:28I've waited too long for you.
01:01:35What do you make of it?
01:01:38Oh, probably the smart thing to do would be to forget it altogether.
01:01:41By the way, we decided not to book the man who owns that.
01:01:44He won't leave.
01:01:53Who was Joseph Langdon?
01:01:56A U.S. Army officer.
01:01:59He was a good man.
01:02:03A U.S. Army deserter,
01:02:06convicted of collaborating with the Japanese
01:02:09while a prisoner of war in World War II.
01:02:12Also of torturing and informing on his comrades-in-arms.
01:02:15He escaped from the American stockade here
01:02:18and joined some native wartime contacts in the mountains.
01:02:21But he was too much even for them.
01:02:24Murder, pillage, rape,
01:02:27very often for no comprehensible reason.
01:02:31Finally, he was alone.
01:02:34We tracked him down and killed him.
01:02:37Or so we thought.
01:02:40His body wasn't recovered?
01:02:43No. He was hit at least a half dozen times
01:02:46and fell off a high cliff into a river.
01:02:49We had divers looking for his body for almost a week,
01:02:52but they found nothing.
01:02:55I wonder what he was like.
01:02:58Educated, softly spoken.
01:03:01It was very hard to dislike him if you knew nothing about him.
01:03:04But there was a hard, cold hatred inside him
01:03:07which no one could account for
01:03:10or bother to.
01:03:17After our meeting with the military attaché the other day,
01:03:21I went to see a friend at Army Intelligence.
01:03:25He dug this up for me.
01:03:33Inspector DeSantis here?
01:03:36Yes, Mr. Rogers.
01:03:39We've been waiting to hear from you.
01:03:55Are they still in the house?
01:03:58I left them less than an hour ago.
01:04:01Inspector, I hope you understand my position.
01:04:04Your brother and Mrs. Rogers will not know of our presence here
01:04:07unless some imminent danger to either or both of them arises.
01:04:10I'm rather concerned about Mrs. Rogers.
01:04:13So are we.
01:04:17You should be asleep.
01:04:23You won't be much help if you don't get some rest.
01:04:26Will you stay with me, Philip?
01:04:29Will you promise not to leave me?
01:04:32You should know that I love you.
01:04:35I love you.
01:04:38I love you.
01:04:41I love you.
01:04:44I love you.
01:04:47I love you.
01:04:50I love you.
01:04:53Will you promise not to leave me?
01:04:56You shouldn't have waited for me.
01:04:59There was nothing left to wait for.
01:05:07I did think that.
01:05:10Then you came back and changed everything.
01:05:13There's no such thing as a dead end.
01:05:16You can always get out.
01:05:19The way you came.
01:05:22You didn't.
01:05:25You came back to me.
01:05:28And you kept coming back.
01:05:30To use you.
01:05:33That's just another way of saying that you need me.
01:05:41That's all I want, Philip.
01:05:44That you need me as much as I need you.
01:06:14I love you.
01:06:45I love you.
01:06:58I love you, Philip.
01:07:15Philip?
01:07:18Philip!
01:07:22No!
01:07:41No!
01:07:51No!
01:07:54No!
01:08:14Hold your fire!
01:08:22Take two men outside and follow him.
01:08:25Keep your distance. Don't try to take him.
01:08:28But find out where he goes and report to me.
01:08:31Yes, sir.
01:08:40Julia?
01:08:52You did not tell me that you had a visitor around here some nights ago.
01:08:58It was nobody of any importance.
01:09:01It was the American killer.
01:09:04The police let him go today for lack of evidence.
01:09:07But you know he was here that night, don't you?
01:09:10It was of no importance.
01:09:13No?
01:09:16Ruben and his cousin saw him leaving with dried blood all over his clothes.
01:09:21He's a rich man.
01:09:25How much did he give you to keep quiet?
01:09:29He gave me nothing.
01:09:32He was tired and needed a place to sleep.
01:09:38You old liar.
01:09:41I took you in when no one would have you.
01:09:44I let you stay.
01:09:47Gave you whatever food and money I could spare.
01:09:52Me, with a sick wife and four children to worry about.
01:09:57He gave me nothing.
01:10:01He gave me nothing.
01:10:05He gave me nothing.
01:10:09It wouldn't help you to be stubborn, old man.
01:10:16Who is it?
01:10:25Who's out there? Speak up!
01:10:29He won't hurt you.
01:10:32Get away from me!
01:10:35He won't hurt you.
01:10:38Get away from there!
01:10:41He needs me.
01:10:45Please, Mateo, let him in!
01:10:53No! Leave him alone!
01:11:00He means no harm.
01:11:05He's just afraid, like you.
01:11:10He won't give you away. I promise you.
01:11:14I promise you.
01:11:21Mrs. Rogers, it's imperative that we know as much about your husband as you can tell us.
01:11:26It's imperative that we know what happened last night.
01:11:30Did he say anything that might help us locate him?
01:11:34I'm sorry, Inspector. I can't permit you to continue.
01:11:38You'll let us know as soon as her condition improves?
01:11:41Yes, but I cannot tell you when that will be.
01:11:53I'll come by and see her again before I leave.
01:11:56I'd get some rest if I were you, Mr. Rogers.
01:11:59I'm okay.
01:12:17Julia?
01:12:26Julia?
01:12:48Is he dead?
01:12:51No. He's breathing easily, but he's badly hurt.
01:12:57You'd better get a doctor.
01:13:00Yes, I was just waiting for you to change.
01:13:06You know.
01:13:10What will you do?
01:13:13I don't know.
01:13:16I'm tired of running, but it's all I can do.
01:13:19They can't kill me.
01:13:23What is your name?
01:13:26Joseph Langdon.
01:13:34My name is Joseph Langdon.
01:13:37You have a name and a face.
01:13:40I have a name and a face.
01:13:43You have a name and a face.
01:13:46I have a name and a face.
01:13:50You have a name and a face.
01:13:53You speak. You think.
01:13:56And there is an awful pain inside you.
01:13:59Whatever else you might be, you are still a man.
01:14:07There is a clinic nearby.
01:14:10I'll bring a doctor here.
01:14:13Stay out of sight when I come back with him.
01:14:17I'll help you find a place to hide for a while.
01:14:20Until you know what to do.
01:14:23It's no good.
01:14:26Somebody tried to help me once.
01:14:29I destroyed her.
01:14:32You can't hurt me.
01:14:35I want nothing from you.
01:14:46Don't worry. They won't see us.
01:14:49We are too big to notice.
01:14:52I have a good feeling.
01:14:55I think I'll have a better day today...
01:14:58than I have had in a long time.
01:15:01Let's go.
01:15:16I'm not alone.
01:15:31Let's go.
01:15:42Describe this place to me.
01:15:45There is a hill to the right of us.
01:15:48Tall grass to the left.
01:15:51The road turns left on the side of the hill.
01:15:57Walk into the grass now.
01:16:00You will never find your way out of here.
01:16:03I will be your eyes.
01:16:06Do as I tell you. Now!
01:16:09Hold!
01:16:13Hold!
01:16:27Hold!
01:16:33Hold!
01:16:37Hold!
01:16:43Randon!
01:16:46There's no way out of there!
01:16:49Come on and give yourselves up!
01:16:59Come on and be burned out!
01:17:06No, only a few meters away, in the galley, they can't reach us.
01:17:12Langdon, this is your last chance.
01:17:24They're not going to give themselves up. If we wait any longer, we'll lose them.
01:17:28Fire!
01:17:58No, we're going back.
01:18:27No, we're going back.
01:18:46Don't shoot, we're coming out.
01:18:56Don't shoot!
01:19:06No!
01:19:35Don't shoot!
01:20:05Please, take me to him.
01:20:30To him.
01:20:42No!
01:20:51Langdon. Langdon.
01:21:06Pray for me, Langdon.
01:21:20Pray for me.
01:21:50Don't shoot!
01:22:17Don't shoot!
01:22:47Don't shoot!
01:23:07Cowardly, sniveling fools.
01:23:10I accept forgiveness of no one. No one.
01:23:15I alone am answerable for what I am. I will not serve.
01:23:21But I also am, and will not be overcome.
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