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George Carlin's stand up performed by a 6 year old. Welcome to Classic Comedy by Kids.

Whose classic stand up do you want to see done by a kid? Let us know in the comments!

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Check out other Ambitious Channels:
http://www.youtube.com/1Man1Movie1Minute
http://www.youtube.com/theYCTchannel
http://www.youtube.com/FunWithBricksChannel
http://www.youtube.com/BigDumbJerks

Created, Produced, and Directed by Ambitious Media:
Tim Dorsch
Eytan Millstone
Jay Wells L'Ecuyer

Edited by Eytan Millstone
Animation by Rob Marmo

Starring Shane

These visuals all started out from a single illustration (now the animation Tasty Visuals #001, the first loop of the sequence). Whilst creating the illustration I thought about how each bit might animate and so set about turning it into a short ident type visual. It was soon after that I learnt about the Resolume competiton for Kraak & Smaak a Dutch trio of musicians who create some quality funk/breakbeat/electro tunes. As Kraak & Smaak translates to Crunchy & Tasty I thought it'd be too good an opportunity to miss to get a set of food-themed illustrations turned into VJ loops.

The original 3 loops won the competition and the prize was a commission to make 20 more loops plus a copy of the VJ software Resolume. This video shows all the main clips (including the original 3) the total 20 that were sent consisted of these and some transitions that can overlaid on top of the other clips.

Before animating any of the parts I chose 3 of Kraak & Smaak's tracks and sliced it so that it was a segment of 16 beats. I then altered the tempo of the segment to 125BPM - as this works well with a 50fps frame rate (and is consequently easily scalable for slower or faster sections should I need to re-render to a certain speed). Within these segments there was enough going on musically that I could animate individual objects to sounds, meaning that you can watch them again and again and still find new bits that sync up to something. The beauty of this is that all these elements can be removed as single pieces and reassembled to create new compositions. The limitations of the grid plus no gradients or transparencies also meant that consistency between the pieces was easy and that they could all be played consecutively and gel.