BEST OF 50´s 60´s

Coming to you on a dusty road good loving I got a truck load and when you get it hah you got some so don't worry 'cause I'm coming I'm a soul man I'm a soul man I'm a soul man come on I'm a soul man Got what I got the hard way and I make it better each and every day so honey don't you quit now 'cause you ain't seen nothing yet I'm a soul man alright I'm a soul man help me I'm a soul man hah I'm a soul man oh I was brought up on a side street I lay down love before I creep I was educated with good stuff when'll stop loving oh I can't stop I'm a soul man I'm a soul man I'm a soul man yea I'm a soul man look Grabe a rope and I put you in give you hope and be your only boyfriend yea yea yea yea ah I'm a soul man I'm a soul man I'm your soul man soul man soul man soul man soul man soul man

Sitzt der Mensch beim Weine werden alle seine längst vergessnen, alten Wünsche wahr. Und er hängt dem größten und vielleicht dem besten seiner oft geträumten Träume nach. Kämen doch die Zeiten, die vergingen, wieder, käme doch die Jugend einmal noch zurück. REFRAIN Man müsste noch mal zwanzig sein und so verliebt wie damals, und irgendwo am Wiesenrhain vergessen die Zeit. Und wenn das Herz dann ebenso entscheiden könnt wie damals, ich glaube, dann entschied es sich, noch mal, noch mal für Dich, ich glaube, dann entschied es sich, noch mal, noch mal für Dich. Ja, so mancher Zecher sitzt vor leerem Becher, wie vor seinen eignen Jugendzeit. Und der Wein im Glase rötete die Nase, doch er trübte die Vergangenheit. Könnt er doch noch einmal alles neu beginnen, könnt er doch noch einmal alles besser tun. REFRAIN Du, ja du nur allein, wirst den Traum mir verzeih’n, den ich heut ich geträumt hab, geträumt hab beim Wein. Du, ja du nur allein, wirst den Traum mir verzeih’n, den ich heut ich geträumt hab geträumt hab beim Wein.

The Dixie Cups - chapel of love Going to the chapel And we're gonna get married Going to the chapel And we're gonna get married Gee I really love you And we're gonna get married Going to the chapel of love (Bow bow bow bow bow) (Bow bow bow bow bow) Spring is here (ooo-ooo-ooo) The sky is blue (sky is blue) Birds all sing (oh the birds all sing) Like they do (yeah yeah yeah yeah yeah) Today's the day (wah-hooo-oooo) We'll say "I do" (ooo-oooo) And we'll never be lonely anymore (Bow bow bow bow bow) (Bow bow bow bow bow) Because we're Going to the chapel And we're gonna get married Going to the chapel And we're gonna get married Gee I really love you And we're gonna get married Going to the chapel of love (Bow bow bow bow bow) (Bow bow bow bow bow) Bells will ring (ri-ii-iing) (bells will ring) The sun will shine (hey hey hey yeah) (the sun will shine) I'll be hers (yeah yeah yeah yeah yeah) (I'll be hers) And she'll be mine (oh oh oh oh oh oh oh) (and she'll be mine) We'll love until (we'll love until) (hey hey hey) (we'll love until) The end of time (ooo hooo) (the end of time) And we'll never be lonely anymore (Bow bow bow bow bow) (Bow bow bow bow bow) Because we're Going to the chapel And we're gonna get married Going (goin') to the chapel And we're gonna get married

Strolling along country roads with my baby It starts to rain, it begins to pour Without an umbrella we're soaked to the skin I feel a shiver run up my spine I feel the warmth of her hand in mine Oo, I hear laughter in the rain Walking han din hand with the one I love Oo, how I love the rainy days And the happy way I feel inside After a while we run under a tree I turn to her and she kisses me There with the beat of the rain on the leaves Softly she breathes and I close my eyes Sharing our love under stormy skies Oo, I hear laughter in the rain Walking hand in hand with the one I love Oo, how I love the rainy days And the happy way I feel inside [break] I feel the warmth of her hand in mine Oo, I hear laughter in the rain Walking hand in hand with the one I love Oo, how I love the rainy days And the happy way I feel inside Oo, I hear laughter in the rain Walking hand in hand with the one I love Oo, how I love the rainy days And the happy way I feel inside Oo, I hear laughter in the rain Walking hand in hand with the one I love Oo, how I love the rainy days And the happy way I feel inside

Sometimes I feel I've got to Run away I've got to Get away From the pain that you drive into the heart of me The love we share Seems to go nowhere And I've lost my light For I toss and turn I can't sleep at night Chorus Once I ran to you (I ran) Now I'll run from you This tainted love you've given I give you all a boy could give you Take my tears and that's not nearly all Oh...tainted love Tainted love Now I know I've got to Run away I've got to Get away You don't really want any more from me To make things right You need someone to hold you tight And you think love is to pray But I'm sorry I don't pray that way Repeat chorus Don't touch me please I cannot stand the way you tease I love you though you hurt me so Now I'm going to pack my things and go Tainted love, tainted love (x2) Touch me baby, tainted love (x2) Tainted love (x3)

Musicvideo About A Big Legend James Byron Dean (* 8. Februar 1931 in Marion, Indiana; † 30. September 1955 in der Nähe von Cholame, Kalifornien) war ein US-amerikanischer Theater- und Filmschauspieler. Sein früher Tod und seine Rolle in …denn sie wissen nicht, was sie tun machten ihn zu einem Jugendidol. Für seine Rollen in Jenseits von Eden und Giganten erhielt er postum zwei Oscarnominierungen als Bester Schauspieler. James Byron Dean (February 8, 1931 – September 30, 1955) was a two-time Oscar-nominated American film actor. Dean's status as a cultural icon is best embodied in the title of his most celebrated film, Rebel Without a Cause, in which he starred as troubled stereotypical high school rebel Jim Stark. The other two roles that defined his star power were as the awkward loner Cal Trask in East of Eden, and as the surly farmer Jett Rink in Giant. His enduring fame and popularity rests on only three films, his entire starring output. His death at a young age helped guarantee a legendary status. He was the first actor to receive a posthumous Academy Award nomination for Best Actor and remains the only person to have two posthumous acting nominations (although other people had more than one posthumous nomination in other Oscar categories). James Byron Dean (né le 8 février 1931 à Marion - 30 septembre 1955 à Cholame en Californie) était un acteur américain. Comme Bruce Lee ou Marilyn Monroe, son décès tragique prématuré, à l'âge de 24 ans, au sommet de sa gloire a contribué à garantir son statut de légende du cinéma américain. Il est le symbole de la jeunesse en désarroi des années 1950.

Good golly Miss Molly sure like to ball good golly Miss Molly sure like to ball when you're rocking and rolling can hear your mama callFrom the early early morning to the early early night when I come Miss Molly's rocking at the house of blue lightGood golly Miss Molly sure like to ball when you're rocking and you're rolling can hear your mama callMum and papa told me son you better watch your step if you knew about Miss Molly have to watch my pa myselfGood golly Miss Molly sure like to ball when you're rocking and rolling can hear your mama callGood golly Miss Molly sure like to ball good golly Miss Molly sure like to ball when you're rocking and rolling can hear your mama callGoing to the corner gonna buy a diamond ring won't you hug me kiss me make me ting-a-ling-a-lingGood golly Miss Molly sure like to ball when you're rocking and rolling can hear your mama call

Tanze mit mir in den morgen, tanze mit mir in das Glueck, in deinen Armen zu traeumen ist so schoen bei verliebter Musik. "Darf ich bitten zum Tango um Mitternacht?" fragte ich Suzanne, sie sah mich nur an. Und ich wusste, dass sie mich so gluecklich macht, wie's nur eine im Leben kann. Tanze mit mir in den morgen, tanze mit mir in das Glueck, in deinen Armen zu traeumen ist so schoen bei verliebter Musik. "Darf ich bitten zum Tango um Mitternacht?" sprach ein Kavalier tags darauf zu ihr. Er war schneller und hat sie nach Haus gebracht, doch ich traeumte nur noch vor ihr . Tanze mit mir in den morgen, tanze mit mir in das Glueck, in deinen Armen zu traeumen ist so schoen bei verliebter Musik. "Darf ich bitten zum Tango um Mitternacht?" ruf ich bei Suzanne schon am Morgen an. Hat sie mich auch deswegen oft ausgelacht wenn es zwoelf ist, lacht sie mich an. Tanze mit mir in den morgen, tanze mit mir in das Glueck, in deinen Armen zu traeumen ist so schoen bei verliebter Musik

★ Un Air qui me trotte dans la Tête en ce Moment. Par Mr Louis Armstrong ★>>> A la Fin de la "Vidéo" il y a une petite Surprise... Parole de SnOOpy :o)¤¤¤ Music is Life ¤¤¤ SnOOpy ;o)

If you ever go down Trinidad, they make you feel so very glad Calypso sing and make up rhyme, guarantee you one real good fine time Drinkin' Rum and Coca Cola, go down Point Cumana Both mother and daughter, workin' for the yankee dollar... Oh beat it man, beat it Since the yankee come to Trinidad, they got the young girls all goin' mad Young girls say they treat 'em nice, make Trinidad like paradise Drinkin' Rum and Coca Cola, go down Point Cumana Both mother and daughter, workin' for the yankee dollar... Oh you vex me, you vex me From Chacachacare to Monos Isle, native girls all dance and smile Help soldier celebrate his leave, make every day like New Years Eve Drinkin' Rum and Coca Cola, go down Point Cumana Both mother and daughter, workin' for the yankee dollar... It's a fact man, it's a fact

Jojo was a man who thought he was a loner But he knew it wouldn't last. Jojo left his home in Tucson, Arizona For some California grass. Get back, get back. Get back to where you once belonged Get back, get back. Get back to where you once belonged. Get back Jojo. Go home Get back, get back. Back to where you once belonged Get back, get back. Back to where you once belonged. Get back Jo. Sweet Loretta Martin thought she was a woman But she was another man All the girls around her say she's got it coming But she gets it while she can Get back, get back. Get back to where you once belonged Get back, get back. Get back to where you once belonged. Get back Loretta. Go home Get back, get back. Get back to where you once belonged Get back, get back. Get back to where you once belonged. Get back Loretta Your mother's waiting for you Wearing her high-heel shoes And her low-neck sweater Get on home Loretta Get back, get back. Get back to where you once belonged.

Der 90. Geburtstag oder Dinner for One ist eine Fernsehproduktion des NDR aus dem Jahr 1963. Es handelt sich um einen 18-minütigen Sketch des englischen Komikers Freddie Frinton mit seiner Partnerin May Warden. Regie führte Heinz Dunkhase, wenngleich Frinton der eigentliche Schöpfer der Inszenierung und der Geschichte ist. Die erste Ausstrahlung erfolgte am 8. Juli 1963 in der ARD-Live-Sendung „Guten Abend Peter Frankenfeld“. Die Einleitung in der deutschen Version spricht Heinz Piper. Autor des Sketches ist der Brite Lauri Wylie.